Shirtblog

They claim to send a meta crawler into your entire site, select words from your blog that you use, and will print it on a shirt of your choosing.

This is the preview for snapperhead:



Not A Post

This non-post, is merely to whisper that 'rumors of my death are exaggerated' and affirm that I still have a blogging pulse. I still read all your stuff (even the not so funny stuff about 27"; the wonderful news about BOUND and being published in it; the great news about the 1st film audition; or the right-on post about 'introverted and not being a loser') but I'm rarely commenting to save time since...as some of you may know...to attempt to post at all when using a hand-cranking dial-up modem that is so slow it can take minutes to build one page, well, that's just not gonna happen much. Improvements are on the horizon. New computer with Wi-Fi and all the cable modem/router that I can eat.

Until then. Know that I read (and really believe SafeT is a deranged hairball just waiting to be vurped back down to the planet Urfmaqlia)... that I miss the writing and DigRends as I had it a couple months ago,...and plan to have it back. Eventually/soon/notsoonenough.

Arrrrgh!

I've still not connected. Feck (to borrow a phraze from davecat) I hate not having a computer set-up. I suspect it will still be weeks until the boxes are unpacked and I am settled and the internet is up. THIS SABBATICAL IS TOO LONG AND I MISS BLOGGING (but I certainly can't write and create with the pub lick peeping over my shoulder).

Until I get settled, know that I miss you all.

Flux

Although my respite is over, I am now without proper internet access. I find that I'm not one who easily creates digital renderings or writes in an internet cafe setting. Also, I don't usually write diary entries, because explaining my cat's cuteness or complaining about my absolutely fucked new haircut, just doesn't seem to be my cuppa (which--of course--doesn't mean I don't want the chuckle reading about you and yours).

So. Here I sit with my back to the public, writing a "what I did over winter solstice" piece.

Between the last day I wrote (15 Dec) and today (4 Jan) I accomplished the following:
- rented a 20' x 8' x 8.5' POD-type container.
- emptied a 1600sqft house (with help from my paramour with the 2-person lift shit).
- loaded POD from floor to roof, wall-to-door. Solid. Should have gotten the 24'. I asked for the 24' but the salesman said a 20' would be more than enough for the small house we have. That fuck should have taken my extra 45$ and shut up.
- cleaned said house, painted a couple walls, manicured lawn and garden and pool (this sentence makes it all sound so quick and easy...it should be 4 pages long...it should contain many words like back-breaking and heavy, and difficult, and fraught-with-complications which were unforseen [which is redundant because are any complications forseen, ever?] and so forth until the sheer weight of the words makes the reader tired).
- loaded, compacted, and prepped for transport my 5th wheel RV.
- had same towed out of the Sonoran Desert and into the forest. It had 40# of pressure in all six tires; should have had 80#. So I convinced the dude (who looked like Dennis Hopper) to pull into a truck stop to get air. At 50 cents for 3 minutes of air--over $1 per tire, a total of $7.50, and 40 minutes later--with the skin pulled away from under two finger nails, I got all 6 tires full. The only way it could have been harder, is if I pumped the tires with a hand-pump.
- began work as 'handyman veach' (10$/hr) at a quaint motel in the forested mountains, where my paramour is now the manager.
- set-up the 5th wheel and prepped for winter use.

All our shit is still in the front yard, in that POD. The apartment is still being rennovated, painted, recarpeted and re-everythinged. My bike is buried in the pile so I can't ride. My back and legs are sore. My fingers are dry and chapped. And I couldn't be happier. I go to sleep every night with a smile on my face and in my heart. I am no longer going to have 115 degree summer heat. I might get to hike in the snow this month or next. I will golf in the forest soon.

I wish to thank all who wrote or sent e-cards over the solstice season. I had hoped to jump back into posting with a vengence, but that will have to wait until I can get unpacked and seated at my own keyboard. Nonetheless. I am back.

November's 21 thru 30

After three seconds it stops. Just like on the pier: I have no sense of touch. Need to leave! Watching each of my movements with care, I board an empty elevator. All feeling returns as I cross the lobby. Finally! Other than a man in a blue smock approaching, there is no hubbub. He says, “Mijnheer...?”

I stop. “Umm, Lorber.”

He hands me a paperback-sized screen and says, “de vorm seven-aught-eight-four-two-four, double-three.”

I read, declare myself a non-compensated suicide facilitator, and sign with a stylus. I hand the computer back and walk out the front doors. One-sleeve’s husk is gone.

Guess I should think of him as Fred Lindquist; his name, on the form. I watch two men in protective clothing with tanks on their backs rinse the pavement. I use the V-Sat, wait, and get in when the car arrives. Circling the block, I remove the pistol from under the front seat and zip it into an inside jacket pocket. The biohazard-men are gone when I pick up Holly.

“Did you hear the alarm earlier?” she asks.

“Yes.”

“The briefer told us it’s to warn pedestrians that someone is jumping off the roof. They get a couple a day.”

I say, “tell me about it,” and watch her beautiful profile as she talks. Mission is, now, almost fleshed-out. …web-word spreads about ‘new-best’ everything: woman-in-red to visit, methods, places for a last meal... How to best utilize a question? …compensation for lost revenue if an establishment temporarily becomes a ‘lemming cliff’…

Ohura interrupts: construction – 32-kilometer detour – or select manual..

“Manual,” I reply.

“What?” Ish’s last expression (of ‘unbranded carrier’ fear)—crosses Holly’s face. “You ever control a sled?”

“Yes. Dan Ryan during Chicago rush hour.” I say as the accelerator presses my foot and steering responds to my fingertips.

“Oh,” she says, relaxing and turning her attention to the in-dash screen. “I forget you’re American.”

Maneuvering irregular roadway sections bordering a site containing several building-top cranes, I indicate with my chin, “unfamiliar with this.”

“The epicenter, I think,” she replies. “I’ve got our kiosk results, but don’t read until you’re off manual.”

Once available, I return to handicap automatic. Glancing toward the screen, Holly’s body posture grabs my attention. She kisses me; soft lips with a flick of tongue. I kiss back. Honeysuckle fills my nose and a left eye as green as a four-leaf clover fills my vision.

After reading our negative results—which reflects Joe has not been tested since arriving two years ago, all but confirming his virginity—the car stops and we escape the drizzle under an awning. “Never been to this part of town, where are we headed?” she asks.

“A few blocks east of the Internationaal Instituut…ahh, over there.” I point across the street at a pedestrian walkway. We hold hands.

In the afternoon, with no reflected blaze of artificial lights, the massive mirror-and-chrome block looks less imposing. Holly chooses the pizza and beer joint—Best of Both Worlds—with no coaching.

While selecting a table, an intoxicated, mustachioed-man—shorter than me by a few inches, lighter by a few kilos, and younger by several hundred years—bolts from the back and almost knocks us down. To prevent the collision, I hip-check him into an empty table, spilling most of my beer. As he climbs upright, I estimate the placement of a nonfatal windpipe-crushing blow.

In gutter-French he stammers, “Feckin bitch-all-worthless highn’-mighty, dre-serve to die. Filth-cunt!” Spittle froths in the corners of his mouth.

Silently, two waiters manhandle him away while a third apologetically brings me a fresh drink.

Holly pales.

“Just a drunk and he is gone,” I say.

With strong shock behind her eyes and over-filling her voice, she says, “we dated. Martin-something. Haven’t seen him in years. Never did anything ‘cause he always refused a joint test and, instead, showed me dodgy private print-outs.”

Her coincidence not mine. Nonetheless, I nudge the pistol. After four beers and a pizza, Holly appears relaxed. We dance a few songs. During Neunundneunzig Luftballoons the lights grow blurry streamers. Maybe just the beer? Colors fade away. No such luck. Vision closes in; disappears to gray. I pull her close and slow dance.

I savor soft kisses through two more songs. Did I overlook a signal? A waiter or busboy? Slipping Holly my wallet, I tell her to pay and meet me out front. By memory, I work my way to the WC. Empty. I piss and wash without interruption. Through a side service door, I sidle in the direction of crowd noises. At the corner, near knee height, I hear the squeak of someone twist-molding a balloon and muttering in French: ‘fuck-cunt-fuck-cunt’. I smell honeysuckle. With the barrel in contact with a sweaty mustachioed skull, the retort is muffled to door-slam proportions.

My vision snaps into focus on a crimson splash of hair-brains on the silver building. I pick up my wallet and help Holly to her feet. Choking, she stumbles over Martin-something’s torso. I lead us through the crowd. LΓΆsch’s guidance about Gendarmerie abilities causes me to cross the street and, after two blocks, wait for a bus-train where Holly vomits in a trash receptacle. After fifteen minutes, we get off and she gasps through tears, “you saved me, Joe.”

I shush, hold her, and stroke her hair while waiting in a turnout for the car. It begins to rain. Hard.

After instructing Ohura I say, “if you can, I would like to know more.”

I hug her and stare through the windshield. She whispers, “he was waiting. Flying one-ought-five or something, not just drunk. I said he confused me with someone else. Then I ran. He grabbed me. I could see the shadows of people passing; none helped.”

“Was he a carrier?” One down.

“Wrong skin and he’d be dead already; maybe, hiding his identity? I mistakenly heard, ‘mighty oak’s never confused,’ but it was really: ‘Marty Oak’. Before—he was Ballard. I remember now.”

Oak, in Spanish, is Roble.


To Be Continued (maybe, someday)

Film Reviews (Late Fall 2005)

Wallace and Grommit.. (2005) directed by Steve Box (Chicken Run, 2000); starring the voices of Helena Bonham Carter and Ralph Fiennes: Snaprating=WFD, MILIEU theme (Problem sub-theme). Stop-motion claymation fans, especially those who know and love the three previous W&G short films, will enjoy the antics and not be bothered by the predictably childish plotline.
Domino (2005) directed by Tony Scott (Man on Fire, 2004); starring Keira Knightley and Mickey Rourke: Snaprating=Keeper, PROBLEM theme (Character sub-theme). Fans of Scott's colorful, quick-cut, intense information overload films, will love this edgy, hard-pounding blur. Of special note are the numerous, wonderful, minor-characters and quirky-odd sub-plots.
2046 (2004) directed by Kar Wai Wong (director of many films released outside the US); starring Tony Leung Chiu Wai and Takuya Kimura: Fans-who-don't-hate-operatic-cinema-Snaprating=Cheaper, Opera-haters Snaprating=WFT, CHARACTER theme. Disregard the trailer, this is not an SF Film! It feels like Barton Fink melded - confusingly - with a slow-paced, 50's gumshoe-story (but set in late-60's Asia) AND because it's a need-to-concentrate, think-film, don't leave for three minutes or you'll lose the thread.
In Her Shoes (2005) directed by Curtis Hanson (Wonder Boys, 2000); starring Toni Collette and Cameron Diaz: Snaprating=Cheaper, RE-ORDER theme (Character secondary theme). This funny-touching film will be enjoyed by mothers and daughters everywhere. A mix of Return to Me, Playing by Heart, and - maybe - (with sisters and grandmothers instead of sons and mothers) Igby Goes Down .
Touch the Sound (2004) directed by Thomas Riedelsheimer (Rivers and Tides, 2001); starring deaf percussionist Evelyn Glennie: Artist and lovers-of-art Snaprating=Cheaper, Non-Artist Snaprating=WFT, MILIEU theme. This intense documentary about hearing with one's body will soon be available on IFC and The Sundance Channel.
Good Night and Good Luck (2005) directed by George Clooney (Confessions of a Dangerous Mind, 2002); starring David Strathairn and George Clooney: PPBOATS* Fans Snaprating=Cheaper, All others Snaprating=WFC, MILIEU theme. This near-historically-accurate film is quasi-documentary (but not too quasi, like an Oliver Stone film). Fans of The Downfall: Hitler and the End of the Third Reich will enjoy this glimpse of 1950's McCarthyism.
The Weather Man (2005) directed by Gore Verbinski (The Ring, 2002); starring Nicolas Cage and Michael Caine: Snaprating=WFD, CHARACTER theme. This poignant, slightly unsettling, well-acted, story (with the humor of: Me, You, and Everyone Else We Know) is similar to About Schmidt only the focus is on a self-absorbed, angsty, middle-aged man, instead of a retired one.
Capote (2005) directed by Bennett Miller (big-screen directorial debut); starring Philip Seymour Hoffman and Catherine Keener: Snaprating=Cheaper, CHARACTER theme. Hoffman is incredable in this BPBOATS*, which is plotted like Girl With a Pearl Earring, since it's more about the 3 years he wrote In Cold blood, than his entire life.
MirrorMask (2005) directed by Dave McKean (big-screen directorial debut); starring Stephanie Leonidas and Gina McKee: Snaprating=WFC, MILIEU theme (Problem sub-theme). Although the simple, non-musical, plot may be compared to The Wizard of Oz (even thought it's more of an after-school special) this wonderfully drawn, poorly-scripted, and terribly-acted construct fails to make audiences care about it's characters or outcome.
Elizabethtown (2005) directed by Cameron Crowe (Almost Famous, 2000); starring Orlando Bloom and Kirsten Dunst: Snaprating=WFD, CHARACTER theme (Problem and Milieu sub-themes). This Lost in Translation set in middle-America, maybe had potential for greatness during pre-production (great script and director) but over-reached with: poor casting, esoteric music, and tacked-on subplots, which all fail in this patchwork-quilt-of-quirkyness.
Jarhead (2005), directed by Sam Mendes (American Beauty, 1999); starring Jake Gyllenhaal and Jamie Foxx: Snaprating=Keeper, CHARACTER theme (Milieu secondary theme). The Vietnam war has Full Metal Jacket, WWII has Saving Private Ryan, now Desert-Shield and -Storm have this humorous-yet-poignant, exceptionally acted, directed, and edited masterpiece.
Memory of a Killer (Zaak Alzheimer, De) (2003) directed by Erik Van Looy (Shades, 1999); starring Jan Decleir and Koen De Bouw: FFF* Snaprating=Cheaper, All Others=WFC, PROBLEM theme (Character secondary theme). Fans of the Korean film Tell Me Something will enjoy this pro-antagonist 'hit-man with a heart' (who's losing his memory).
Kiss Kiss, Bang Bang (2005) directed by Shane Black (directorial debut, screenwriter); starring Robert Downey Jr. and Val Kilmer: Snaprating=Keeper, PROBLEM theme (Character sub-theme). Downey is wonderful in this enthralling and hilarious 'unwitting-PI, murder-mystery-gone-awry', which has the look and feel of The Pink Panther meets Jackie Brown with an Elmore Leonardesque smell and taste.
Harry Potter and the Goblet of Fire (2005) directed by Mike Newell (Four Weddings and a Funeral, 1994); starring Daniel Radcliffe and Rupert Grint: Snaprating=WFD, PROBLEM theme (Milieu sub-theme). If cramming a book (twice as thick as the first ones) into 2 hours: A - Cut a lot out. B - Uniquely tie together fifty slices of information and action. or C - Use a massive amount of CGI and hope the shitload of poorly fitting, choppy scenes will be overlooked. Newell failed at A, never tried B, and accomplished C.
Unleashed (Danny the Dog) (2005) directed by Louis Leterrier (The Transporter, 2002); starring Jet Li and Bob Hoskins: Snaprating=Cheaper, Problem theme. This 'marial arts film with a heart' will be mostly enjoyed by Jet Li fans.
The Girl in the Cafe (2005) directed by David Yates (Big Screen Directorial Debut); starring Bill Nighy and Kelly Macdonald: Snaprating=WFD, Character theme. This made-for-TV film blends two interesting character studies, and humor, packaged into a strong geo-political guilt-trip-heavy message.
Imaginary Heroes (2004) directed by Dan Harris (Big Screen Directorial Debut); starring Sigourney Weaver and Emile Hirsch: Snaprating=WFC, RE-ORDER theme. This Ordinary People-Chumscrubber mixture is interesting because of plot twists, but we never grow to care about the shallow characters and when the twists become resolved, we end up with a handful of whogivesafuck.
*PPBOATS = Period Piece Based On A True Story *BPBOATS = Biographical Picture Based On A True Story *FFF = Foreign Film Fan

November's 11 thru 20

Turning to look me in the eye, Robert-not-Bob says, “Oh, annnnd…Wash Cabinet is de rigueur, but I understand Water Closet is still acceptable…” I smile at him and pick up the peppershaker to examine my warped reflection; how did I get that scar? He continues, “…told me about the SDU last month; you slick-frick! Playing stupid so she gains a faux mental edge means… Finally gonna ask her, aren’t ya?”

I shrug. Grin. Memories of past conversations sidle into place—as if they just got caught out of their seats without permission. I envision Holly spread across the pallet.

Interrupted—as she shoots a bowl of frothy beverage at me with a, “figured you could use this; I’ll be back with your special…” and then gives the international waitperson ‘I’ve-got-other-customers’ gesture.

“You heard it. She thinks ‘you’re special’. I’d love to sit and dis-encourage you, but I’m headed over to Barbara’s…and don’t give me that eye-thing you do when you think about me getting so much when you get so little. Can you cover the check today?”

I nod, waive at his departure, and fake laugh, which grabs hold of my caffeinated lack-of-sleep and becomes a giggle.

“Laughing with—or at yourself?” Holly slides a plate of yellow, beige, and brown food in front of me with a garnish of red and a glass of orange; then takes a knee where Robert-not-Bob sat.

Finger-clearing at the slaphappy tears I say, “I would like to go out with you.”

Standing up and straightening her apron she replies, “I visit my uncle after the lunch crowd, today. He lives out by the airport in branded-housing. How about after? Tonight?”

“I could take you to visit him in my loaner-car and we could go from there.”

“You’ve got a sled?”

“The use of one.” I nod.

“Boring for you, while I hand-hold Uncle Deeter.”

“I can keep occupied. Besides, this new civil-soc construct is interesting. Never been inside the new housing project.”

“Ohhhh, I forgot your Social Engineering minor. Well sure then. Pick me up here at fifteen?”

For the next four hours I eat and drink. Pay and over-tip. Confirm and smile-waive. Ride and zone out. Undress and Nap. Wake, shower, return (in my loaner-sled) and wait in front of Ray’s as bully-clouds threaten to suffocate the sun overhead. Holly exits. Momentarily shocked by the waitress-to-supermodel transformation, I stare.

“I was less than honest, Joe,” she says, taking my arm as we walk. “I actually have to get a briefing at the Peste D'HΓ΄pital. I felt funny explaining when customers might overhear. See, they’re predicting a trend: several suicides a day—and not only in the WC’s; some kind of ‘last meal’ thing.”

Holly’s sandy hair frames her face. “You look wonderful,” I say.

“Thank you,” she smiles. Tugging me to a stop, “how about this kiosk?” she asks, leading us into a metal, empty, bus-stop-sized sidewalk-booth. Touching an indent, she looks at me and down at the console.

I’m expected to do something! I scan buttons and read multi-language instructions. She takes my left hand, guides my finger toward the console’s other indent, pushes buttons and retrieves a receipt. We walk.

“Robert said you were inexperienced,” she says as I use the V-Sat. I roll my eyes.

As the car enters traffic, Holly replies to Ohura. All the windows become dark-translucent, music thumps, sandalwood fills the air. “It’s a turn-on. Are you a virgin?” She asks.

How to answer? Joe is, but not me? I shrug and look out the moonroof.

“That’s cool.” She smiles and holds my hand.

“Do you have a handy?”

I nod. She holds out her palm. Giving her LΓΆsch’s phone earns me a: “No-wonder, s’not-even-on. Men,” sigh. After a few seconds of fussing she hands it back, “Not sure how long, but I’ll call when it’s over.”

The car stops. We get out. I say, “Hope you learn how to prevent people from killing themselves after eating your food.” Which earns me an explosion of full-on laughter. While laughing, Holly is stunning.

I enter the elevator with a man wearing a hospital gown without one sleeve—displaying his star-shaped burn. Proud of his brand?

Pressing the 12 – Park button, I glance at one-sleeve. His skin looks rough and flabby. Ish’s brand must have been under a red patch of felt! Ouch!

“You ‘nterested ‘n halloween candy?” One sleeve’s English is extremely nasal. I turn. He cradles a handful of black and orange capsules and says, “You know this ’s the straight One-Oh-Five.”

I squeeze off the elevator, hold it for three shuffling on, and step into a grassy, roof-park with bushes, flowerbeds, and trellises. He follows. “My family’s ‘n need. Twenty-five each?”

On a bench, I take out piggyback dad’s notebook and write: Explain.

“You can ‘nderstand, just can’t talk?”

This is easier. I shrug and make the keep-going finger motion. As I learn about the Belgian assisted suicide program, I nod once in a while. Everyone is prescribed a 105 pill. Although one-sleeve steals unattended pills, the majority are purchased from in- or out-patients who do not intend to suicide by overdose. Recently he decided to sell and send his profits to his sister in Milwaukee.

One-sleeve takes me to where he wants to eventually jump. We look down at the turnout. I tap the notebook.

“Goin’ out messy’s the only plan left.”

I tap.

“Wanna go ou’ big. Was gonna spike somethin' with the 105’s, like tha' Tylenol guy back in the 70’s,” 1982, “in Seattle-someplace.” Chicago.

I lose my balance and sit. Tap.

“Couldn’t find anything tha' wasn’t tamper-resistant seven ways from fuck-me-Fred.”

Nerve endings in the inner ear go first; I keep my eyes on the horizon for balance as my fingertips and feet fall asleep.

“Ya gonna buy my stash?”

I stand in a rush, bracing forward; arms thrust, legs pump. One-sleeve has enough time to register a shocked grimace before he disappears over the rail. A claxon blares.

Book Recommendation: Life Expectancy

Koontz at his best. This one rivals Odd Thomas with it's wonderful combination of: story/plot, interesting protagonist(s) and antagonist(s), building and maintaining suspense, humor, and overall je ne sais quoi. I always enjoy his down-to-earth-yet-bizarre villains who coincidentally happenstance upon unique-unsung-heroes much more than any of his far-fetched supernatural-aliens, and this one cements my favoritism in place.

This one is worth purchasing in hardback and keeping for your grandkids to enjoy in the 2020's.

Keeper Alert: Kiss Kiss, Bang Bang

Kiss Kiss, Bang Bang (2005) directed by Shane Black (directorial debut, screenwriter); starring Robert Downey Jr. and Val Kilmer: Snaprating=Keeper, PROBLEM theme (Character sub-theme). Downey is wonderful in this enthralling and hilarious 'unwitting-PI, murder-mystery-gone-awry', which has the look and feel of The Pink Panther meets Jackie Brown with an Elmore Leonardesque smell and taste.

Book Recommendation: Melancholy Baby

In this newest of the Sunny Randall series, the female Boston PI is further defined as rough and tough (and at-the-same-time emotionally-fragile). This quick-read develops the character while uniting her with Susan Silverman (from the Spencer series). Read Parker not for plots or characters but for fast, smooth, movement of action using mostly dialogue. Available in paperback for Parker fans, and at your library for all others.