I designed this poem to s l o w your reading pace to a crawl.
Use of colloquialisms, syl·la·ble-breaks, [internal dialogue],emphasis,*added emphasis* and various tools of poetry
have been combined to paint a picture in your mindabout something which I, personally, fear the most.
Book·ing-thru their big pho·to al·bum book (at)
un·fam·ili·ar pla·ces and fa·ces — when (theez)
[ . . . got to get bet·ter - not too up·set, we’re . . .
]
pe·ople in this room claim: that’s young me wear(ing)
look·ing-a·skew with squints and guard·ed looks (that)
[ . . . wrought true; fret ne·ver - blot new debt let·ter . . . ]
seem un·hap·py “their life’s crap·py” — *my* ... what(eav’z)
spy·ing fro·zen strange day-dreams in time stare(ing)
[ . . . aught you bet whe·ther - hot dew sweat
sweat·ter . . . ]
nook·ing-brew this knocks stuff from brain nook, (fat)
chance of that - I don’t say to crowd of who? (Friendz)
[ . . . thought grew: met bet·ter - fraught shrew
threat fet·ter! . . . ]
we’ve al·rea·dy said, known whole life·time *glare(ing)*
gob·ble·dey·gook·ing-slew hop·ing I gob(smack’t)
[ . . . rot through abet·ter - slaught sprue sun-sett·er! . . . ]
them; flare my scare·y eyes. Do you know where (pleadz)
all these pic·tures’ mem·or·ies, now, are hide(ing)?
similar:
Haiku どこにでも 兆候兆候 5-7-5 俳句 Signs signs, everywhere there
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