Thanksgiving on Rimworld

 
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Dinosaurs of Vermont Daytrip



          If possible, I recommend driving the slower 80 mile route between Quechee and Huntington, Vermont, on secondary roads and over mountains.  The additional 45 minutes of winding roads and elevated terrain always makes the journey as memorable as the destinations.  Comfortable boots are a must.  Covid masks are mandatory.  Binoculars may be helpful.  Entry fees are reasonable.  Check for hours.  Some paths/trails are closed/not plowed in winter. 
 
          Plan on at least: 2 to 3 hours in Quechee at VINS (Vermont Institute of Natural Science) to see all the different raptors, travel the sky-walk and attend a presentation [add hours if you plan on visiting the Gorge and/or the Antique Mall(s)]; 2 hours to hike some of the Audubon trails in Huntington and about an hour to explore the Birds of Vermont Museum, also in Huntington. 
 
 
more Vermont day-trips:
 
Montgomery hoon tracks



Renfield Reminder


          This is a courtesy reminder.  You may not have known (or possessed sufficient prescience) to request this reminder, but it's more-than-definitely needed.
 
          Keep a safe distance between yourself and all vampires.
 
          They verymuchstill want to feed on you.
 
          You accomplished the first step:  identifying that they possess the traits of a vampirelack of reflection (lack of empathy); aversion to religious icons (lying); aversion to garlic (use of manipulation and gas-lighting); avoid direct sunlight (lack of remorse).  
 
          Subsequently, you have stopped inviting them into your home and you avoid them in public.  Good for you.  Now keep it up.  For the remainder of your time alive.

          Because, vampires know time fades even the most negative memories.  The vampire in your life is counting on 'bygones' and hopes you soon forget about the last time they relished and thrived on your chaos.  Remember the emotional anguish they caused!  Know that your vampire will never apologize for their past horrid behavior, will never express humility or modesty, will never be someone you can trust, and will never care about you except inasmuch as you can be their Renfield.


other narcissism essays:
 
          

Looking at Tomorrow (from the perspective of many yesterdays)

Dear tomorrow,
 
          Most of the humans you'd consider to be included in the term 'everyone'—who are living complex-n-simple in every locationin all of time (which includes the distant future) have felt, and will feel, similar to the way you're feeling today.
 
          No matter what happens tomorrow (or next month) or even next year.  No matter who does what to whom on this election day, no matter who's happy and who's sad:  you've already made it through worse things before.  We are surviving 2020, the most calamitous year in the last century, things have to improve (since there's no where to go but up).
 
          If they burn the oilfields as they retreat, we'll extinguish them.  If they kill the hostages before we board the plane, we will morn them.  If they seize the Bureau of Land Management's Wildlife Refuge, we will mail them sugarless gummy bears.  And, if they win the election, we'll win next time.

          Thanks for keeping this in mind,

          Yesterday

other theo-philosophical essays:
 
 
 

     Burb Bear Got My Birb Food

 

Black bear came into my backyard last night.

Birb feeder pole snapped-off level to ground.
 

Birdseed eaten, feeder beaten, suet...

bracket bent, while I and my neighbors slept.
 

Busy village livelong day - in starlight...

barely a sound (two nightly trains, except).

Bolder, hungrier, less reason to fear...

Beware there, bear, hunting season is here.



more Vermont stuff:

 Good Day to Be a Crow

 cat photo-art

Aunt Teabody’s Ataraxia Expedition on the Pennsylvanian Escarpment (Episode 2 in the Age of Loneliness Series)


aka:  Mama Timedance and the Lightness of Being


 
 ⬅ Age of Loneliness Series, Episode 1

 

          Ataraxia - Freedom from mental perturbation through the rational act of eschewing all dogmatic beliefs relating to thoughts and perceptions; related to the ancient Greek philosophy of Pyrrho (circa 300 BCE).

          Pennsylvanian - Geological subperiod dominated by large invertebrates (circa -300 Ma).

 

 

 

continue perusing similart: 

eye am knot

floating heads and already deads

  KISSES

covert corvid covid video



all image excerpts by
Barnabás

B.R.O.Y.G.

 

 
Blue daylight clear cloudless sky
Red dying leaves asking why
Orange liar: say bye-bye
Yellow underlying sly
Green amplifier, stay high
 
True delight 'rear clothe-less thigh'
Shed prying eaves basking nigh
Our change dire: Tuesday shy
Bellow! *gratifying sigh*
Between the pyres walking by

Cyanobacteria and Poision Ivy and Covid (oh my)

 

 
Closed, of course, we went to Burlington's shore.
Dozed, did we, forget it's twenty-twenty?
  Nosed, instead, park path to tree-house, no cure.
Rosed, three leaves, surrounded by so many!
 
Church, shops full, sidewalk restaurant tables.
Search, crowd masks; rarely a bare face in sight.
Merch, local: Bern, Ben, Jerry, things maple.
Lurch, ski slope. Is Champy a hoax? (not quite).
 
 
 
other Vermont to-see's:
 

Haiku  裏庭のアート  5-7-5  俳句  Backyard Art



Spring's leaves will struggle

春の葉は苦労します

to recall the pain of fall

秋の痛みを思い出す

because of new storms

新しい嵐のため


more:
 


image excerpts by Michael Soriano

    |   Modern Times   |   And How   |


Modern Times



I designed this poem to  s l o w  your  reading  pace  to  a  crawl.
Its titleAnd Howsuggests use of the investigative "six W’s".
Use of colloquialisms, syl·la·ble-breaks, [internal dialogue],
and 3rd person omniscient POV; as well as spoken aloud,”
emphasis,*added emphasis* and various tools of poetry
have been combined to paint a picture  in  your  mind
about something which I, personally, fear the most.

 

 

Book·ing-thru  their  big  pho·to  al·bum  book  (at)

un·fam·ili·ar  pla·ces  and  fa·ces when  (theez)

[  . . . got to get bet·ter - not too up·set, we’re . . . ]

pe·ople  in  this  room  claim:  that’s  young  me  wear(ing)

 

look·ing-a·skew  with  squints  and  guard·ed  looks  (that)

[  . . . wrought true; fret ne·ver - blot new debt let·ter . . . ]

seem  un·hap·py  their life’s crap·py *my* ... what(eav’z)

spy·ing  fro·zen  strange  day-dreams  in  time  stare(ing)

 

[  . . . aught you bet whe·ther - hot dew sweat sweat·ter . . . ]

nook·ing-brew  this  knocks  stuff  from  brain  nook,  (fat)

chance  of  that  -  I  dont  say  to  crowd  of  who?  (Friendz)

[  . . . thought grew: met bet·ter - fraught shrew threat fet·ter! . . . ]

weve  al·rea·dy  said,  known  whole  life·time  *glare(ing)*

 

gob·ble·dey·gook·ing-slew  hop·ing  I  gob(smackt)

 [  . . . rot through abet·ter - slaught sprue sun-sett·er! . . . ]

them;  flare  my  scare·y  eyes.   Do  you  know  where  (pleadz)

all  these  pic·tures mem·or·ies,  now,  are  hide(ing)?

 

Where moose tracks are rare, but hoon tracks ubiquitous

 

          About a dozen miles south of the US-Canadian border, Montgomery, Vermont (almost-kinda translates into mountain man-of-power green mountain, which conjures *ho ho ho green giant*) contains three covered bridges, numerous signs warning motorists to be alert for moose, and a plethora of hoon tracks (see image, above).  Not much else.

          A few miles south of Montgomery—near the center of Montgomery Centeris a quaint hotel-restaurant called The INN (accent theirs, which conjures *the in in inn*).  The INN calls attention to itself with unique signage; currently, their sign says: I CAN SPOT A JUDGEMENTAL PERSON JUST BY LOOKING AT THEM.  The rest of the village: ditto the hoon tracks and watch for moose signs, no covered bridges, however.

          As one continues south thru Hutchins, VT, the hoon tracks continue in prevalence, the "don't crash into a moose" signs become less-so, and there is but one covered bridge.

          Another ten miles south thru Belvidere, VT, the hoon tracks begin fading, as do moose warning signs, but there are a handful of covered bridges; including the Montgomery Covered Bridge in Waterville, Vermont.  [The exact number of bridges available to find/see may vary.  I found one, labelled Kissing Bridge, that doesn't appear on every map because, I suspect, it's not very old.  (Vermont has several named Kissing Bridge, including one in the center of Waterville).]


           Also, I learned, that not all covered bridges are referred to as such, some are labelled Romantic Shelters.  And it's possible that if it is a newer structure (not part of the Historical Society) or built on private land, it can only be found by lucky sightseers and observant travelers.

 

other Vermont to-see's:

The Durman Murmurs to Eranthe



      (Imagine Rod Serling's voice)      "Earth ... the year is ... well, of-course you know the year ... our main character, well of-course you read the title, so you know her name ... she leads the life of an hobby-artist.   Her canvas: the earth itself.   She creates crop circles and other Earth Art when there are no crops to trample.   She does this for fun and adventure ... damaging crops at night because she likes the designs and the not-getting-caught part is an adrenaline rush.  One might say she's a pretentious, privileged, middle-class, white (American or British or Canadian) woman who has no thought or consideration for the entire earth besides how she can use it to her advantage.   But . . . in 2020 . . . the planet strikes back.   With fires.   With floods.   With hurricanes.   With a global pandemic.   And for Eranthe? . .  Weeeeellll ... the wheat field tries to kill that bitch by plugging her every orifice.   But, in the end, it fails.   But, does she learn her lesson? . .   Do humans learn from nature's desire to eradicate them?   Abso-fucking-lutely not!

       "I don't think I've ever met a crop circle maker—ahh, designer? engineer?"
 
     "Earth and Ephemeral artist.  My mediums vary:  stones, sand, snow, sticks..."
 
     "Sooo....only things beginning with an S?..."
 
     "Ha!  I just noticed that..."
 
     "How do you add 'wheat field' to that list?"
 
     "Spelt."
 
     "W. H. E. A..."

     "Yea.  No.  Another name for wheat ... spelt."

     "I want you on my trivial pursuit team."

     "Thanks.  Sign me up.  Most people aren't very complimentary when I show off my vocabulary.  Hang-on.  There's such a thing as team trivial pursuit?  Or did you mean your Scrabble team?"
 
     "Never heard of team Scrabble, but there's definitely team TeePee.  Six people, max.  And there's always a lack of AL knowledgeable teammates."
 
     "Art and Literature, right?  What's your go-to category or specialty?"
 
     "Guess.  You already know it's not brown.  That leaves five choices."

     "Ahh, Geography.  That's my final answer."

     "Wow.  Most guess Sports and Leisure, because I'm kinda tall and athletic; but playing basketball and knowing who won an Olympic gold medal in the decathlon a decade ago, is not the same.  So, yea, I've always been interested in maps.  Geography-blue is my area.  How'd you guess?"
 
     "You don't seem very interested in these TV screens, so I eliminated sports and leisure, as well as entertainment; then I decided to go-with the statistical probabilities of the patriarchy: science is dominated by men, which left history or geography.  I flipped a mental coin."
 
     "There are a number of queer women, like myself, who know their way around SN-green..."
 
     "I was being biased, sorry.  No offense intended."
 
     "No apology necessary...I was also thinking with bias: when you said the reason you're leaving early was because tonight was the trifecta: perfect weather, perfect moon phase, and prime crop formation season, I - kinda - thought that anything involving that level of subterfugelike guerilla street artwas dominated by cis-men."
 
     "I don't frequent any online sites or communities and do everything solo.  No team.  My art is for me.  Once it's done, I focus on the selection and design of my next one.  The famous earth-ephemeral artists who I know about do skew cis-male, but you could say that about almost anything.  For every Andy Goldsworthy, there may be a hundred creative dykes like me.  There's no way to know."
 
     "Do you have time to tell me your best crop circle story?"
 
     "Welll... I guess."
 
     "No pressure.  I'd just like a peek inside the process.  I assume you recon, and sketch, and measure, and use tools?"
 
     "Yup, OK.  I had a very memorable formation last month."
 
     "In the spelt?"
 
     "It was actually in Durman wheat, but that's an unimportant detail.  I ... haven't ... umm.  Maybe I should tell you about a different time.  Sorry, it's just..."
 
     "Aww.  You got me interested!  Buthang onI can see from your expression you're not thinking about an exciting thing . . . seems you are, what? . . scared?"

     "Yea.  I had an experience.  I'm not sure how to explain.  Sorry, I don't talk to people much.  And I haven't told anyone about this."

     "How come?  None of your friends understand about your artwork, Eranthe?  Sorry, am I pronouncing that right?"

     "Please; call me Eran.  It wasn't my creation which, Bree..."
 
     "Come on.  Let's sit over here where we can be out of earshot.  You can confide in me.  Or not.  But maybe talking to someone who won't judge you, like, ever, is what you need?  And, I prefer my friends call me Bry, rather than Brianna.  Please.  Lose the anna." 
 
     "Ok.  So I was assaulted.  But not, well, not . . . by a person.  At least, I never saw anyone.  That night's creation was to be a hypotrochoid shape.  All was going fine, I'd been flattening for almost thirty minutes and then I began to get lost.  Lost in my own head.  Dizzy.  Confused as to how far along in the creation I was.  I walked back, retraced the border.  And felt paranoid.  I listened.  Heard nothing.  But got more scared.  For no reason."
 
     "How far out from the nearest road or building were you at this point?"
 
     "I parked almost 3 clicks away; but, I guess, I was about six or seven hundred meters from a roadway.   Maybe the nearest house or farm was, thru the field, over a kilometer."
 
     "Sorry to interrupt.  Go ahead."
 
     "The dizziness was not like being intoxicated it was like vertigo—like I was going to fall over a steep cliff, but there was nothing all around me but kilometers of farmlands and wooded plots.  I got down and crawled into the wheat with all my stuff.  I lay on my back, closed my eyes, and attempted to meditate to calm myself.

     "You don't have to talk anymore.  I can see this has upset you.  I'm so sorry.  Don't cry.  Please."
 
     "Maybe talking will help me understand.  Maybe you can think of something I haven't thought of.  I felt my clothes and gear bag get caught-up in the tangle of stalks and leaves and I had to squirm thru a few rows so I was away from the trampled area.  But.  I don't know how what happened next happened.  The next thing I know is my shirt and undershirt are gone.  I sit up.  Kinda, raise up on my elbows and the leaves and grass seems all stuffed into the top of my boots and waistband.  I pull some of it out of my pants and turn to look around.  My gear bag is, like, three meters away—deeper in.  I could never have thrown my stuff that far.  And there is nobody around and there is no noise besides a slight breeze."
 
     "You fell asleep, maybe?  And there were no animal or bug noises?"
 
     "Ahh, I recall bird wings; lots of them.  I might've fallen asleep, but that doesn't explain what I experienced next.  So, I roll over.  Begin to get up on my hands and knees to crawl and when I do, both of my boots are pulled off.  Foop.  Foop.  I twist and look.  All I see is my boots wrapped in blades of wheat leaves.  I say, "fuck this," start to stand up, and the sky lights up with lights and lasers.  I freeze and slowly lay back down."
 
     "Drone or helicopter?"

     "Silent.  Too silent.  Never heard any blade noise.  When I first noticed the lights, they were one field away, on the other side of a tree-line.  They did fly over my position but never paused . . ."

     "How high do you estimate it was over the trees?"

     "Oh, good question.  I've gone back and looked in daylight, the tallest tree is about 50 meters, no more that 70 meters tall and I think the lights were kinda close to the tops and never came closer to the ground than that."

     "What do you mean lights and lasers?"

     "Lights were yellow-white but not all that bright.  I never saw a circle of light on the field like a searchlight in the movies, and I was also able to see many thin lines of green lights, similar to laser lights at concerts, but also not all that bright.  No points of light on the ground or on the wheat around me."

     "Then what."

     "This is the fucked-up part."

     "Ok."

     "It lasts maybe.  I don't know.  I want to say the lights last about three minutes.  But when it is gone I try to sit up and my ankles and wrists are wrapped in sheaves of wheat grass and my pants are off.  I pull off a bunch of the wheat.  Rip it.  Tear it.  Kick stalks out of the ground.  I get up, partly.  I'm so weirded out and confused and can't figure out how any of this is possible.  I wonder if I'm dreaming.  I'm definitely talking to myself.  I pull up my loose panties from my thighs and struggle up on my feet; oh yea, my socks are gone.  So I'm looking for clothes and I trip and fall.  And.  and...  I think the field of wheat.  This sounds crazy out-loud.  The wheat . . ."
 
     "Raped you?"
 
     "Well . . . that's not possible.  The wheat assaulted every part of me, though.  It moved.  Well it had to move.  But I never saw it moving.  Not really.  I would look and it would be wrapped around my wrist and I would pull it off, and then look and it would be completely wrapped around both my ankles.  I would focus on kicking it off and would realize it was around my neck.  I would grab it.  When it was in my hand it never moved.  It was just leaves or stalks or stems or seeds of grain.  But eventually.  Yea.  I fought and struggled for... seemed like thirty minutes.  But it wrapped me completely.  Entered everywhere.  My ears.  Plugged my nose.  I bit and chewed and it never got beyond my teeth.  It entered my vagina, my anus, and my urethra.  That burned like fire."
 
     "Your eyes?  Did you scream?"

     "Right.  Once it covered my face I closed my eyes.  It pushed into everywhere, but it never was able to force my eyelids.  It felt like a thousand pricks of grass pushing into me.  Grass.  Bendy grass.  Not like sticks.  Not cutting.  Just that when it was able to get inside me, it was immediately followed by as many blades of grass that would fit.  And I think I got a couple screams out before I realized it was better to clamp my teeth together so I could breathe."
 
     "I assume you went to a doctor?"
 
     "Yea.  I told her I thought I'd been drugged or poisoned and indecently assaulted the night before.  She found nothing pharmacological, but told meI never told her about the wheat—that she found spores and suggested that whoever dosed me might have made some type of hallucinogen out of the fungus found on wheat, called Ergot."
 
     "You were?  This would have been hallucination?  I'm...  Shit, this blows my mind.   Explain how long it was until it was over and what you did at that point."
 
     "Like I said, it was at least a half-hour of biting off and swallowing pieces of grass that pushed through my pursed lips and then it just stopped.  I sat up, pulled fibers out of my sinus, colon, cervix, and bladder.  Got dressed, found my equipment.  I wasn't dizzy anymore, so I walked to my car.  I was out of it for maybe an hour and a half or two hours."
 
     "And you are headed back out there tonight?"

     "Like I said, the conditions are perfect and I've added items to my equipment bag."

     "Oh?"

     "I have an industrial mask to prevent Ergot re-infection."
 
     "Ergo, Ergotsorry, I couldn't resist—but, what if you weren't hallucinating?"
 
     "I've got an infrared body-camera for the UFO and a Tesla flamethrower for the wheat." 


more dark-art-poems:
 
 


image portions by:  Austin Granger (website),

Albedo Ambedo (next word is...)

 


Of to day I would speak:  tine tap fray battle squeak

underwall theres a gnaw, scrabble brawl tine-o-claw

neighbors flap: “Just One Bite” “lay a trap” neophyte

“thats not me” different tack cup-o-tea give a snack

daily crumbs might divert, fervid scrum hangry-blurt

but disease! theyre a pest! (disagrees kill-obsessed)

airship stowway mischiefpanel faux aft sneakthief:

trusting not in my crew; stormy yacht flying through

allmorrows grime-n-hate an their throes castigate

loath were to disembark, nfind it’s too like this ark.

 

Albedo describes a reflective quality (radiation/light).
Ambedo is a deep-focus-relaxed state of mind (trance).
Azbedo is next (the Bulgarian word for asbestos).

similar time wasting:

...animals got harmed...

...laundromat...

...eglaf...



image excerpts by: