Finate


digital rendering by veach glines — 2008

People ask me, 'Don't you ever run out of ideas?'  In the first place I don't use ideas.  Every time I have an idea it's too limiting, and usually turns out to be a disappointment.  But I haven't run out of curiosity.  — Robert Rauschenberg (1925-2008)

Gus 1998 - 2008

Hanging on my studio wall, higher than I can reach without a boost (remember when gimme a boost was followed by someone interlacing their fingers and bending at the waist in anticipation of a dirty foot being placed in their hands?) is a nail—obviously driven there prior to the landlords last paint-job. Suspended from that ivory-painted spike is a slender booklet. The page facing me bears a close-up image of two tanned, well-manicured, and unsoiled sudsy hands under a chrome faucet. I think the hands belong to a woman; but since the unpainted nails are short and no jewelry is visible, my assumption is only based on size and shape and in no way should be construed to mean I think men with svelte hands are effeminate. (The last phrase of that previous sentence is a lie.) Periwinkle words: National Hand Washing Awareness Week 3rd–9th, cross the lower edge of the image, over blurry white porcelain.

Below the image are thirty-one squares. I don’t have to count them to know how many there are because each one has a number in its upper right corner. Using an indigo-blue Bingo Marker, my paramour places a dot of ink in the center of each of the squares. I can always determine when she was away because catch-up dots are lighter, less-round, and a little streaked at the edges.

I’ve seen the new booklet my paramour plans to hang when each of the squares below the washing hands is dotted (I may offer to give her a boost because I love to hear her laugh). The front image shows the inside of an arm—I don’t know if it’s a man or a woman’s arm—where a needle has been inserted into a vein and taped in place. The needle is attached to a short red tube, which leads to a suspended plastic bag half-full of dark blood. I know it’s blood because of the vermilion words at the top: National Blood Donor Month.

Yesterday, when my paramour brought home the booklet that begins with a bag of blood, I thought back to when she hung the current-almost-finished one—now filled with candy-apple red and indigo-blue dots (she ran out of red on the page Prostate Cancer Awareness Week 15th–21st, with a picture of an elderly man hiking in the mountains....sometimes, less-obvious imagery is definitely better).

The worst page was the one with business-suited cyclists parading down a city street wearing: helmets, smiles, and little round mirrors at the top corner of their sunglasses. In muddy-taupe print, Bike to Work Week 12th–16th, tarnished the perfect-blue sky. That was the page Gus died.

Almost ten booklets ago, the very pregnant hausfrau—who reluctantly surrendered his care to me—was concerned that I would not be able to sleep with him in my house because, “this is a wonderful, indoor, red-tip Siamese, but a constant-he-is-yowling.” Her strongest fear, she confided, was Gus suffocating her soon-to-arrive baby.

At that time, he was the age that’s no longer kitten and not yet cat. Gangly. He was content to sit quietly in my apartment window during the day as long as I allowed him to sleep between my legs on hot nights, next to my head on cool nights, and under the covers—in my armpit—on cold nights.

The housfrau’s fear was legitimate: when I laid on my stomach, he would lie on the side of my face; if I turned my head, he would reposition himself in order to stay on my face. (I suspect he liked my warm breath.) Since I need cool air to sleep and have never been able to sleep with my head under a blanket, I slept only on my back or side.

His attention was always focused, his purr louder than fingers tapping on the arm of an overstuffed chair, and his head-butting-show-of-affection was a daily, solid, affirmation of his connection to me—his human.

He loved to play rough—my hands and wrists bore constant scratches (and a few scars) as testament—but he intuitively knew faces were off-limits. If interested in playing rough, I would sniffle, by audibly drawing a short breath in and out of my nose. He was always game. He taught me the sniffle-signal while purring in someone's lap; a few quick sniffles and he attacked the person petting him.

Gus would almost always come when his name was called (indoors). His sigh, exhaling a long-breath that left his nasal passages and lightly strummed his vocal chords, like a weary soldier, just before he fell to sleep was a goodnight I have learned to sorely miss.

Gus had an impressive vocal range and an obsessive-compulsive streak. If a door was closed which he wanted open, he would cry and meow at above normal indoor-voice-conversation level. If his meowling bothered me, I would sometimes shout at him or chase him away from the door. Then, he could—from a distant room—increase his volume until it became an angry-hurt, deep, baying, rapid-fire-howl. This, however, only happened after he taught me to hike with him in the woods.

After leaving Germany, Gus and I traveled through several American southwest states for almost half a booklet. I allowed him out of the tent almost immediately (even though he hadn’t asked) because there were no man-made objects in sight. At first, he wandered and I strolled after him. His explorations—with me always just over his shoulder—got longer; I intervened only when his path looked precarious or his destination was toward man-made objects. After a few weeks, I began to take the lead. If the sun was not too high-hot and the trail I chose was interesting for his nose and ears, he would stay with me until drawn off-path by a gecko, bird, or cooling spot of shade. At times we would switch the lead and he would move ahead (usually because he wanted to ‘break brush’ and walk anywhere but on a path). I soon learned what surfaces his tender foot pads could tolerate and subsequently chose all future hiking locations accordingly.

Once we were settled inside walls, he would yowl to go out when the weather was nice. Whenever I could, I would take him out into the forest and we would just walk together, for miles sometimes—me with a walking staff (to check for snakes in the dark nooks he liked to explore) and him with a bright orange neckband (If I called, he would come about half the time; the other half he just wondered: ‘why are you yelling? Can’t you see I’m right here?’ as his creamy-sandy-rust camouflaged him in some shady spot). Eventually, we hiked together enough that I stopped looking over my shoulder as much. If I got too far ahead (about 20-40 meters, depending on the terrain) he would mewl a high-pitched kitten-cry ‘hey, stop going so fast’.

We communicated—clearly—in a language of our own design. A click of my finger could mean get down, come here, look at me, pay attention to my hand, or stop that (the latter of which he understood but almost always disregarded unless I stood up, or stepped towards him). A closed mouth mewl with no tail movement meant either: I'm coming, I'm jumping up, wake up, or even just hi.

One most memorable occasion, we both climbed a huge flat-topped boulder where I meditated while he lay next to me listening to the birds and bugs ease the late evening into night. We were out there for several hours in the dark. He never left my side.

Four pages before he died, he became diabetic. I learned all about feline diabetes and especially how ignorant veterinarians are when it comes to the disease. I bought a human blood testing kit, pricked his ears several times a day (there were almost always a broken-capillary site, or three, visible from then on) and charted exactly how much insulin he got every day. He was fed only cans of meat and fish intended for humans; never pet food (all cat food is bad for all cats, but diabetic cat food is especially bad for diabetic cats) and I sprinkled an herbal powder on his food twice a day, which significantly lowered the insulin intolerance of his cells.

My paramour and I paid for a vacation a half booklet before he was diagnosed. A half-page before we left, Gus was almost completely weaned off of insulin and I was foolishly optimistic.

The pet-sitter was trained to administer the insulin and knew how, what, and when to feed. In the middle of that vacation I received an e-mail: ‘I’m sorry to have to tell you this, but Gus passed away.’

Of course I wanted to blame the pet-sitter, but I couldn’t. All I could think is: he trusted me more completely than any human has ever trusted me and after nearly ten booklets I let him down. At the moment he needed me, I was not there.

He knew I always insured his safety and even though I was hurting his ear and pricking his skin with shots every day—I was his human, it was OK. If I’d have been there, I would have tested his blood, I would have administered the insulin correctly, I would have fed him properly, and I would have responded immediately at the first signs of an illness. But I was in another country.

In comparison to the remorse I feel from the loss of Gus, I have never cried as fully, nor felt as long-term saddened as heavily by any other loss (human or animal) in my entirety. I can't stop reminding myself that as his fatal sickness intensified and the moment of his death neared, I wonder what he was thinking—and—know what he was thinking. Where’s my human? I need my human. Why isn't he here?

The Curious Case of Benjamin Button



The film The Curious Case of Benjamin Button is a wondrous feat of storytelling and certainly worth investing three hours of your time and a sawbuck of your savings.

The critical reviews are rife with comparisons of this film with other, less refined films and movies, which span 80+ years of history (and, in this case, the lifetime of the titular individual).

The only reason NOT to see this film is because you have been anxiously awaiting: Yes Man, Bedtime Stories, or Four Christmases...in which case you probably don't read these rants anyway.

The director of Seven, Fight Club, and The Game has topped himself. Don't miss it.

Portland OR — Reasons (#3)


Craftsmanship Pride

A dozen rational reasons to enjoy living in Portland, Oregon: Number three.

I—like everyone—have heard the 'where's the pride in craftsmanship anymore?' complaint for so many years I thought it was a rhetorical question. It's not. Pride in one's craft only comes when your product is appreciated, purchased, admired, and desired. Since the trend toward more inexpensive IKEA products and nicer furniture from China is not reversible, the craftsmen and women of today are making wonderful products in my neck of the woods (and my neighbors and I appreciate them by the mug, plate, glass, bottle, and ticket on a frequent basis):
  • With 47 different brewing facilities within a 30-mile radius of the city (450 beer labels) this is the micro brew center of the world.
  • Over 30 wineries in the northern Oregon area make this a wine-lovers wonderland.
  • A handful of distilleries are catching hold, and besides unique local vodkas and other liquors, absinthe is now locally produced and available for legal consumption.
  • There are two local brothers: Mike and Brian McMenamin, who should be canonized by the Revitalized Congregation of Our Dearly Inebriated. They have brought new life into dozens of wonderful old buildings—including a 1920's-era Art Deco Vaudeville theater, a fully restored 1910's-era Ballroom with its "floating dance floor", and a Masonic retirement home—by turning/returning them into movie houses, brewpubs, hotels, and music venues. McMenamins: true pride in local craftsmanship.
There's a moment for everyone when you fall into your own shadow and the fact is that it's your shadow and you're forced to live in it. And this is nothing to celebrate or not celebrate. It simply is. — Robert Rauschenberg (1925-2008)

Happy Festivus



Aluminum pole, Food, Grievances to be aired, Feats of Strength to be tested, Beer (in that order).

I think a painting is more like the real world if it's made out the real world. — Robert Rauschenberg (1925-2008)

Solstice Celebration

Today is the shortest day and longest night of the northern hemisphere; the solstice (here on the US western coast) is at exactly 4:04 am.

If one were to pay no attention to man-made calendars, today would be New Year's Eve (which the southern hemisphere would celebrate on June 21st). Sticking with the hypothetical, New Years Day would actually be celebrated on December 23d—Festivus—rather than the 22d, because some years the Winter Solstice is on Dec 22d.

There are only 48 months until the ancient Mayan last day of the long count calendar. How will you spend your last four years on this side of the Milky Way Galaxy? I intend to:
  • Applaud more
  • Blog more
  • Create more
  • Dive more
  • Exercise more
  • Fuck more
  • Golf more
  • Hike more
  • Ignore less
  • Joke more
  • Kiss more
  • Love more
  • Meditate more
  • Neglect less
  • Ogle more
  • Paint more
  • Quibble less
  • Read more
  • Sell more
  • Tank more
  • Understand more
  • View more
  • Walk more
  • Xplore more
  • Yammer less
  • Zig more (Zag less)

I challenge everyone who reads this to treat it as a meme (if you go in for that sort of thing; and if-n you can't figure out the rules, make em up).

Book Selecting & What Not to Read

I read in fits and starts. Fiction can be a wonderful escape and non-fiction is a simple way to learn things; so, I’ll gorge myself by devouring a half-dozen books and then fast a few weeks with nary a page-snack.

I shop in bookstores like this:
  • I scan New Arrivals for authors that’ve proven themselves wordsmiths to my satisfaction.
  • If I find a new Andrew Vachss (let's say). I open it to the copyright page; 1st printing within the last few months?–buy it without scanning a word (back covers and flap jackets have become mini-movie trailers, which should all begin *warning spoiler alert*).
  • If I discover it was previously published (two decades ago, say) but I don’t recall the title, I scan for an introduction or a ‘new afterward by the author,’ and read a bit to determine if this is a previously read novel.
  • Still can’t determine if I’ve read it?–sit and read the first few pages.
  • Then, I scan genre sections that I prefer; presently Sci-Fi, Graphic Novels, Non-fiction, small press. (Here, I actually expect the book to jump up and down and say ‘pick me pick me’).
  • I eventually shop for authors recommended by book-umpires that I trust. (e.g. Chuck Palaniuk not-so-vaguely recommended Katherine Dunne’s Geek Love, in his book fugitives and refugees.)
  • I may resort to reading the first few pages of books that have won awards. (I’ve learned, however, that the Pulitzer is rarely an indicator of reading I’ll enjoy, but the Hugo, Nebula, and Bram Stoker’s almost always are.)
  • Lastly, I hunt and pick. Reading bits of randomly selected books–for reasons I can’t guess at (probably just because the covers are interesting).
Occasionally, I buy books from the internet (when it’s cheap and the weather outside is frightening).

I bought Muffy: a Transmigration of Selves after reading only a few internet blurbs (shame on me). None the less, I applaud the author, S.T. Gulik, for:
  • Teaching me to never buy a book written by an untrusted author without holding it in my hand (this will determine if I’m being fucked at the drive-thru).
  • Seeding interesting reviews on the Internet about her own book–when extremely incompetent in the writing department, be good at marketing.
  • Being an imaginative twelve-year old who accomplished an enviable feat of self-publishing for a junior high school student (a fact, I surmise, solely from the writing).
Real published authors–versus writers who print their own shite–are proofread by editors and publishers; most people can’t edit their own work to save themselves a tarring, feathering, and run-out-of-town-on-a-railing. Gulik is proof of this.

If you can’t hook me by page thirty, you don’t get read. Here are a few examples of Muffy’s totally-terrible first thirty:

...large, doughy breasts. [cliché]
...sweet childlike voice... [cliché]
...you’re pure as the driven snow. [cliché]
...ain’t nuthin worse than an uppity whore. [cliché]
...she saw for the first time the true face of evil. [cliché]
...a tsunami of nausea came crashing down upon her... [cliché]
...that looked more like a horrible train wreck than teeth. [cliché]
...howl of anguish which resembled the sound a cat makes when it’s in heat... [cliché]

...rusty green bench...; ...door soundlessly becomes one with the wall...; ...Muffy awkwardly fell upon the waffles, devouring them...; ...arched as painfully as it had been before. [all very trite adverbs]

...usually sobs and convulses for hours after an encounter...this time had been different. [mixed present and past tense, and use of passive voice]

She squeezed the animal tighter until it began to feel its bones splinter. [mixed point of view inside a sentence]

...she caught a glimpse of a small figure silhouetted in the doorway. It stepped out of the light and shut the door. At first the room was without form and void and darkness was upon the face of the girl. She could hear her captor’s footsteps as they circled her in the darkness... [jarring change in the writer's tone of voice]

“My name’s Sarah, what’s yours?” Muffy tried to speak but her mouth . . . the blue haired one saw the problem and... [misuse of pronoun convention; once a speaker is identified, don't use a pronoun]

She could only stare at the dog that was now licking at a puddle that was developing around the garbage can. Drunken gaiety gave way to anger as the feeling of being insulted grew in his belly. [mixed point of view inside a paragraph; ‘Drunken’ should have begun a new paragraph]

Some of the vastly-various verbs, and horrendously trite adverbs, surrounding almost all of the dialogue: Muffy remarked, Muffy sneered, he demanded, Muffy mused, Muffy nodded gravely, Muffy awed, Muffy squealed, Muffy grunted inquisitively, Muffy said in awe, Muffy whined, Muffy assured, Muffy pouted, Muffy declared, she asked proudly, she said with a giggle, Muffy asked in awe, Muffy cooed, Muffy continued to coo, Muffy nodded happily, Muffy pleaded, Muffy giggled. In fact, Muffy almost never, ever, just said or asked.

Can an average adult not say to them self: hey, this book is full of disgusting clichés and perverse grammatical usage. I won’t read it. And put it back on the shelf? (which is a slightly altered excerpt from Gulik’s own interest generating introduction-disclaimer). Although I would never consider myself average–yes, I can. And I can write about it all over the Internet so others are informed about a very poorly written book.

Stranger than Fiction: True Stories

Stranger Than Fiction: True Stories Stranger Than Fiction: True Stories by Chuck Palahniuk

rating: 4 of 5 stars

[Page 220:] ...brinksmanship, the tendency to leave things until the last moment, to imbue them with more drama and stress and appear the hero by racing the clock.

"Where I was born," Georgia O'Keefe used to say, "and where and how I have lived is unimportant."

She said, "It is what I have done with where I have been that should be of any interest."

[Pages 156-157:] People who come to interview (Marilyn) Manson, his publicist asks that they not publish the fact that he stands whenever a woman enters or leaves the room. After his father was disabled with a back injury, Manson bought his parents a home in California and supports them. When checking into hotels, he uses the name "Patrick Bateman" the serial-killing character from Bret Ellis's novel American Psycho.

[Page 56:] As a white man, you can live your whole life never not fitting in. You never walk into a jewelry store that sees only your black skin. You never walk into a bar that sees only your boobs. To be Whitie is to be wallpaper...

[Pages 31-32:] ...Heidegger pointed out how human beings tend to look at the world as a standing stock of material, ready for us to use. As inventory to be processed into something more valuable...he called this world of raw natural resources bestand. It seems inevitable that people without access to natural bestand, such as oil wells or diamond mines, that they'd turn to the only inventory they do have—their lives.

Snowflake

Make your own at Make A Flake.

I usually work in a direction until I know how to do it, then I stop at the time that I am bored or understand — I use those words interchangeably; another appetite has formed. A lot of people try to think up ideas. I’m not one. I’d rather accept the irresistible possibilities of what I can’t ignore. — Robert Rauschenberg (1925-2008)

Snow Portland

Today was the first snowfall, at all elevations, in and around Portland. Nothing better than a warm fireplace, hot toddies, and the ambient sound of cars spinning their tires and crashing into stationary objects to remind one of first snowfall treasures.