Nightless Cave

The 'raise-the-alarm and spread-the-panic' machines have been consistent and loud enough, that I suspect most people have already heard that the US economy is a huge, smelly, loaf of a turd, and that it's — presently — circling the toilet-bowl (I'm paraphrasing).

The Question Of the Month, seems to be: "Who Flushed?" There are many fingers being pointed. I suspect two groups of individuals hope nobody bothers to look for fingerprints on the flusher handle: House-Flippers and House-Floppers.
You may be a flipper, you probably know one, you certainly watched a TV program (or six) that showed it being done. Amazingly, every show contains a false-stress/fabricated-time-line, constantly-shoddy craftsmanship, and a: "just get it good enough for the TV camera," mentality.

The flipper premise: Buy an old Piece-O-Shite house (Pour). Spend a little to make it attractive to buyers during their brief walk-thru (White-Wash). Sell it for tens of thousands over cost (Rinse). Repeat.

The House-Floppers bought (new, old, recently-flipped, and fixer-upper) homes, with the intention to 'flop' in them for a couple of years and then sell to make a profit. You may be a flopper stuck in a home you wanted to sell, you probably know a few, you certainly live near a dozen foreclosed houses or condos that were previously owned by twelve of 'em.

The flopper premise: Obtain an interest-only loan for a couple years at a low, variable, interest rate on a house that is...maybe-probably...double what you then-knew and now-know you could actually afford. Live in it (and maybe fix it up). Before 24-months lapse (when the loan jumps to its normal interest-plus-principle and the interest rate adjusts to a variable one), sell for more than you paid. Repeat.

The banks were to blame for making this type of loan an option (but I don't believe there were any big-bad loan officers coercing buyers; individual greed was sufficient).

When circumstances made re-selling for profit impossible — for flipper and flopper alike — hundreds of thousands of people were forced to bankrupt their 'Flipper LLC', and/or have their flop foreclosed out from under them. In every case, these homes now belong to banks. And will be re-sold, in the future, for much less than what they previously sold for. This is their 'NEW value'. Since the banks can't sell any of these homes for the previously jacked-up flippers' and floppers' price(s), they will take losses on all those mortgages, which could force them out of business (buying high and selling low is NEVER good business). The government — obviously — can't allow all our banks to fold. Thus, the bail-out.

Vet. single . . . cash

I (we) chose to move to Portland, Oregon, three months ago, on not much more than: gut-instincts, a hope that serendipitous events of yesteryear were precursors not coincidence, and the urgent desire to flee the southwest. This last reason was the strongest.

In '06, chance and circumstances caused us to set ourselves adrift from employment in: Payson, Arizona—where our personal belongings stagnated, along with my creativity. The mean age of the residents in this forested, mountain town were people who were eligible for social security (I'd use the term average age, but it fails to engender the words: vacuous and ill-tempered). This is not to imply that most northern-Arizona elderly are all... ...well, yes it is.

Because, if most Walmart shoes fit most people, and most people will shop at a Walmart if a store is close, then the statement most vacuous and ill-tempered people wear cheap shoes is indubitably correct. Or have I missed a step in my logic?

I suspect, somewhere in the back of my foolishness, that there is something catching in them-there Arizona hills. The only outward sign of being body-snatched was silver hair. As my temples began to turn, I cried, "We need to flee!"

Now, as a citizen of the pacific northwest, I find Portland mentally comfortable for the likes of me. I may have traded-in some sunshine for rain, but it was a small price to get my creativity back.

On the heels of that preamble...I read an article in a Portland newspaper, which surmised that the local homeless population were possibly all members of some collective organization (like in Fritz Lang's film: M). The author said he would be more willing to provide a donation of money if he knew the scruffy guy at the stop light was not part of an organization. This idiot surmised the existence of: vans, schedules, time-clocks, supervisors, and treasury clerks. He figured it was acceptable to give the "vet" (his quotes, meaning he doubted the claim; ...oh, it's such an effective ruse) a sandwich or a bottle of water, but money would certainly only be fueling some addiction. And, he heard there were instances where "beggars" lived in nice homes with families/automobiles (...and two cats in the yard...) and that they "could be making more than the rest of us poor working slobs".

According to the hack's article, the guy holding the cardboard sign at the underpass was either:

• a hobo-first-class cog, in the big Collective Union of Panhandlers (CUP).
• a deceitful addict.
• a wealthy scam artist.

I'm not going to claim anything the "journalist" wrote was untrue, just that everything he said drew no conclusions and made no important observations (nor am I addressing—or attempting to make light of—homelessness or poke fun at pan-handlers).

Someone who asks passers-by for handouts, bothers me because:

• Their temerity and lack of embarrassment, when asking for money, embarrasses me.
• They ask for money in exchange for nothing (I don't think kids should be given an 'allowance', but paying for routine household chores is OK in my book).
• They anger me just like: telemarketers, door to door salesmen, and public-cellphone-shouters do, by disregarding my personal space and intruding into my non-verbally communicated (but clearly understood by society) desire to not interact.

My solution:

• I proactively put a dollar in the hat, or the instrument case, of every street performer I walk past (or the equivalent in foreign currency, outside the US).
• If they take a break, talk to the fuck-tard next to them, or tune strings as I pass, I keep my money (no matter, I heard their music upon approach).
• The music must be performed or sung live, and if they beg (or have someone else) I give nothing.

I think if everyone paid a small amount to street-performers and none to beggars, then eventually the message would spread. Just like, obviously, the word has spread that all recognized CUP members in good standing utilize: corrugated cardboard, black-felt tip marker and poor grammar—no matter if they are a member of the 'honest, self-deprecating' chapter; the 'pity-me' chapter; or the 'most uniquely bizarre' chapter.

When I said I was not going to poke fun a pan-handlers I lied.

Scathing Elves

Am I the only person who prefers an 'American translation' when reading British authors? This is only a book-reading issue. I prefer foreign films in their native languages and have no problem with subtitles—even those of obvious British origin. I also don't have a complaint with any other creative medium or form of communication (e.g. music, theater, poetry, graphic novels, or television programs).

However, when I am engrossed in a book, my brain trips and stumbles every time it crosses a British term. It's not like I can't decipher the meanings. I know if the character is 'going on holiday' she is taking a vacation; that his 'trainers' are running shoes; and that if he is 'going to the loo (or WC)', he's going to the toilet (or restroom). But every time I read the British words, my brain stumbles and it slows down. Then, I recognize I'm reading. Effectively, I exit the story for a brief moment and become aware of the page, the paragraph, the sentence, and my eye moving over words. It may be only a second, sometimes less, but it's enough to ruin a pleasant read if it happens three times a page.

I asked a few people about this and learned not everyone has this problem. I suspect one reason is reading speed. I don't read graphic novels or poetry fast and, therefore, don't stumble on "translations". But, if I become absorbed in a story, I am unaware of my surroundings and lose track of the passage of time (until our hero takes a torch out of her pocket and shines it down into the empty lift-shaft, illuminating a clutch of elves glaring into the light).

Are any British writers re-edited for US Markets (you ask, scathingly)? Yes. The Harry Potter books. They went too far when they changed the title of the first book (from Philosopher's Stone, to Sorcerer's Stone) but that's on the author for allowing it.

The following example (of a jarring British text) is excerpted from pages 133-134 of Steven Hall's novel The Raw Shark Texts (my proposed US-version immediately follows):

I found him by following the flex. The flex from the standing lamp connected to an orange extension lead which connected to a white extension lead which connected to another orange extension lead...

I found him by following the electric cord. The cord from the floor lamp connected to an orange extension cord which connected to a white extension cord which connected to another orange extension cord...

On a slightly different, but similar, note. If a story has been transliterated from another roman (or latin)-based language (e.g. Spanish, German) why are proper nouns not translated? Each time this happens, the same 'hiccup' occurs: I'm jarred out of the story (because I'm being reminded, "Hey, this is a translation. This is not the language of the author.") For obvious reasons, this is never an issue with semantic/phonetic transcriptions of cyrillic or other non-roman-based alphabets.

Year one of my sabbatical

          In March of 06 my paramour Pam, and I, quit work and began a rambling shuffle of job-searching (for her) and camping journey (for us).

          A medium-good memory from that spring:  We were sitting in camp chairs, near the shore of Utah's Sevier River, just after waking (not much energy yet).  The fire was beginning to make warm water for our coffee.  We were facing each other.   Pam's back was to a scrub-bush and tree covered slope.  Movement caught my eye.  I looked up.   A red tailed hawk shot down over-through the brush and trees in a spitting-arc, toward us.

          It opened its wings WIDE in a braking motion.  As it's talons slowly (not slowly at all, this whole thing lasted three-four seconds) reached out from it's body to begin to land on the top of Pam's head....I began to react.  (Oh, how—now—I wish I'd the temerity to remain motionless.)  An intake of breath preceded my facial muscles beginning to squinch (the expression which usually precludes the word 'eww').  My shoulders began to hunch a little and I started to raise my hand (I think, maybe, I was going to point...?)  The hawk's eye-line shifted up from the top of Pam's head (isn't it shit-cream crazy how the incredible eyeball-brain-combo works? This movement of Mister Hawk's head lasted...well...maybe four-tenths of a second, and registered in my head as what it really was: the hawk's recognition of a mistake it was in the extremely rapid process of making.)

          It then saw me...moving.  It's force-trajectory had brought it three feet from Pam.  So close, the talons were no longer visible—blocked from my view by Pam's wonderfully pillow-tousled hair. Pam's sleep-addled brain correctly interpreted my movements as the beginning of a reaction to something I was seeing—and she started to turn.  The hawk's head snapped to the side, and (...exit stage left...) with a burst of wind from it's four-foot wingspan it darted away, out of sight.   My sight.  Pam never saw a feather.  The only proof she had/has, that I didn't make it all up, was/is: she heard the pop-burst of wind, which caused her to duck.

          Every time I retell the story she says, "You would have loved it if that hawk actually landed on me."  I can only reply, "True.  It is, currently, only a medium-good story.  For it to have become a great campfire story, the hawk and you would both have had to lose your collective shit."

          Fall of 06 we began an almost 12,000 mile looping-trek across the US; Arizona to Virgina, up to Maine, further up through Canada, and down through Glacier National Park, Yellowstone, and the Grand Tetons, back to Arizona.  This was also a combined job-hunt/once-in-a-lifetime chance to see-the-sights.  No job landed.  Many sights seen.

          One (of many) notable moments occurred after many weeks in a cramped car, guest rooms, cheap hotels, and camps:  We stopped for the night at Lake Saranac in upstate New York and rented a cottage for one evening (a splurge).  Our hopes were on easing the tensions of our proximity-overload.  We basked in front of a roaring fireplace; soaked in a highly-effective hot tub; ate in a kitchen where Pam made one of our favorite meals; and....received some cat love.  We were missing ours.   A cabin cat showed up, came in, and snuggled.  To top off the night—we took a canoe out and paddled into the moonlight with the shore lights gleaming off the water.

(to be continued?)

Return!

Hello? I am in the process of returning to the mix. This feels like the right time for me to try. Although only a small part of me is peeking out,

more of me will be coming back ... soon.

I, actually, continued to peruse my favorite bloggers over the last two and a half years. At one point Davecat called me on it, but I diligently remained a mute specter.

It has been 30+ months since I turned this canvas to the wall, and much has changed since the Spring of '06 (details should, soon, be a-trickling), but I have continued to follow and love:

Boobs, Injuries, and Dr. Pepper;
Safe-T-Inspector and Arthbard (nee: Safe T Inspector);
Little Black Duck (nee: The Diner at Penda's Relm);
The Seventh Notebook (nee: Laughing Sky);
and Shouting to Hear the Echoes.

Ciao

Difficult Index - pen/ink - 2001

I have--finally--come to terms with my non-writing and non-creativeness. Because my time, schedule, art, and mindset has red-shifted one step towards my past and skip-jumped over 'love to, want to do' into 'would like to accomplish this year' (combined with a sickness that has all but kept me in bed for almost a full month now) I have decided to turn this canvas to the wall.
I may return; I may not. My desire/urge to create constantly, mentally, crashes into my definite inability and causes significant stressors. Therefore, I close this creative outlet for an indefinite period.
Thanks to all who helped me through the previous sixteen months of blogging; I miss you all. Good-bye.

Shirtblog

They claim to send a meta crawler into your entire site, select words from your blog that you use, and will print it on a shirt of your choosing.

This is the preview for snapperhead:

Not A Post

This non-post, is merely to whisper that 'rumors of my death are exaggerated' and affirm that I still have a blogging pulse. I still read all your stuff (even the not so funny stuff about 27"; the wonderful news about BOUND and being published in it; the great news about the 1st film audition; or the right-on post about 'introverted and not being a loser') but I'm rarely commenting to save time since...as some of you may know...to attempt to post at all when using a hand-cranking dial-up modem that is so slow it can take minutes to build one page, well, that's just not gonna happen much. Improvements are on the horizon. New computer with Wi-Fi and all the cable modem/router that I can eat.

Until then. Know that I read (and really believe SafeT is a deranged hairball just waiting to be vurped back down to the planet Urfmaqlia)... that I miss the writing and DigRends as I had it a couple months ago,...and plan to have it back. Eventually/soon/notsoonenough.

Arrrrgh!

I've still not connected. Feck (to borrow a phraze from davecat) I hate not having a computer set-up. I suspect it will still be weeks until the boxes are unpacked and I am settled and the internet is up. THIS SABBATICAL IS TOO LONG AND I MISS BLOGGING (but I certainly can't write and create with the pub lick peeping over my shoulder).

Until I get settled, know that I miss you all.

Flux

Although my respite is over, I am now without proper internet access. I find that I'm not one who easily creates digital renderings or writes in an internet cafe setting. Also, I don't usually write diary entries, because explaining my cat's cuteness or complaining about my absolutely fucked new haircut, just doesn't seem to be my cuppa (which--of course--doesn't mean I don't want the chuckle reading about you and yours).

So. Here I sit with my back to the public, writing a "what I did over winter solstice" piece.

Between the last day I wrote (15 Dec) and today (4 Jan) I accomplished the following:
- rented a 20' x 8' x 8.5' POD-type container.
- emptied a 1600sqft house (with help from my paramour with the 2-person lift shit).
- loaded POD from floor to roof, wall-to-door. Solid. Should have gotten the 24'. I asked for the 24' but the salesman said a 20' would be more than enough for the small house we have. That fuck should have taken my extra 45$ and shut up.
- cleaned said house, painted a couple walls, manicured lawn and garden and pool (this sentence makes it all sound so quick and easy...it should be 4 pages long...it should contain many words like back-breaking and heavy, and difficult, and fraught-with-complications which were unforseen [which is redundant because are any complications forseen, ever?] and so forth until the sheer weight of the words makes the reader tired).
- loaded, compacted, and prepped for transport my 5th wheel RV.
- had same towed out of the Sonoran Desert and into the forest. It had 40# of pressure in all six tires; should have had 80#. So I convinced the dude (who looked like Dennis Hopper) to pull into a truck stop to get air. At 50 cents for 3 minutes of air--over $1 per tire, a total of $7.50, and 40 minutes later--with the skin pulled away from under two finger nails, I got all 6 tires full. The only way it could have been harder, is if I pumped the tires with a hand-pump.
- began work as 'handyman veach' (10$/hr) at a quaint motel in the forested mountains, where my paramour is now the manager.
- set-up the 5th wheel and prepped for winter use.

All our shit is still in the front yard, in that POD. The apartment is still being rennovated, painted, recarpeted and re-everythinged. My bike is buried in the pile so I can't ride. My back and legs are sore. My fingers are dry and chapped. And I couldn't be happier. I go to sleep every night with a smile on my face and in my heart. I am no longer going to have 115 degree summer heat. I might get to hike in the snow this month or next. I will golf in the forest soon.

I wish to thank all who wrote or sent e-cards over the solstice season. I had hoped to jump back into posting with a vengence, but that will have to wait until I can get unpacked and seated at my own keyboard. Nonetheless. I am back.