Brains require an incentive to turn attention away from war-room/logistics/marketing. To focus (successfully) inward, brains need assurances that the radar-antenna will only temporarily be placed in stand-by mode. And. White&Grey both want an excuse to take it easy and not work so hard; the Matter couple is all-about economical utilization of resources. Require/Need/Want.
As outlined in Pallet/Pallet/Palette on the Third Test Page, after swallowing 30mg of CBD and 30mg of D8 with caffeine, vitamins, and minerals (Λ)—get comfortable somewhere secure-able and non-disturb-able, for a minimum of four hours. Close your eyes and listen to the 'aural-preface' of this choreography (໑). The first hour-or-two is not geared towards visual connectivity (ᛁ).
At this point, you should begin to engage all-three basic Go On elements: brain, eyes (ᛁ), and ears.
At some point (now is always the best time to choose to . . .) begin to listen to a 21-song-loop you have designed for yourself, based on your level of awareness and personal-preponderances.
Of course this requires headphones; it could not be Go On-ing without headphones going on.
If you have not yet attained sufficient ccc-level (composer/choreographer/chemist) it is encouraged to attempt to last-thru the entirety of the two-hour Version 1.4 of Go On artwork experience.
Let your you relax [it is only four hours] the world, from
your POV, is safe [it will resume sooner than you will soon want it to]
this experience is a necessary (am I the only one who spells it with an
un-necessiary I?) respite from the weight of the decades . . . to come .
. . before . . . explore . . .
These visuals are merely safe, experimental, place-holders. Your imagination is yours to do with as you desire.
Optional-additional equipment: KASINA-brand of light-therapy and media-storage device; virtual reality headset; notebook / 3x5 cards & pen; et cetera.
Classroom-students: Your homework assignment is to describe (in any means you prefer) what connections-new-to-you were strongly stamped into your memory from the third-act [between songs 14 and 21] and how your note-taking was involved or avoided.
Extra-credit: Incorporate something from this "brain hack" art-tickle into your 3rd-Act connection description:
Now, take a short break from Go On-ing:
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