Oh me - oh my - oh, oh wanna-manna pee - oh
entranced exit
digital rendering by veach st. glines, creative commons license 2005
April Foolz
*Drum roll*
*Flapping of cloth as curtains part*
Scroll down. To: 2 March. The post title is: Sky Photo.
*throat clearing*
I don't have a digital camera.
Instead, it was created in Corel Photoshop using several layers of shaded blue all ending diagonally in the center, at the Phoenix cloud.
This wasn't supposed to be an AFJ on just Carmi. Originally, I thought others might take the bait.
NOW, all you all can chime in with how you allwayz knew it weren't a real sky shot and shhiiiit.
*bowing*
*curtain falls*
blog search engine
book recommendations: Sudden Mischief, Dark Rivers of the Heart, and The Shifting Realities of Philip K. Dick
Released in 1998, Sudden Mischief is among the easy readable and equally easily forgettable dozens of Robert B. Parker's Spencer detective series. I read Parker—almost solely—to learn how to utilize dialogue in my own writing more cleanly and effectively. As a master dialogian (dialogist?), Parker is capable of quickly moving his plot utilizing hundreds of pages of succinct dialogue, as if he were writing a screenplay. This chapter in the lives of Spencer, Susan, and Hawk differs slightly in that Parker attempts to utilize more description and Spencer doesn't kill anyone.
This paperback, available at used bookstores the world over for less than a cup of American Starbucks coffee, will keep you awake for about the same amount of time and—tomorrow—will be as memorable.
Dark Rivers of the Heart, published in 2000, is an abnormally unusual Dean Koontz novel because it contains nothing abnormal or unusual: no genetic mutations, no aliens, no other-worldly monsters, no alternate dimensions and no psych-powers. I read Koontz to watch and learn from his ability to smoothly switch character viewpoint as well as tense (whether returning from a flashback or from a story-line running parallel: never a hitch, always an invisible seam), to revel in his milieu descriptions, and to understand his use of suspense-heightening tone.
This 'evil-government' story: tech-spy thriller meets routine serial-killer, is more grounded in reality than what one expects from the twisted imagination of Koontz. It is available to borrow from your public library.
I've always adored Philip K. Dick's short stories more than his novels (which were never long). Although his voice is dark, pessimistic, and—at times—overly heavy, he has a keenly inquisitive eye on the questions: what is reality and what is life. His ability to imagine what-if and extrapolate a believable answer worked into an environment tickling with details, has always made me envious. This collection of his essays, speeches, and brief excerpts from his mammoth-8,000 page philosophical journal Exegesis (together with a helpful introduction by Lawrence Sutin) provides a perspective on Dick's sometimes whacky, sometimes ordinary, sometimes addled thoughts. (As if one were able to read his blog!) For speculative fiction fans, this book is worth the price of a new CD. Own it today. When in need of a reality check: read PKD.
film type results
book recommendation: Sin City
I enjoyed Frank Miller's Sin City: The Hard Goodbye more than I thought I would. I was sucked into reading (is 'view' more appropriate when there are more images to look at than words to read?) this graphic novel--the first of it's series--after watching a trailer for the soon to be released film and getting snagged by the unique, dark, computerized backgrounds with the characters in shadow.
Graphic novel fans will adore the characters and gritty milieu of this book (which I am certain will cause them to read the series). I, however, am not addicted to the viewing of images--needing words to slake my imagination's craving for fuel. So, I will not be viewing more of this series.
I will see the film, however, and include a review of it in my next film review article.
Urgrund (PKD artifact no 2132)
digital rendering by veach st. glines, creative commons license 2005