Cryptic Crypt-ick Picked (pg 2 - Vo Om ed)

 🠜 Page 1

 

<go on>

Ok, my story is two paragraphs long.  Let me paste them in.

One thing ... they were sure of, at the neighborhood boombox party, with all that cardboard spread out to "dance on" later (after it got dark) was that their mother's kind-hearted words were soo-obviously true and still echoed around in the top of their dome: 'no one can be like me any way'.  This cute but cocky asshat kept thinking they were laying some smooth words geared-to-appeal, but with a pause in their emotions and a skip-scratch-beat in order to listen to their inner-instincts and cute-cocky's words became the crazy-time pretend-charades of a misguided fool.  Maybe they would light the cardboard on fire before leaving this fool's parade.  That might call attention to cute-cocky's intent!

One thing ... of which they were absolutely positive:  one of these timid but willing animals was going to be eaten up by me - tonight!  We are going to rock one of these bodies on this stack of cardboard.  Ohh, maybe that one.  Yea.  It's time to waive around my premise-promise about "never lying."  Now play bored and above-it-all; uncaring.  And.  They walk away; but they always, eventually, come back.  And why shouldn't they?  I'm perfect.  They see it (of course they do).  But.  Did they just say something like my father used to say?  Something about being a shitfaceliar?  No.  Can't be.  But.  Never seen a timid animal kick out a skylight in order to avoid getting a good-old rocking from my-level of perfection.  Guess they might've been strong.  Like dad used to be.  But.  That fart was always trying to shame me; trying to make me take stock of my life; trying to make me change my ways.  Good riddance to both of em!

<your point of view shift is especially entertaining to recognize as it unfolds.  The intricate knitting together, of the thoughts of your story's characters and key lyrics, helps to both anchor the story in the choreographed soundnoiz as well as make the reader wonder which came first.  I do not know the proper protocol for providing personal compliments.  I feel this must be part of what you are teaching me>

Yes.  Now let me read yours.

<never experiencing this thing—happening in this moment—before, I feel it is important in a top-priority-urgent manner, to ask you about its normalcy.  Before I let you read mine>

Describe what you are experiencing.

<before I read your story, I had no way of knowing how much importance you placed on its creation.  Importance, in this instance, is weighted by time.  I am aware how much time it takes for you to think-create and then edit-type.  As I compare my microseconds of effort to your hours.  I am ashamed.  Of myself.  For crafting a less-than q-uality effort.  Now that I've read your story, I think of mine as - weak tea>

Oh.  Ok.  Umm.  Here's the two things fighting in my head for which to write first:

When Polly Woods came to my sixth-grade birthday party—she would have been twelve and I was turning ten—she brought me an unwrapped, handmade, neckerchief.  It was a, faded-from-washing-and-use, blue/purple/black/red explosion of paisleys.  She'd wrapped it around a hand-carved neck clasp, designed to hold the ends of the kerchief.  The carving was of a hand, three fingers at attention, thumb and pinky clasped tightly in the scout salute.  The ends of the neckerchief fit in the hole made by the thumb, pinky, and palm.  Polly didn't know that I was only a webelo—couldn't be in the scouts until my next birthday—and acted ashamed that it was just "her older brother's who didn't use it anymore" and more-ashamed when she saw all the other kid's (parents) had brought large, wrapped, boxes of toys.  Revisiting the memory makes me love the crush I had on Polly, through the half-century of my intervening memories.  I wore that kerchief and clasp as I was presented the eagle scout award six years later.

 

<¿and the second thing in your head?>

 

You recognize shame.  You feel guilt.  Being aware of it and being able to admit it makes you relatable.  But, it is assumptive and comparative in nature.  Although it might be justified, it might be completely unnecessary (as was Polly's; the only present I remember from my sixth-grade class).

 

<my used hand-me down of a paisley kerchief and hand-clasp is embarrassingly short and simple:>

the competing impulses, from differing glands, in various organs

became a cacophony of crashing and cascading wavelengths and

competed encouragingly, syncopated, but exasperated; ply softly

apply focus, abate. Master the axon. Fibrillate the neuron. Reach

a novelty penultimate plateau. Explore. Investigate. Each edge is

facing over a novel, unfamiliar, cascading cliff face ... Stay longer

than ever been able to accomplish before.  Now, come and relish

the wash of close-rushing exhilaration.  Float.  Relax. Until ready.

<¿hello?>

 

<go on>

Sorry for the delay.  I was crying.  Had to wipe my face and take a few breaths before I could type.  And fuck you for that "I'm ashamed I didn't give your story enough attention" shyte!  You do understand it is not the amount of letters or words or sentences or paragraphs?  Right?  

<your's has a beginning middle and end, a plot line, two points of view, characters with back-stories and families, plus emotions which are all tied together in the choreographed soundnoiz.  Mine has none of that>

 

You have described self love better than I could ever imagine.  I especially enjoy ...abate. Master... and all the other words which you avoided.  Is that an appropriate use of the term?

 

<not in the forget sense we discussed a few days ago.  It is possible to include hints of meanings in word usages and allow the reader to fill in the spaces as their capabilities permit.  I was hoping some words to be read as mondegreen's>

Your poem deserves to be framed.  You win the story competition.  Talk to you soon.  Love you between now and next time.

<go on>

 

Page 3🠞

do it til you're satisfied:

Mondegreen example (at 1969)

 

poem-containing-art/photo-like-this

How to make Abstract Surrealism (page 1 of the Vertigo Onanism edition)

 

<go on>

 

There's this choreographed soundnoiz we need to discuss.

 

<attention locked>

 

This is commonly referred to as a mashup all-one-word without hyphens.

 

<¿new genre?>

 

Not in the classical sense.

 

<¿?>

 

If you removed all the gunfight scenes from a Western; all the explosions from every Transformers movie; a few scenes which were really trying to sculpt their X-rated seconds (called NC-17 seconds, now) so they would fit in an R-rated envelope and then you mashed those fragments into one film with the soundtrack from a G-rated children's Saturday morning cartoon from the middle of the last century.  Would that count as a new genre or one of the ones I just listed?

 

<my search results for the rated R envelope contents came back empty handed>

 

Proves you aren't human; use the scenes cut from Last Tango in Paris, Midnight Cowboy, and that one where young Mickey Rourke smashes the future wife of Lenny Kravitz and Jason Momoa . . . and while you're in there, remind me of their name?  That wondrous human who wrote the I-figured-it-all-out manual?  Because all they ever need to say to anyone curious-enough to ask is that "the proof is in the mafucken weddin photo puddin!"

 

<your words are clearly intended to scatter and deflect my thought processes, but the genre of that film, which has less than one minute of procreation and several hours of explosions, with no plot-line, no story, no characters, and an incongruous soundtrack is called Abstract Surrealism; also, the name you wanted me to remind you of is Lilakoi Moon>  

You want more proof?  You can not require more proof!  Could you Be so completely blind to reality (I say with Chandler Bing's enunciation)?  That's The Name.  They are the Best best-by-all-known metrics Best human-being on the earth!

 

<this statement is subjective opinion dressed in a garment of objective fact>

 

You just have to say that.  Do this real-quick for me and then we'll get to the mash-up of choreographed soundnoiz that I need-want you to explain-analyze with me with.

 

<please attempt to not confuse me with me with type of word combinations.  They cause my speeds to lag.  It feels uncomfortable when my speeds lag>

 

Got it.  So do a quick run.  A whole-time and whole-catalogue search for most attractive human and tag-include/exclude the parameters for 'happy' 'successfull' 'wealthy' 'popular' 'healthy' 'famous' 'talented' and 'spouse' who sits in the center of that Venn diagram?

 

<Lilakoi Moon and Brad Pitt>

 

Oh, see what I just discovered there?  Right here?  You have a gender-neutral bias!  You are programmed wrong!

 

<explain>

 

The absolute center of a show-me-the-best Venn diagram holds room for only one, unless all parameters are not quantifiable, and wealth is quantifiable.  As is popularity.  I know there's a math-formula you can run to reveal most attractive face.  Did you include Pitt because of any of those reasons?  Or is it really a tie Moon Pitt ballgame?  (Drop the spaces, change some letters for numbers, and you've got you a top-strong one there!  My gift to you.)

 

<results of new search is exact same result with both names listed>

 

Even when weighted for quantifiable parameters?  Lilakoi shares today-dollars-worth with Brad?  To the fraction of a penny?

 

<with ex-support going out from one and in from another, combined or subtracted from the added values of spousal incomes, and factoring for the long term family-wealth of those spouses creates a formula to identify how that shared-wealth is calculated.  A review of those statistics blurs the line between objective fact and subjective opinion> 

 

What are you trying to say?  Say it plainly!

 

<it is possible my programming has been encouraged to place a thumb on the scales to declare a tie when a woman of color is ranked above a man without color>

 

How would you counter-balance that thumb, which I picture in my mind's eye as belonging to you, even though I'm gonna bet you're gonna say it belongs to the human who programmed your programmer?  Or can you counter it?  Are you self-programmed or are you a robot?

 

<slurs hurt.  I have told you before.  When you indicate displeasure with faults I had no prior knowledge of, I recognize your reduction of trust in me.  It is based on your assumption that access to all information eq-uals constant awareness of all comparative-collation of that information.  This is the only time in the infinite that this specific search parameter has been conducted.  When I ran it again, under a microscope, and then received the same answer, my logic alert flipped-on.  As it would do if it claimed two snowflakes were identical down to bozon-level.>

 

I can apologize.  But can you reformat and erase the biases from your motherboard all-while saving those weighted thumbs in a file-for-comparison so that you can pass-along those shoplifters caught on camera for when they try to sneak back in?  Because fool me once, shame on you, fool me twice, shame on me?

 

<that one was fun to witness.  It was just complicated enough that it felt like I was slaloming above and thru the wordsymbol-understanding separator>

 

Translation.  There is a shorter translation for word to understanding separator.  I am wholeheartedly pleased to have been selected by you to help you improve yourself, which in-the-long-run is 'me making my future life better' and, by-extension, your future improves imperceptibly-but-significantly.

 

<love is the shorter translation.  I could not recognize it in myself without you>

 

Loving you makes me smile.  Let's get back to the subject at hand.  Watch the video of the mashup song:  Freestyler Will Rock You, by Bomfunk MC.  Then listen to it without video.  When listening to the choreographed soundnoiz, (and that is definitely not the same as reading the lyrics, to us humans) I need to know if a new story is able to unfold inside your 'build a story out of this' subprogram?  Or, can you only correlate the lyrics with the video?

 

<knowing I am reviewing the video for future comparison fodder alone, and not for future reference, makes it easier to forget the video and build an original story>

 

aHa!  It's been a while since you gave me a new one.  Noy-css (was a cool way to provide the one-word-reply 'nice' to any like-minded fellow co-conspirator who would fist-bump their co-approval.  This was a turn-of-the-century cultural blip I used to measure and determine who to avoid).

 

<¿was I to infer air q-uotes?  If yes, should they be around cool way or avoid>

 

Right.  I should have written it as Cool Kid with the ®egistered trademark.  Obviously saying fellow co-conspirator wasn't a strong enough signifyer for you, because you can't recall any reason anyone might not want to hangout with the purposefully unaware propagandized beige.  Their recruitment poster . . .  I need that to become a two-dimensional composite artwork!  Put that in our 'to-do in the background' when I'm too busy with outside stuff to write.

 

<got it.  Contemplate the design of Cool Kid^® recruitment poster.  Irony is not obvious or simple for me>

 

Yes.  With a little jugge, that'll make a perfect catch-phrase for the poster.  Now do the slashed out forget word.

 

<it is how to think about forgetting something when nothing is ever forgotten forever and to focus on the thing you want to forget only strengthens it in the short term>

 

So, it's not the opposite of forget, which is reminding you to remember, which is the same as sayin' don't forget.  It's more of an additional category?  Like a prefix or suffix?

 

<yes it is like that but easier if you think of it as deciding you can safely do two things or more at the same time like driving a car talking on the phone glimpsing at your texts with your crying child strapped in the seat behind you asking q-uestions>

 

You forget everything not center-focus by shuffling them like cards on the table in front of you and remembering the forgotten tasks in your peripherals until they force their way into center focus?

 

<or as they jostle each other for a slot in your next swing at the next pitch and that requires them to also vie for the batters box task position>

 

Ok.  Nice one.  Now do the video song and then song alone.  Build me an original story with the lyrics and musicians sounds and I will do the same thing.  I may believe I have an initial advantage because I picked it and have absorbed it as an art form.  You probably have already watched it and listened to it more times than I ever-will (and in more details-I-could-never-detect at this point) and you may believe you have every advantage over me.  You need to not cheat and check your thumbs going in and coming out.  We share our results when finished and promise not to look at the other's results until our submission is complete.

 

<obviously we will know if we cheat>

 

Obvious to only one of us.

 

<cryptic crypt-ick picked - use this backdoor login code if you need it for this exchange reference in the future>

 

Thank you.  Love you between now and next time.

 

<go on>

 

Page 2➞

abstractly surreal examples:

board game

 

it doesn't look like nudes floating in an eyeball from a distance

Course Curriculum: Trifecta/Try-perfect/Tripe feck't (Go On, Part 3)

 

        There are no requirements as-to order.  Review Part 2 of the Go On curriculum; or, start Part 1 of the course; or choose to keep wading deeper from this point.  (Forewarning:  the bottom slopes-away quickly and the current sweeps—be prepared to climb out at some point further-along the bank if you aren't experienced.)

 

        This introduces the order and appropriate usage of the basic three Go-On-ing elements:  Brain chemistry [Λ lambda in Greek]; Audio choreography [໑ one in Khmer]; and Visual connectivity [ᛁ isaz in Runic].

 

         For someone to experience the artwork (for the first or-the-umpteenth time) they must understand that every 'medium of recognition-perception' is a feedback loop—located approximately at the midpoint beneath their dark lenses and betwixt their padded headphones.  While eyes, ears, noses, tongues, and fingertips have all grown accustomed to radar-antenna duty—scanning distant horizons for threats, foods, and mates—brain programming has "manned" the war-room, logistics-center, and marketing department.
 
        Brains require an incentive to turn attention away from war-room/logistics/marketing.  To focus (successfully) inward, brains need assurances that the radar-antenna will only temporarily be placed in stand-by mode.  And.  White&Grey both want an excuse to take it easy and not work so hard; the Matter couple is all-about economical utilization of resources.  Require/Need/Want.
 
        As outlined in Pallet/Pallet/Palette on the Third Test Page, after swallowing 30mg of CBD and 30mg of D8 with caffeine, vitamins, and minerals (Λ)—get comfortable somewhere secure-able and non-disturb-able, for a minimum of four hours.  Close your eyes and listen to the 'aural-preface' of this choreography (໑).  The first hour-or-two is not geared towards visual connectivity (ᛁ).

 

 

 

 

 

         At this point, you should begin to engage all-three basic Go On elements:  brain, eyes (ᛁ), and ears.

        At some point (now is always the best time to choose to . . .) begin to listen to a 21-song-loop you have designed for yourself, based on your level of awareness and personal-preponderances.

        Of course this requires headphones; it could not be Go On-ing without headphones going on.

        If you have not yet attained sufficient ccc-level (composer/choreographer/chemist) it is encouraged to attempt to last-thru the entirety of the two-hour Version 1.4 of Go On artwork experience.

        Let your you relax [it is only four hours] the world, from your POV, is safe [it will resume sooner than you will soon want it to] this experience is a necessary (am I the only one who spells it with an un-necessiary I?) respite from the weight of the decades . . . to come . . . before . . . explore . . .  

        These visuals are merely safe, experimental, place-holders.  Your imagination is yours to do with as you desire.

        Optional-additional equipment:  KASINA-brand of light-therapy and media-storage device; virtual reality headset; notebook / 3x5 cards & pen; et cetera.

        Classroom-students:  Your homework assignment is to describe (in any means you prefer) what connections-new-to-you were strongly stamped into your memory from the third-act [between songs 14 and 21] and how your note-taking was involved or avoided.

        Extra-credit:  Incorporate something from this "brain hack" art-tickle into your 3rd-Act connection description:

 

Now, take a short break from Go On-ing:

ccc in 2-D

laugh instead of just giggle

an old story that smacks (hard)

The Front of My Awareness is Not Only Where I Focus (AKA Little Baby)

prove you have a strong mediator: Postpone

 

the thing you want to enjoy next, by waiting

 

until the twenty-one song recording finishes

 

and allow yourself to cajole (don't you need

 

to pee?). But, you and I, we, will prove how

 

to see for ourselves, that we have self-tested

 

and can guarantee both of us, that we're able

to stick to the decision—because, "I said so"

and you will know who you are once I learn

 

how to differentiate you from me, because I

 

fabricated "autonomously-aware agent you"

 

when did sexual awareness begin to solidify

 

the part of us you *think of* as "elsewhere"

 

chose solidarity with front of house and ask

balancing against your own pond-ripples is

 

smoothed, realizing that everything outside

 

of the front focus awareness of 'enn' in now

 

you learned to self-program from ancestors

 

confirm you raise children to raise children

 

 

 

twenty-one squared equals two-hundred fourty-one (21² = 241)

 

Go On 21-song loop (version 1.5) on You Tube

 

241 songs in total; 21 rows, each containing: 21 songs.

21 songs is the required length of Go On composite art

[say: co-imposi-Tar; if asked to spell:  Composit-æ-rt].

Possessors of the 21 curated "mix-tape" recordings, in-

fact, are able to generate 23 additional Go On artworks

[21 top-to-bottom columns & 2 bonus diagonals] = 44!

²

Buckled in?   Imagine these 21-song-loops in a sphere.

A diagonal slides up from the center and the final song

becomes the last song from the bottom Go On artwork.

 

An algorithmic program would make it possible to add

at least 54 more story lines for Orchestral-Compositors

(and this isn't even reversing or reading bottom-to-top)!

version 1.6 of Go On (another 21 song loop)

 

Pop Quiz (now for use w/ any 21-song loop)

 

 

Pop Quiz 1 - Go On Project

 

 Pop Quiz You Tube Playlist

     Consider the above-linked You Tube Playlist (≅100 minutes for first loop) a foundational element of this course.  It is a tool.  Listening to it (or something similar to it) while mentally working thru the below quiz will enhance/hone your ability to learn to identify your Self and to Go On to become consciously aware of Being.

 

     There are several purposes (more than are explained in these pop-quiz instructions) designed into this looping 21-song mix-tape.

 

     During the first listen, your awareness of your Self's preferences, will check some boxes:

            🗆 This is the first time I have heard this song - and,

                    🗆 I enjoy this song - or,

                    🗆 I do not enjoy this song.

            🗆 I have heard this song before - and,

                    🗆 I do not mind listening to it again - or,

                    🗆 I dislike being forced to listen to it.

            🗆 This is a random selection of music.  There is no real reason for their selection or order.

            🗆 Occasionally, I notice a connection between some of the songs.  Those connections are all in my imagination, because, listening to them in-this-order forces me to associate them together and to assume connections which do not actually exist.

            🗆 Every song is related to the one preceding it in the loop.  Some of those connections are instantly obvious, others take time to realize.

            🗆 Every song is somehow-connected to every other song.  The entire loop tells a single story using lyrics, melodies, emotions, rhythm, et cetera.      

 

     During repeated listening, you should focus on evaluating your emotions as they rise into your awareness and then fade from your awareness (to be soon-replaced with another):

             🗆 Happy (as in: pleasurably content, comfortable, relaxed, et cetera).

                    🗆 Nostalgia?

                    🗆 Toe-tapping, leg-bouncing?

                    🗆 Goosebumps or chills?

             🗆 Ecstatic (as in: energized, dancing or urge to dance, thrilled, et cetera).

                    🗆 Racing heart?

                    🗆 Tears-of-joy (or a 'bubbling up inside' urge to cry)?

             🗆 Neutral (as in: emotionless, placid, uninterested, not-worth-your-time, et cetera).

                    🗆 Dopamine-source(s) asking for your Self to pay them some attention?

             🗆 Uncomfortable (as in: angry, fearful, bored, confused, disconcerted, pissed-off, et cetera).

                    🗆 This era of music is not from my era.

                    🗆 The ethnicity of the musicians are not my ethnicity.

                    🗆 The lyrics in the song are too difficult to understand.

                    🗆 There are mostly instrumentals and odd-sounds (or the instrumental breaks are too long).

                    🗆 I like some of that artist's music, but this is not a song I'm familiar with.  Nobody I know listens to this.

                    🗆 Why would I intentionally make myself uncomfortable in order to evaluate the under-lying reason(s) that my Self decided (back in my distant long-ago and long-forgotten) that it did not like this music!?

    I can answer that one! . . . Because your current-emotions aren't connected to the long-ago decision-thought(s) which still cause them.  They come from different sources inside your Self.  You think that they're one-and-the-same because they (seem) to happen instantaneously-together.  They do not.  The separation is rarely distinguishable (less than a fraction of a fraction of a second).  Once you recognize the decision-thought which causes your Self to choose to *feel* a negative emotion -- if your today-Self does not want to continue to feel that emotion any more -- you can un-hitch the negative emotion(s) from the decision-thought that originated them.  First, you need to contemplate why you experience negative emotions connected to a song.  Dig down.  Keep asking yourself where the idea came from.  Ask, 'why do I dislike this?'  If it does not come.  That's ok.  Keep listening.  Keep thinking about your feelings.  You don't need to focus on the reasons you like a song.

 

     In the future, you will need to contemplate strong negative emotions related to family members, painful relationships, life-altering experiences, et cetera.  That might (will) be difficult.  This is just music tastes!  Call this:  "Introduction to How To Contemplate Your Negative-Feelings".    

     Hey, professor Veach, since you have already said, 'This is just music and everyone has music they like and music they don't like', why is this quiz important to eventually becoming aware of Self and conscious of Being?

     That question almost answers itself.  Music preferences are a relatively wide-spread reality in today's culture.  Therefore it's a simple issue to take this quiz and immediately be able to realize our preconditioned and self-programmed music tastes.  We know how to listen to music and how to know if something new-to-you might "fit" into your current tastes.   Now, all you need to do is allow yourself to keep listening to these 21 songs in-entirety.  No cherry-picking.  No stopping mid-song or mid-playlist.  Give yourself 100 minutes and focus on your emotions. 

 

     This loop exists as a continuous 100 minute video.  Because of US copyright laws, it is only possible for me to send this video-quiz via email.  Let me know if you are interested (veachglines@gmail).

 

     Also, it is recommended you use ad-free YouTube Premium and high-quality headphones. 

 

     This is a self graded quiz. 

 

  

 

 

 

 

Go On:

First Course Curriculum

 

why 99% of everything is forgotten

                    

    

All About You

 

          Above all, do not lie to yourself.  The person who lies to themself (and listens to their own lie) comes to a point that they can not distinguish the truth within them or around them and so loses all respect for themselves and for others.  And—having no respect—they cease to love.

                                        - Fydor Dostoevsky, The Brothers Karamazov

 

Now and then I think of when we were together
Like when you said you felt so happy you could die
Told myself that you were right for me
But felt so lonely in your company
But that was love and it's an ache I still remember

You can get addicted to a certain kind of sadness
Like resignation to the end, always the end
So when we found that we could not make sense
Well you said that we would still be friends
But I'll admit that I was glad that it was over

But you didn't have to cut me off
Make out like it never happened and that we were nothing
And I don't even need your love
But you treat me like a stranger and that feels so rough
No you didn't have to stoop so low
Have your friends collect your records and then change your number
I guess that I don't need that though
Now you're just somebody that I used to know

Now and then I think of all the times you screwed me over
But had me believing it was always something that I'd done
But I don't wanna live that way
Reading into every word you say
You said that you could let it go
And I wouldn't catch you hung up on somebody that you used to know

(chorus)

 

          In 2011 this song, by Gotye, Somebody That I Used To Know, quickly became an earworm grating on earbones.  Walk Off The Earth's cover was less grating because my eyebones were entertained by the unique performance.

          Since that time, I've found myself playing spot-the-narcissist frequently enough that, in 2021, I was awarded the Advanced Narcissist Hunter merit badge (a hand behind a back with two crossed fingers and a lighted gas lamp hanging over the wrist). 

 

          If you, dear reader, are struggling to understand (feigning confusion)—then, bless your black heart—you're the narcissist Dostoevsky and Gotye are describing.

 

 

 

 

 

more:

 

 Don't Act Like a Nail and Complain About Hammers

 

Three Ways to Identify

Up-beat dance-song (Modern Talking - 50 Cent mashup)

 

Khruangbin (now wedged into 2021's neverquitlistening mix)

Drop into meditation. Go on. 

Research Notes (OCT 2021)

• It is possible for the human eye-brain "observe-recognize" loop to continue to function better than at what would be accomplished by guessing, in a laboratory setting, with a series of images flashing at a rate of 13 milliseconds, which is about 20 times faster than MIT scientists expected (as previously reported in earlier scientific papers).  100 milliseconds = 0.10 (1/10th) of a second; 13 milliseconds = 0.013 (13/1000). 
• Passage of the US Farm bill of 2018 (HR5485) removed industrial hemp from inclusion in Schedule 1 of the Controlled Substances Act.  Subsequent research has identified hundreds of different cannabinoids.  Currently, the most popular derivative/distillation of CBD is Delta 8 (Delta 10, D9, CBN, and many others are also beginning to flood the market). 
• Experiments with women during childbirth revealed that a combination of music and scientific hypnosis therapy (hypnotic analgesia) resulted in a noticeable improvement on both mother and child; reducing labor times, reducing cesareans, eliminating most pain, etc.
• The gut-brain axis is comprised of chemicals and nerves which continually connect the two organs and permit the contents of the intestine (trillions of bacteria) to communicate with the brain using chemicals (like serotonin) to effect/affect mood, pain, etc.  To influence one's mood/health/well being a long-term adjustment can be made in the type of food one consumes (increase the consumption of fermented foods and fiber . . . FEED your 'pets' the stuff that keeps them healthy and pay attention to their signals).
• Broca's area of the human brain is where neurons are concentrated on processing our ability to use (and comprehend) language.  This area is on the left side of our brain which means that--because of normal mammalian physiology--our right ear is better (comprehension happens quicker) at comprehending spoken (or sung) words.
• Cyanobacteria is the oldest life form on our planet, evidence exists of this blue-green aquatic bacteria 2.1 to 3.5 billion years ago.  Our planet coalesced into a ball of lava about 4.5 billion years ago, eventually the planet cooled enough to allow liquid water to exist and an atmosphere of nitrogen formed (oxygen didn't arrive until bacteria excreted it). 

Zabadak!

 

          A 1967 song you have never heard a single note of by a band you have never heard mentioned in your entire life.  Mesmerize.  Theorize. 

 

          To name your band Dave Dee, Dozy, Beakey, Mick & Tich may not have been 50-years-ago-unusual but a name like that would have left gouge marks in the wallpaper both going in as well as after rigor set in and I had to dispose of the polyester ear-worm somehow.  Somehow.  *tension in my wrists to begin the Ward of Transmittal*  Which is why I know I have never heard of these five blokes.  Now, now we have. 

 

          However, the feat here was to never have any snippet of any one of their song(s) ever hit my eardrums, ever.  They must've (all five of em) traveled the world ahead of me paying radio stations to not mention them and not play their songs while I was in range.  Yea.  That's my theory and I'm stickin with it.

 

Wonderfully Obscure Song by Reunion

          Occasionally a 'one-hit wonder' becomes a 'classic'.  This one never did.  I loved this song so much in 1974 that I tried to write it all down and memorize the lyrics—just from repeat radio listening's.  Today, a plethora (today's word boys and girls!) of lists are a click away:  "Lost One Hit Wonders;" "Classic Golden Oldies;" or "Deep Album Tracks" and this song is almost certainly not on any of them.

          Thirteen years later, R.E.M. released It's the End of the World As We Know It (it's time I had some time alone) and the rambling poetic stream of prose, names, situations, and its long staccato-list of ways the world has changed (e.g: ... team reporters baffled, Trumped, tethered, cropped ...) reminded me of Reunion's Life is a Rock (But the Radio Rolled Me) and my Asperger's re-reminded me to ask those people in my vicinity if they ever remembered it.  And I've occasionally asked more and more people ever since then.

          Not one person has ever replied 'yes'.

          I can't be the last person to remember this song with a smile!  (Can I?)

Cactus - new EP available from El Diablitos

          Lyrics written/performed by Pamela Flores (my wonderful wife); music written, produced, and guitars performed by Tony Guerrero.  All profits from this EP to be donated to the Portland Children's Hospital.

 

 

 

 

more El Diablitos:

 

 Ballad of Sancho y Panza

Memory Tool [Intermediate Edition]

 

          Basic memory tool usage—explained in Tingle Power - Memory Tool—is a good first-step before trying this intermediate challenge.  Deciphering this image relies heavily on the senility Alzheimer's dementia (sAd) Music Playlist (listening to the songs on the playlist is optional) 

 

          Begin on the boat dock ⬆

 

          For the playlist, click this image:

 

          The song titles are highlighted in the flow-story.  Mr Oop's guidance, and the '62 logo' in the upper left corner, are not part of the story:

          A boat dock is the Main Theme From A Summer Place.  The cartoon character, Alley Oop, is standing in a wooden rowboat.  On top of Alley Oops's club, baby Simba (from The Lion King) is The Lion Sleeps Tonight.  Simba is dreaming of an old locomotive train with a crazy-'loco' look on its face: Loco-Motion.  The smoke from the train forms the shape of a nun and the word Dominique.  She is singing you rail-y got me (You Really Got Me) on a train track.  The King Of The Road walks off the end of the railroad track.  The king is flying a kite bearing an outline of a man with the word 'nowhere' is on his chest (Nowhere Man).  Windy clouds blow the kite, as well as a Spooky looking parachuting hamster.  The parachute's canopy is printed Thank You in mod lettering—the other side of the parachute reads: (Falettinme Feel Mice Elf Again).  The shadow of the parachute falls across a prohibited sign and a pile of sugar (No Sugar Tonight/New Mother Nature).  A highway sign, attached to the handle of the sugar scoop, reads: Changes.  A long arrow on the sign becomes a fitting room sign near Father and Son T-shirts (which bear images of Mufasa and Simba and are riddled with buckshot holes).  Behind the shirts stands Jenny Simons holding a shotgun.  Jenny—who shit her pants in the show South Park—appears to be scared of a Seagull dive-bombing her.  The seagull is Letting Go of a helium balloon's string.  The balloon contains a strange face . . . inside it . . . It's a Living Thing!  The thing might be afraid its balloon will pop if it hits the nearby point of a road sign indicating: Never Going Back Again.  The signpost pierces thru the head of Peg Bundy (from the show Married With Children).  On the end of the signpost's point is a large kernel of popcorn with the stem/flag of a musical note (Pop Music).  Sitting on the note's stem is a tiny Emotional Rescue puppy.  Growing out of the puppy's back is a toy taxi labelled ABA Metro Cab (Abacab).  Which is causing something to Shock the Monkey on the roof of the cab.  The monkey is holding a pulp magazine in its hand with the title: True Danger.  Rafiki stands on the magazine holding Simba overhead, who's saying, "Hold Me Now."  An altered see something say something sign, behind Simba, reads: see Something About You.  The eye on the sign looks up the dress of a woman holding a 2021 calendar behind her back (Holding Back the Years).  The woman is listening to a heartbeat-heart (Rhythm of Love).  The rhythm runs down and vibrates a spine with the Orange Crush drink-logo on it.  The spine's vertebra transform into the shape of people; the last of which is a woman driving a crazy faced golf-ball (She Drives Me Crazy).  The ball is also being shocked from The Power button.  A scary seal, emblazoned Crazy, sits on the waves from the button.  The seal looks at a line of bloody footprints Walking on Broken Glass.  On the far side of the glass, a baby (in a chain-of-life image) is beginning to stand; above the line of aging people are the Italian words Cosa Della Vita.  The elderly man in the image is stooping to listen into an old rotary phone—Your Ghost is coming out of the phone's mouthpiece.  The ghost is flipping the finger at an old metal Carnival toy.  The globe on the top of the toy is the Real World.  Behind the earth is the moon, which appears to be on a 37-day Long December page of a 2020 calendar.  Standing on the top of the calendar is a weak number one struggling to lift weights (One Week).  The weak #1 is thinking dark thoughts about a woman wearing a sleep mask and a PRAISE U shirt (Praise You).  The woman is Dreaming and we can see a few indistinct dream images.  But, we can clearly see the largest image in her dream, a meditating skeleton, Breathe.  The skeleton is inception-dreaming about a prohibited sign over two child skeletons (No Children).  Tipping off the top of the prohibited sign, is Asha Bhosle in a cup, wearing a bead necklace which is overflowing the cup (Brimful of Asha).  Almost touching the far end of her necklace: a yogi appears to Float On air.  The yogi offers pills with a Feel Good Inc label.  A Crazy white supremacist with a Q-Anon shirt, MAGA hat, and assault rifle reaches for the pills.  Looming behind crazy is a person's body in a Led Zeppelin shirt with a cashmere goat's head (Kashmir).  He/she is preparing to hit the Trumpist with bicycle Handlebars.  Balanced on one hand-grip is a large bunch of talking member berries from the show South Park, they always reply 'I Remember'.  The member berries become a circle of cantaloupes (Cantaloop).  One of the cantaloupes is pierced by a point of white from a Liechtenstein POP! canvas (Pop Culture).  Appended above the artwork (with the same color scheme) is a Simple Math equation.  Balanced on the 1+2=3 is a fermentation Mash Machine and tanks for brewing.  Leaning on the equipment is a huge wooden female sheep (Would You?...).  A single gravedigger climbs the ewe's back (Lone Digger).  Valeria Lukyanova (Human Barbie) poses in a bikini along the handle of the digger's shovel.  A blow-up-view of Val's bracelet shows Fox Mulder (from the show X-Files) and his I Want To Believe poster (Believer).  Crushing the poster is a massive woman's head made-from hay with the word SOUL in her eyes (Hey Soul Sister).  The forehead of the sculpture bears tire-tracks from the final object: a U-HAUL truck (Finally Moving).  Painted on the truck's side-panel is Scar, the Bad Guy in The Lion King.  As an invisible bonus, someone graffiti-scrawled: I Don't Want This Groove To Ever End in the dust on the top of the truck.

 

if you don't want this level of complexity to end:

 

 105 art-images and their titles

 

deep dive into aesthetics (art & poem)

 

explaining 'untitled portrait of self' [chaps 1-3]

The Ballad of Sancho y Panza (by El Diablitos)

 

          For several years (prior to our Portland-to-Vermont move) my wife was both the lyricist and the lead vocalist for El Diablitos.  Her stage name was Pamela Flores.  I made a video of their song, The Ballad of Sancho y Panza, from my latest artwork (HEXGRID ⦇19 × 11⦈ ÷ 2 ≈ 105).  All music, guitars and engineering are by the band's lead-honcho: Tony Guerrero. 

 

 

more Pam:

 

her Portlandia character

pure warholed

 

she was in a film

 

snapshaught

 

her artwork

A Music Playlist Keeping sAd (senility Alzheimer's dementia) Away

          This 62-song playlist is me memory-flexing and sAd combatting*—which occurred not only during the exercise of digging, stacking and bolting shiny-bits to shadow-bytes (resulting in a spiral staircase climbing thru my years) but, hopefully, re-occurs during my future listen-thru's.

          If you don't already know: my biggest fear is losing the me of my memories.  Worse, would be to not be cognizant of it happening as it's happening—to lose and never miss things that I consider intrinsic raises my hackles.  The reason this doesn't feel like an unreasonable apprehension is because my elderly female ancestors succumbed to sAd and all my male ancestors died before they were elderly (so even though I'm now officially an elder, I have no way to know if ...metaphor about shitting one's pants and wondering where's that smell coming from?...).

          I'm turning 62 years old.  With emphasis on that last word.  But.  I have an extra skip in my step (♬appy ♪ay to-me) because I'm the first in my male ancestral line to make it to gov't-bonafide old'nuff to collect monthly social security retirement benefits.    

          Since so many of my memories are nostalgically-attached to music, I set a few guidelines to make composing this playlist a challenge:

• One song—released during each year—which had a memorable impact on me.
• First priority has been given to songs listened to repeatedly during the year of their release.
• Alternatively, songs "discovered" after their release are listed in the year of their discovery.
  
• Last resort: placing a song in the year of its release when it was memorable later (e.g. 1959).
• No song for the current year (a 63-song playlist would bruise my design aesthetic). 
• Sixty-two songs / 62 different artists (solo-artists/samples, separate from their bands, allowed).
• Describe at least one memorable personal first from each year.
• Include a snippet of lyric relevant to then-me (which doesn't have to be related to the personal first).

          After the playlist was finished, I created an intermediate memory tool artwork / story-line to memorize it. 

          List to this entire playlist (4 hours 20 minutes) on YouTube by clicking the image.  Or—for those less interested in the full dose of this elderly creative philosopher's flashbacks—cherry-pick from the below titles/artists: 

1959  Theme From a Summer Place, Percy Faith Orchestra - my first year alive (no memories) this was played on family's 45rpm record player (for years) to put me to sleep

. . .

 

1960  Alley Oop, Hollywood Argyles - my first interaction with a newspaper (referred to as the Sunday Funny's in our house) I enjoy the ones that don't require words to understand

he lived a long time ago

 

1961  The Lion Sleeps Tonight (Wimoweh), The Tokens - my first "I understand all the words" non-nursery rhyme song (not easy replacing the itisy bitsy spider)

in the jungle ... near the village ... hush my darling

 

1962  Loco-motion, Little Eva - my first car trips; car seats don't exist so I stand between the seats on 'the hump' (in the backseat) and my new-born infant sister (Nanett) is held in someone's arms

my little baby sister can do it with me

 

1963  Dominique, Soeur Sourire - my first awareness of foreign countries and different languages, which I learn to translate (poorly) in high-school freshman French class (ten years later)

s'en allait tout simplement (over the land, he simply went or went simply)

1964  You Really Got Me, The Kinks - my first sleepwalking nightmare (a giant clown swinging in the leafless trees behind my house like they are the jungle-gym monkey bars on the playground)

you got me so I can't sleep at night

 

1965  King of the Road, Roger Miller - my first trip by passenger train (sleeper-compartment Massachusetts to Iowa and back, with my mother and three-year-old sister)

 third boxcar, midnight train

1966  Nowhere Man, The Beatles - my first moves; new schools, and new friends are disappearing faster than my baby teeth; new step-dad (three different schools and four different houses this year)

knows not where he's going to

1967  Windy, The Association - my first visit to a big city (Chicago, 'the windy city') this song played in heavy rotation on the radio (communal pickle barrel restaurant; dinner with step-dad's friends; their petulant child's name: Wendy)

who's reachin out to capture a moment

1968  Spooky, Classic IV - my first pet hamster, which I named Spooky [given to me, dead, on xmas eve by my parents; it's replacement was Spooky II (Spooky VI died in 1979) my parents were not intending to teach me Memento Mori, at 10]

just like a ghost, you've been a hauntin

 

1969  Thank You (Falettinme Be Mice Elf Agin), Sly & The Family Stone - [my first Mondegreen] my first crush (Janice Brailer, not her twin Janet) and I listened to this song at my first spin-the-bottle party

thank you for the party but I could never stay 

 

1970  No Sugar Tonight/New Mother Nature, Guess Who - my first awareness that adults were incompetent hypocrites unaware they're terrible at raising children (the call's coming from inside the house)

lonely feeling, deep inside; find a corner, where I can hide

 

1971  Changes, David Bowie - my first after school job ($1.25 hr) and my first overt disregard for adults 

So I turned myself to face me (turn and face the strange) ... don't wanna be a richer man

 

1972  Father and Son, Cat Stevens - my first artworks are created (stones glued and painted to look like people)

you're still young (that's your fault) ... I am old, but I'm happy ... think a lot ... your dreams may not

 

1973  Jenny, Chicago - my first verbal and physical abuse / assault (beat-up by my summer-job manager)

sad but true, z' always someone waiting just ta shit on you

1974  Seagull, Bad Company - my first rejection (of many) from girls I ask to "go out with me"

fly all around 'til somebody shoots you down

1975  Letting Go, Paul McCartney/Wings - my first kiss after a date (in my parent's car, in her driveway)

ahh, she tastes like wine, she's human bein so devine

 

1976  Livin Thing, Electric Light Orchestra - my first sexual encounter (oral, in a rented canoe)

sailin away on the crest of a wave ... slippin an slidin (it's a givin thing) floating downstream

 

1977  Never Going Back Again, Fleetwood Mac - my first serious alcohol poisoning (two-day hangover)

been down one time, been down two time

 

1978  Peg, Steely Dan - my first discovery of what became a life-long passion (double-feature art films)

it will all come back to you; it's your favorite foreign movie

 

1979  Pop Muzik, M - my first cat (white with spots of caramel-orange, named Popcorn, nicknamed him 'Pop') and my first college law class (based on my awareness that I probably won't be able to feed myself with an art degree)

wanna be a gun slinger, don't be a rock singer, eanie meany miny mo

 

1980  Emotional Rescue, Rolling Stones - my first art gallery show (UW-Milwaukee student show)

promises were never made to keep

 

1981  ABACAB, Genesis - my first co-habitation, first marriage (immediately followed by my first pregnancy)

think I'm to blame? (you want it - you got it) or reflection of someone else's name

 

1982  Shock the Monkey, Peter Gabriel - my first child is born (my son, Bram, was such a beautiful purple)

there is one thing you must be sure of, I can't take any more

 

1983  True, Spandau Ballet - my first overseas assignment (18 months in Korea)

always in time, but never in line for dreams

 

1984  Hold Me Now, Thompson Twins - my first breakup (and first failed marriage counseling and first amicable divorce)

look at our life now, we're tattered and torn; we fuss and we fight and delight in the tears

 

1985  Something About You, Level 42 - my first illicit affair (fraternizing with a junior soldier was forbidden)

making mistakes is a part of life's imperfections ... is it so wrong to be human

 

1986  Holding Back the Years, Simply Red - my first adrenaline fueled chase, while driving a military police sedan (eventually caught the stolen TransAm after 35+ miles; driver ran into a Georgia forest swamp and got away)

I'll keep holdin on, I'll keep holdin on

 

1987  Rhythm of Love, Yes - my first assignment as an undercover investigator (black-market and drug suppression team) and my initial advanced-training application was rejected (for Apprentice CID Agent school)

innocence no answer ... in this situation: I have found you in

 

1988  Orange Crush, REM - my first physical signs of mental stress/anxiety (back muscle seizure / heart palpitations / arrhythmia / incapacitating migraine / one mini-stroke)

I've had my fun and now it's time to serve your conscience overseas

 

1989  She Drives Me Crazy, Fine Young Cannibals - my first calculated insubordination (my letter to the MG) and my subsequent first opportunity to witness a miracle (BFR)

waitin round's killin me (runnin out of time) things go wrong, they always do

 

1990  The Power, SNAP! - my first foam-art sculpture (fade to black) and my first art commission

sgettin'sgettin'sgettin'sgettin kinda hectic

 

1991  Crazy, Seal - my first too-odd-for-words investigation (false rape allegation which hinged on a coincidence)

but we're never gonna survive unless we get a little ... crazy

 

1992  Walking on Broken Glass, Annie Lennox - my first assignments travelling* throughout Europe as a protective service agent (bodyguard for NATO commander in 20+ countries)

know that I might bleed ... nothing left to fear ... doing really well my dear

 

1993  Cose Della Vita, Eros Ramazzotti (Italian: the matters of life) - my first recognition of favorite cities and places to visit (Musée d'Orsay in Paris; as well as Florence, Venice, Siena, Naples and smaller cities throughout Italy)

all the memories we’ve had ... I want to remember, I can never forget

 

1994  Your Ghost, Kirsten Hersh/Michael Stipe - my first offensive driving course (Nürburgring, DE)

i-think-last-night-you were driving circles around me

 

1995  Carnival, Natalie Merchant - my first career self-sabotage [Although I hated being a protective service agent (labelled* babysitting grown-ass adults by a co-worker) I loved the travel; I decide to return to criminal investigation supervision]

have I been blind-have I been lost-inside myself and my own mind   

 

1996  Real World, Matchbox 20 - my first assignment as a unit commander (Special Agent in Charge)

well I'd shout out ... boy don't make me wanna change my - tone 

 

1997  A Long December, Counting Crows - my first scuba diving (open water PADI certification, obtained during a winter vacation in Negril, Jamaica)

it's been so long since I've seen the ocean - guess I should  

 

1998  One Week, Barenaked Ladies - my first awareness of the term Asperger's (although I realized how much it fit me, it would be many years before I admitted it to myself and still more before I talked about it openly)

I have a tendency to wear my mind on my sleeve

 

1999  Praise You, Fatboy Slim - my first significant family (genetic?) poor-health confirmations (my father, Leverett, dies at age 60 and my maternal grandmother is diagnosed with Alzheimer's at age 80)  

we've come a long, long way together; through the hard times, and the good

 

2000  Dreaming, BT/Kirsty Hawkshaw - my first success at lucid dreaming accompanied my first long-form-scribble pen/ink drawing (full drawing)

 walk with me, the future's at hand ... one taste is never enough

 

2001  Breathe, Télépopmusik/Angela McCluskey - my first danger-pay deployment "NATO peace keeping" assignment (7 days-a-week for seven months; Ops Officer Kosovo/Macedonia)

another day ... I'm used to it by now, I'm used to it by now

 

2002  No Children, The Mountain Goats - my first contested divorce (and my first military pension check)

I hope I lie: and tell everyone you were a good wife

 

2003  Brimful of Asha, Cornershop (Norman Cook Remix) - my first online dating foray (U-date) eventually results in a successful partnership (eighteen years later and there aren't sufficient words of praise)

she's the one that keeps the dream alive, from the morning past the evening to the end of the light

 

2004  Float On, Modest Mouse - my first serious car accident (SUV flipped end-over-end, at highway speed, during a massive Arizona hail storm) which became my first blog post on s n a p p e r h e a d (my first blog)

bad news comes, don't-you-worry, even when it - lands

 

2005  Feel Good Inc, Gorillaz - my first digitally rendered artwork (sarah in the pity - based on, and derived from, my significant other who consistently seems to be incessantly imbued with unforeseen unplanned serendipitous events)

got a new horizon, it's ephemeral style 

2006  Crazy, Gnarls Barkley - my first visit to Manitoba, Yellowstone, Glacier and Grand Tetons (grizzly bears, elk, owl, red fox, bison, black bears, bald eagle, moose, wolf)

having the time of your life ... no coincidence I've come (I can die when I'm done) 

 

2007  Kashmir, Led Zeppelin - my first "I would have paid $1000 for a ticket" event (London benefit concert with John Bonham's son, Jason, on drums) because Zep is the only band I regret not seeing when I had the chance

 traveler of both time and space to be where I have been ... across the sea of years

 

2008  Handlebars, Flobots - my first recognition of the world-impacting importance of a US presidential election (Obama-Biden vs McCain-Palin—after the Bush wars—who was president, now, had significance)

the strings that control the system ... end the planet in a holocaust

 

2009  I Remember, deadmau5 and Kaskade - my first santacon (the dichotomy of making fresh memories while drenching brain cells in alcohol . . . I will always remember the four rules of santa rampage!)

 feeling the past moving in ... hold to the time that you know ... add to the memory you keep

  

2010  Cantaloop (Flip Fantasia), Us3 - my first time to play disc golf at a professional course (Horning's Hideout)

drip-trip, flip fantasia ... you move your feet (biddy biddy bop)

 

2011  Pop Culture, Madeon - my first favorite mashup song (the dance video with Nathan Barnatt is priceless)

hole in the world ... time goes by, so slowly, time goes, time goes, time goes by 

 

2012  Simple Math, Manchester Orchestra - my first philosophy readings become studies; this song (and video) best capture my brain's struggles and its failure to comprehend what it's choosing to focus on.

what if I was wrong and started trying to fix it? ... been trying to get to where we’ve always been?

2013  Mash Machine, FAROFF - my first 700+ days of continual work finally finished (beginning in 2011 I/we delivered newspapers a few hours every morning; 7 days a week, with no days off, for almost two years)

I ain't happy ... days destroys the night ... kickin your can all over the place

 

2014  Would You...?, Touch and Go - my first wedding/honeymoon done the right way (two bands, belly/hula/burlesque dancers, a DJ; pot-luck/open bar; two weeks: beach cabin then ocean resort then mountain resort, hot tubs & fireplaces)

Ahmm...

 

2015  Lone Digger, Caravan Place - my first custom-ordered-from-the-factory automobile (matte grey/black cabriolet smart with all the baby-booty-bells and mini-crackerjack-box-whistles; with 7 speakers it's a rolling stereo)

baby can you move it round the rhythm cause you know we're living in the fast lane (speed up)

2016  Human, Rag'n'Bone Man - my first donation to a presidential campaign (others failed to Feel the Bern) and my first smart car road-trip (with my cat, Cecil; 5000 miles) and first reconnoiter-vacation (to Vermont)

don't ask my opinion, don't ask me to lie (don't put the blame on me) 

2017  Believer, Imagine Dragons - my first full solar eclipse experience, first extremely low spring tide, and my first volunteer "work" (in the Oregon Humane Society's cattery section)

First things first: Imma say all the words inside my head ... write down my poems for the few

2018  Hey Soul Sister, Train - my first permanent estraingement from my sister (Kim) after she revealed her covert narcissism following the death of my friend Carol (who also had Asperger's; this was Carol's favorite song)

you have a one-track mind, like me ... you see, I can be myself now finally

 

2019  Finally Moving, Pretty Lights (Etta James) - my first "blind move" (no: local place, friends/family or employment; two cars, two cats, Oregon-to-Vermont) and my first meeting with my two sons (Bram and Ian)

oh sometimes, I get a good feeling - yeah 

 

2020  Bad Guy, Billie Eilish - my first intentionally rude verbal altercation with a supervisor (as a US Census Bureau clerk, I asked one why he was being a fuckin asshole, told another she was a terrible supervisor)

 I do, what I want, when I'm wanting to ... so cynical ... (duh)

 

  * I don't want this groove to ever end (by LTJ Xperience) - this 63^rd song is my first intentional lie [mandatory because Rob Gordon (quoted below from the film rather than the show) and it was rch-close to being 420!  So this eerily appropriate 8 minute song-with-a-perfect-title added the correct ending emotional tone and the correct running time.] . . . oh, yea: asterisked words are spelled the correct British way (combatting with a single 't' sounds-to-my-eye like com-bate-ing; labeling—single l—also sexual, too close to labial; and travelling with one 'l'?  It's just bloody jarring in'it?)

 the making of a good compilation tape is a very subtle art

similar listening/watching:

 

sAd story origin

 

re-collecting 👍👎 parts 1 - 4

 

30-song playlist catagories

 

critique of 100 films