s n a p p e r h e a d

The Cabin in the Woods - Review (☆☆☆☆)

Recommending a new film is incresadingly rare—not quite as rare as having an enjoyable conversation with a stranger; but definitely rarer than having an enjoyable conversation with a stranger younger than the minimum legal age to become president.

The Cabin in the Woods is a wonderful blend of scares and humor, orchestrated for people who have already seen at least fifty frightful films in their life. This is not to say it's a comedy; it definitely will be found in the horror section wedged between Identity and Devil. And, I'm not saying (yes I am) that if you have only seen a small dozen scary movies in your life that you're mentally unprepared to see this film (woefully so) and, if that were the case, that you wouldn't be affected by the make-you-jump-parts (of course you'll still be a-scared) or wouldn't enjoy the lighter moments (you'll giggle) but unless you have already attended Camp Crystal Lake near Haddonfield, Illinois, watched videos with Masami and Tomoko, and perused the Naturan Demonta...you will be unable to savor the miasma of ingredients that were expertly combined in order to fabricate the broth and bones of the soup.

The last funny horror film I recommended, Rubber, was a foreign film in every way except dialogue (which may be confusing, but no more than the film—in its entirety—is intentionally confusing). Before that, I recommended the Korean monster film, Gwoemul, as containing just the right amount of humor and fear. If I were asked to say only one thing about exceptional American horror films, it would be: they have very few peers. The Cabin in the Woods has now joined those ranks.

Another Corpse


Fabric of Space - To Point Out - pending - the curb appeal muggy \| SkyWookiee \| odefinierad \| veach

also:
exquisite corpse explained
2009 corpse

For my wife who was once my fiancée (who was bona fide)

I learned, just recently, of my love's pterodactyl preference.

Due to profanity this is NSFW or when children are within earshot.

you still only get what you pay for

          Our coffee maker broke in the last move. For the last six months we've used a french press. A few days ago we were skulking around a large chain department store—rationalizing our guilt by focusing on our budget (both of which we pronounce as if we were René Magritte or Marcel Duchamp...targé, budgé) when we stumble upon a 12-cup coffee maker. For ten dollars.

On the box it listed: warming plate, removable filter basket, and automatic shut off valve.   At home, it bore an uncanny resemblance to a coffee maker. It had a real looking plug which fit snugly into an electric wall outlet; a small switch which lit up when it was turned from 'off' to 'on'; a receptacle for the cold water as well as one for a filter containing ground coffee.

          Although it boiled water, not very much entered the filter basket. The amount of water which did mix with the grounds was, for the most part, not able to drain into the warm pot and—instead—seeped over the edge.

I now own an authentic looking replica of a coffee machine which is both objet trouvé and inexpensive reminder.

In this picture it is 3/4 full of coffee, which was made in our french press.

Note: click on the images for their derivations.

Dear Bethesda Game Studios,

KARA

This short film (from the Heavy Rain game studio) is intended to unveil their current motion capture ability. Although it isn't—unfortunately—a teaser for their next PS3 game, it is a very effective measure of how fantastically high they're setting the bar regarding: story, character, direction, script, and cinematography. I admire anyone (I still use singular blame) who can cause me to empathize with their character in five minutes.

Fistful of Silence by Markus Feder

For The Remainder by Omer Ben David

For the future is gated, and there are tolls to be paid.

Oh, what a wondrous sentence. I tripped over it at the terminus of the short fiction, We Show What We Have Learned. Although the metaphorical story (written by Clare Beams) was deftly crafted, it was her insightfully essomenic bumper-post sentence which brought me pause.

I paid my first toll exactly thirty years ago. Up to that point I'd been clumsily sketching together a future which included a degree in art followed by a job which would utilize my creativity. I'd been tracing my future on the skein of selfish privilege in the ridiculous naïveté of youth (qualities, both invisible in the mirror but soon to become extremely clear in my backlight). Inside the echo of a single conversation in February of '82, I permitted my future to be shanghaied and—subsequently—dropped out of college, joined the army, and became an infantryman.

Navigating through life's toll gates must be something of a forte; adapt or become trapped.

lex parsimoniae

Abstract of Magnetic alignment in grazing and resting cattle and deer found here. Full paper found here. These "scientists" forgot about wolves and, obviously, Occam's razor.

Other posts on fuzzy, pseudo, or bad science:

Dear fuzzy headed faces from prestigious places,

Must a bellydancer driving a pink truck be female?

How Many Chicken-Little Wridiots Crying Wolf Does It Take?

Vachss Can No Longer Carry The Weight

          Unfortunately, the quality of The Weight by Andrew Vachss is slightly lower than his previous (which was slightly lower than its previous, et cetera). Mister Vachss has been slip-sliding down for several years and this last one of his is a solid ☆☆ (not recommended, seriously flawed, and difficult to read). For the last few years Vachss' books have been wavering between the forgettable ☆☆☆'s and forgettable-with-minor-flaws (☆☆☆ -'s).

          Having read every Vachss book, beginning in the late 1980's, I believe he lost his drive and anger and clarity of voice about the time he killed Pansy (Dead and Gone, 2000). He's tried for the last dozen years to get it back the way many authors do...with new characters, new settings and even new genres...none of those books are in the same league or contain the grit, clarity, or surprising hooks as well as the dark, gut-wrenching emotions he was able to imbibe into those early Burke revenge-thrillers of his. The reason is, probably, what it was/is for many artists. He changed.

Success de-fangs many creative people (which I like to think of as the Morissette Principle) and so Andy the artist becomes Andrew the author becomes Mister Vachss the businessman. He is now only writing to pay for the toys he bought with the proceeds of his previous sweat and hard-won creativity. He is no longer devoting months of his time to the keyboard on re-writes because he no longer has a message he needs to get out. Or a story to tell. Or an impatient ghost uncomfortably residing in his spine. Add to that...he has a very lazy, publisher-owned editor who never, never, never will send his story back for re-tooling because that would slow down the money train.

          It's a sad thing to see, when an author becomes ensconced in his tower of success where he slowly loses readers because he has stopped struggling to create a quality product and has resorted to writing from a template, writing for a paycheck, and writing poor-quality pap.

          This will be my last Vachss. I may pick up a future book of his at a lending library just to see if he was able to Koontz his way out of this downward spiral (Dean Koontz pulled out of a quality-dive-and-impending-crash in the late 1990's with his Moonlight Bay and Odd Thomas Series and now writes so very much better than he ever did in the preceding two decades). The odds are that Mister Vachss is satisfied with his past successes, is not listening to critics, and is very happy to be Mister Vachss the businessman...isn't it ironic?

motion feel — Shinji Inamoto

eARTh

Confused by homosexual confusion

          I generally find my religion pretty close to human nature, it looks very logical, quite practical but there is one thing that confuses me, totally stumps me: its stand on homosexuality. Not only my religion but all religions strongly condemn it, on the other hand homosexuals claim that it is the most natural thing for them.

          Now I am not taking any sides, I am sharing just my confusion,

          1. Apart from humans, homosexuality is a common occurrence in many animals. So is nature trying to say that it is only for animals to follow such instincts or is it trying to say that it is but natural to have something different from normal?

          2. If according to religion it is but unnatural then why do people claim to be so helpless against it? If it is like any other sin then why do homosexuals bear so many discriminations just to publicly state their sexual identity? From where do they get the courage of bearing all the bullying? In short, why would anyone deliberately choose a hard path if it is something unnatural?

          3. When an octogenarian gay couple get married after 50 years of living together, doesn’t it show companionship more than any other emotion?

          I do not want to judge anyone and least of all in the light of religion but I do want to know what exactly is religious logic behind it? Is it religious politics of many centuries, is it holy scriptures understood the wrong way or is it people not understanding the laws of nature?

The preceding is the unaltered 16 January post written by Beenish Kahn, a Pakistani woman living in Toronto, Canada.

Routinely, I read things which expand my knowledge. Other times I may contemplate and ponder over something I've read (but not retain the information). And, occasionally, my conversations are fueled by the ideas of others. Once in a blue moon I'm driven to respond with an entire post of my own. This is one of the latter.

Not all religions condemn homosexuality as is initially posited by Ms Kahn, (Buddhism, Hinduism, and Confucianism don't address it or are neutral) but she is correct in regard to the big three (Christianity, Judaism, and Islam).

Then she poses a few statements followed by seven questions outlining 'her confusion'.

The first declarative statement she makes is factually bass-ackwards. It should read: Although male-on-male and female-on-female sexual acts have been documented in a large number of species in the animal kingdom, it's routinely interpreted as acts of dominance or sexual play. The exception are humans, who form long-lasting, intimate, emotional bonds with members of the same sex.

Her next seven sentences are all questions. Each different. But there is a similar tone in the confusion of each. As I see it, the crux of her problem is she is either unable to—or can't—see the situation logically, from a shoe-on-the-other-foot perspective.

Since puberty, humans of the female persuasion have caused my nervous system to react with an "attraction impulse." When I look at a man my brain registers the same response as when looking at an ostrich or a chair. Neutral. Non-erotic. This is not a conscious choice I make or have ever made and (most importantly) I'm incapable of making a different one. I don't choose.

However, there are millions of people on the planet who's nervous systems provide an attraction impulse for both genders, and some of these polysexual people—because of a desire to conform or not be shunned by their community—choose to have a sexual relationship only with members of the opposite sex (many of these people use religion to aid their choice by touting "sin dogma").

Also, there are hundreds of millions of people on the planet who's nervous systems provide an attraction impulse for only members of the same sex. They don't choose...no more than the billions who are only attracted to the opposite sex.

Until the last few centuries 'church' was synonymous with 'government' (in many countries, it still is) and, most of the time, government is run by wealthy dominant males. The leaders of all governments make and enforce rules in order to maintain their status quo. This could explain why religions support(ed), condone(ed) and didn't/don't consider a sin: owning chattel, burning witches, gender apartheid, racial segregation, etc.

Ms Kahn...is your only confusion, really, the church's disapproval of buggery?

Also:

Sometimes it is all ahead of you

~~paper~~ digital drafts
Prophet of the blog-as-art aesthetic
How Many Chicken-Little Wridiots Crying Wolf Does It Take?

Epitaph to Live by

G. P. Spencer of Lyndonville, Vermont, died in 1908 at age 83. He was a stone-cutter by trade. This is a portion of his epitaph which he inscribed on his vainglorious tomb located in Lyndon Center, Vt:

Beyond the universe there is nothing and within the universe the supernatural does not and cannot exist. Of all deceivers who have plagued mankind, none are so deeply ruinous to human happiness as those impostors who pretend to lead by a light above nature. Science has never killed or persecuted a single person for doubting or denying its teachings, and most of these teachings have been true; but religion has murdered millions for doubting or denying her dogmas, and most of these dogmas have been false.

I thank Davecat for stumbling upon Futility Closet, recognizing how 'far up my alley' the site was and steering me in its direction, and Greg Ross (at Futility Closet) for collecting ephemera for everyone's perusal.

New Exquisite Corpse

The Exquisite Corpse game was developed by the artists and writers associated with André Breton's surrealist group which included Max Ernst, Man Ray, Joan Miró, and Yves Tanguy. The original game consisted of folded paper with a drawing (or a sentence) composed by several people, each ignorant of the previous creation(s); as an example: "the exquisite / corpse / will drink / the new / wine" — excerpt from the 1939 Abridged Dictionary of Surrealism, as copied off the wall at the Art Institute of Chicago.

The New Exquisite Corpse functions in much the same way as it's predecessor did almost ninety years ago...four players create a 'slice' 450 pixels wide by 200 pixels high (with the second, third, and fourth players receiving only the bottom 15 pixels of the one above theirs). The New Exquisite Corpse has been dormant for a few years. This week I received 15 pixels and created the bottom 200 pixels of this:


Plastic man \| Challenges and Adventures \| Fire and Ice \| brie factual lie fractal \| sky wookie \| madwise \| veach

Anyone interested in joining should sign up and send a message to The Mortician informing him/her that you want to become a corpser.

Also:

March 2009 Corpse

Protest SOPA and PIPA - On Strike

First Snow - Portland Winter 2011-2012

Make A Flake

Measuring My Mettle

My first car accident doesn't really qualify as anything more than foreshadowing for this tale. Licensed less than six months, I attempted to carefully back the family's pristine white Ford Grenada into the garage so I could unload the trunk. Unconfident with the mirrors, I opened the driver's door, twisted my body around and looked behind me as I slowly eased the car in reverse...so slowly that when the top point of the driver's door came to rest on the side of the house I didn't immediately notice.

The result was a few gouged inches in the house's siding and a very small dent on the edge of the car-door near the lower hinge. My sixteen year old self decided not to mention my mistake(s) to my mother or ²dad. For years, my eyes immediately focused on the scratch in the siding whenever I found myself in it's vicinity. Nobody ever commented on it or the door-dent (which I, also, could never stop staring at, whenever I was near the exterior of that car).

Three years later, as a college sophomore, I bought my deceased father²s car. Actually, "gave my mother² a small fraction of what the off-white VW bug was worth in exchange for the title" is more accurate than "bought". I painted it a coppery brown (only later, after hearing it referred to as The Turd did I regret my choice). Backing out of a diagonal parking spot one night-school-night, I cut my turn too sharp and rubbed the driver's side rear fender along the fender of an adjacent car. I got out, noticed no dent on the other car (just shit-colored paint transfer) and left. Without leaving a note. Clearly, I was once "that fucker".

My third accident occurred six years later as I approached a stop sign at a T-intersection on a gravel, residential street. I was distracted (by a child running toward my piss-yellow VW rabbit) and failed to come to a complete stop. A pick-up truck with monster tires (taller than the child) appeared out of nowhere, clipped my front quarter panel/bumper, and spun me around a little in the gravel. Since he was going too fast and I'd failed to stop, we decided to fix our own damages (his was a scuffed sidewall).

Twenty years and well over a million accident-free miles later—after driving a relatively large number of military vehicles (Gama Goat, APC, Jeep, HMMWV, et.al.) as well as several different civilian cars and motorcycles—I had my first serious accident. The phrase: torrential hail will forevermore cause me to remember crashing into the earth in a bruise-blue Ford Explorer after it flipped end over end. In 2004, I began this s n a p p e r h e a d blog with an article about that accident in a post titled: Driving Anozira-style.

Almost exactly seven years later (a few months ago) I backed my silver 2008 Dodge Avenger into a travel trailer parked on the side of a street at 3am. It dented my trunk pretty bad (it still closes). I immediately rang their doorbell, woke them up, gave them a photo of my driver's license, name, address, phone number, and told them if they got an estimate I'd either pay it or turn it over to my insurance.

They still have yet to contact me. I drive past that trailer every night and always glance at the little wrinkle I caused in the metal.

(And, since 3/5 of my accidents have one thing in common...I've decided not to drive in reverse anymore.)

Also:

Papa's Auto Opinion
All About My Mother² and Parenting Skills
Life-Mission: Possible

Bunraku - (☆☆☆☆) film review

This film was (and still is) loathed by almost EVERYONE. One reviewer claimed watching it didn't just make him uncomfortable but caused him 'excruciating and deep in the balls type pain'. For over a year I figured that they all couldn't be wrong. But. Of course. They were. *surprise*

Bunraku is a smirking homage kaleidoscope. Colorful bits and shiny slices of spaghetti western's and campy kung fu's are mixed with big-screen graphic novels, actual bunraku (large paper puppet theater) and - beat - Hollywood musicals. The result is a humorous and unique treat.

This is definitely not a forgettable film. Although it has some obvious flaws I didn't let them ruin the overloaded thrill ride.

Kill _ill 1; A Fistf_l of Dollars; Si_ City; He_o; Zombiel_nd; _ill Bill 2; and The Seven Sama_ri.

If you choose to disregard all the other reviewers—you'll thank me.

Also:

Sizing Up the Art of Criticizing

The Forgettable ☆☆☆+/- Defined
Film Code: Thru My Eyes First

whatever makes you happy—now's the time to do more of it

To who we have/will become,

4 the rest of us

This is my first Festivus season working as a service provider and, therefore, the first time I've had to choose whether to request gratuities or not.

My rationale for choosing to be blatant (by giving each customer a signed, home-made, holiday card bearing my name and business address) was that although many people provide a small regular electronic tip when they pay their e-bill, a significant portion of newspaper readers are older, don't use the internet, pay with a check, and prefer tangible gifts over money.

The results have been positive. Dozens of gifts...cookies, cash, checks, and gift cards on porches, taped inside tubes, and in the mail.

This is about one gift. Not the most expensive (by more than half) and not the most elaborate (hard to beat a huge spot-lit crinkle wrapped can of ginger snaps for that)...an unsigned gift card without a return address; only marked from "a customer".

An altruistic ~~Santa~~ Festivus Friend.

Anticipated reads - 2012

I read in 2011:

The dearth (down almost 50% from last year) is not just because of less free time or that many of the tomes I did read were mega-massive, but mostly because my favored authors didn't publish this year.

2011 Charted

Compared to last year my new job has cut into sleeping, creating, reading, watching films and drinking at bars. I disc golfed as much as I club golfed. The move to a smaller place (house to apartment) took two months. Vacationing was limited to camping only. The hot tub was sold (as was my 5th wheel camper). Gaming increased thanks especially to Bethesda and Rockstar games.

Fish by aBowman

It's been a long time since I've posted any good hypertext effluvium.
Thanks to: Sky at The Kaleidoscope Report (for this find); to Adam Bowman (for creating it) and to you (for clicking to feed the fish).