The Awake Inning

shards of ice butterfly reflection poem

I decide to sleep in this location.  It is a covered place and I am confident I can secure my person and my belongings from prying eyes and the covetous fingers who would take the few possessions I prefer to carry with me when I move because they are required and useful.  I try to sleep.  Maybe I slept.

When I get up I move thru the place with my inventory eyes, checking that everything that I left is still in the place that I left it.  The items that I require to perform morning rituals, although I do not have a firm memory of placing them where they are found, are gathered and used for their intended purposes.  I should have returned them to a central, collection point.  Maybe a small kit or carrying case.  That is a good idea.  Today I will try to keep my observant eye out for one of those.  Maybe I won't forget.

Add to reminders.  Today is the day to pack-up all the items because this temporary place will be (must be) vacated by check-out.  If check-out arrives and I have not yet packed, I will again be item-less.  But first my bladder.  I leave to locate a urinal or at least a secluded place where prying eyes and voices will permit me to release last nights wastewater without any repercussions.  I try to blend in with those with obvious destinations.  Maybe I have to set my face like they do.

There are landmarks which are not completely unfamiliar.  This collection of structures, this sidewalk, this railing, none of these people, but that doorway is the correct direction; I pause.  Wait a second.  Where am I headed?  Is that man looking at me with concern and discontent in the way he squints and purses his cheeks?  Obviously this is not the right way for a toilet.  I turn and retrace my steps.  Maybe I came this way and it only looks odd because I was walking the opposite direction.  Am I lost?  I'm not lost.  I try to not be lost.  Maybe I am.

The flow of the crowd seems to indicate they know this gangway leads somewhere they want to go, which means it is not a dead-end.  I should keep a lookout for a sign for a toilet.  This causeway must have been obscured when I was walking past here a few minutes ago.  What was I supposed to?..oh right...a backpack to put-in my face-wash and nose spray and vitamin bottles and such.  I need to get back before check-out.  And I need to leave enough time to pack up before.  No rush.  But stick to the reminders:  piss and get back to pack.  I try to prioritize.  Maybe it's less important than I think it is.

This antique store sounds empty of employees and customers.  Hello?  My muffled voice is a hollow echo-less thing of the past.  Squeezing past nothing I want and nobody to sell it to me, I see a sign for a bathroom.  This tiny cramped hallway is jammed with an overstock of junk that Nana and Papa probably left on the curb when they bought one that worked better, or forgot in their attic when they moved to a better house.  Either way, could this crooked door in a damaged door-frame be the door to the restroom?  I try to open the door quietly.  Maybe that was unnecessary. 

Pulling hard to un-stick the door jamb from the...  Hello-sorry!  (There are three women sitting almost on top of each other in this closet.)  I stammer that thought this was the restroom and offer my apologies.  Can you tell me where the restroom is?  (The tallest one stands and I get a quick flash of thigh, leg, and wind of passing scent which draws me along in her wake.)  There is a washroom down and back there.  I'll show you how to get there.  I try to not stare at her back side.  Maybe she didn't mind.

The corridor gives way to a walkway, which becomes a pedestrian shopping area.  We discuss comfortable words and move in-sync.  Her face seems always to be content with her hair either mussed by the wind or covering her freshly washed face.  I try not to want to kiss her.  Maybe she was trying to not want to kiss me.

She says we need to use this elevator-type of thing.  The bank of massive doors are closed but the smallest one on the end is just closing and I see a tiny key on a minuscule key-fob above the door frame.  I take it out of the little key-hole and show it to her.  She relays that the larger doors are always crammed to overflowing with hordes of people and that we should take the small one when it returns.  I try to listen to her wonderful voice.  Maybe she is not bothered by mine.

I drop the key and it lands on the pitted concrete floor near her hand.  (We are sitting on the floor waiting on this strange elevator which could lead to different floor, a gas chamber, or a quick crush.)  I touch her hand with my searching-for-the-key fingers.  I try not to jerk my hand away from hers.  Maybe that stare thru her unkempt bangs is as welcoming as it feels.

This is us.  We compliment each other's failures.  Our flaws are incredibly huge to the collective strange faces whom we pass on the way to our daily rituals.  A year ago, at an uncomfortable ritual we forced ourselves to attend for no clear rational reason, another couple asked the simplest describe-how-we-met question.  I try to formulate an accurate reply.  Maybe she struggles too.

From both of our perspectives, her (cramped in a vintage store closet with women she had imprinted on for no obvious or apparent reason) and me (following her faulty decision-making process because mine had been broken and I had no idea) we find it difficult to explain in sentences that make sense to common partygoers.  I try not to understand the futility of wanting to not be mentally disordered.  Maybe we are doing fine.

I try memory recall-to-future forecast, but still end up with frostbitten feet from when I was trying to become an eagle.  Maybe she is as superior as I am inferior, and vice versa in all the yin-yang ways imaginable.

(mandatory annual cat pic) Pearl, 1 year old

 

Concrete grey on raw-pine brown

Pearl they say with never a frown

Fixed jade gaze near-silent clown

Cecil unfazed, by new kit in town

|| a poem for the common cat ||

 
 
 
eventually the phenomenons your senses 
combine to assume it is experiencing 
catapult you toward choosing between
flotsam or jetsam—but before you do
 
smile at the opportunity this affords that
whom once assumed antagonists loved
to antagonize and wonder now about
how amazing—never another frustration 

actually exists in those who seize their
recalled memories and cease planning for 
every eventuality and realize how as if
this were but a daydream—time is figment

Angry Amazon Tale (but it works great)

          For those who enjoy Amazon Tales, this episode is an unusual.  One year ago, I purchased a cheap space heater and gave it this two-star review:

Impossible to assemble (but works great)

Reviewed in the United States πŸ‡ΊπŸ‡Έ on January 26, 2022 
Verified Purchase 

Impossible to attach screw-in plastic legs because the guide-pins and hook-slots absolutely can not line-up with the metal housing (and removing the guide-pins causes the brittle plastic to shatter). The plastic handle, which requires complete disassembly of the metal housing to attach, is either designed to rattle and not fit tightly on purpose - or - these issues are systemic throughout the heater and it will soon stop working. Please note: This space heater works wonderfully without legs and without a handle (as long as you always place it on a surface that will not catch on fire because the reason for the legs is to help keep the heat from melting your carpet and don't pick it up until it has had ample time to cool down because the reason for the plastic handle is to prevent you from burning yourself).
 
          I assumed they sent me legs/handle from a different model; and decided not to go thru the hassle of returning when this $25 heater worked fine propped on a metal cookie tin.  I received the following message today:
 

           The order and review are accurate, albeit I did not follow the link because maybe this was a new way to spread a virus.
 
          Is this the absolute best way to drive an Amazon competitor out of business?  Or, maybe, this was written by a disgruntled ex-employee?  The actual company would never (or would they).

more Amazon Tales:

 
 

Agatha 'Aggie' 2002 - 2022

 
 
 
 
 
Her last exhaleafter twenty years of them—seemed the easiest one, for her

Assuaging her, until the last; I'm now in need of some of that assuaging, for me
        
My awareness of her absence echoes like a silent alarm from an unexpected vacancy just within earshot (and, paradoxically, known-about for years)
 
I'm curiously-glad the ground is frozen; postponing digging the grave is a whole huge, tiny grey blessing (for next year)




also featuring:

 

Goodbye to the last - Hello to the next one

        Happy New Year Mr Glines!  I'm a long time reader, first time caller...erm...commenter who's hoping to get some long term broad-stroke life advice.

        I have yet to decide what to do after I graduate.  Everyone I don't hate has told me to 'find something I enjoy' but they've not made suggestions.  It may seem like they want me to decide for myself, but I've already seen what most've done to others (or said about them) when they were trying to find things out for themselves and then failed.  I can't promise I'll follow your advice, but I definitely will consider it.

Seriously,

Andrea

        Andrea,

        Let me begin by explaining everyone-you-don't-hate's rationale.  E-y-d-h is only familiar with the meandering route their path took them to get where they are today.  If they dislike where they are (or how they got there) they may be unwilling to offer advice—even of the broad-stroke kind—in fear that you might repeat their mistakes.  Just because e-y-d-h appears to be (or says they are) happy, does not mean they are or were.  Accomplishing a steady-state of being happy should be everyone's ultimate goal.  Most of e-y-d-h never mention it because they either think it "goes without saying" or they survived their entire lives without experiencing it in sufficient quality or quantity and think it "doesn't actually exist".

        My first recommendation (no matter your age, personality, or life situation) is:  Teach yourself how to love and be loved by a pet of your choosing.  The last phrase—of your choosing—is the most important.  Devote quality hours out of your day (every day, without exception) to playing, cuddling, grooming, training, pampering, and just spending time with your chosen pet.  If you think you love your pet, and they love you, but you might allow a situation, person, or circumstance to come between or separate you?  You still have much to learn about basic friendship.  You can't really love until you are best of friends; and true friendship trusts nothing could come between them.  Once comfortably devoted to a pet, try platonic adult friendship with a human(⁰). 

        Secondly, you need to teach yourself how to set achievable goals for yourself.  The key word in that sentence is achievable.   Anyone and everyone can set unrealistic goals; others do it every year when making New Year resolutions(¹).  Set a small goal.  Something like: run a mile without stopping; or join a local group; or learn to play an instrument (et cetera).  The only way to determine if your goal was an achievable one?  When you are able to set another one, which expands on the first.  Like: run two nonstop miles; or fully participate in an activity decided by that group; or play an entire song of your choosing (et cetera).

        Determine what level of importance you desire to place on your long-term financial wealth.  It takes a specific mindset to value the accumulation of wealth for its own sake(²).  If you determine that you desire wealth more than other qualities, a college education in a money-making field should become your immediate short-term goal.

        Measure your future life in twenty-year potentialities.  Your second twenty years(³) is when you refine yourself and make yourself better at what you've begun.  Your third twenty years is when you either rebuild yourself from your mistakes, continue to make bigger mistakes, or strive to teach yourself how to set, and efficiently accomplish, harder goals.  Your last twenty years is for teaching others what you learned and preparing your happy-content self for the inevitable aging and death.

        Learn how to determine when you are satisfied with what you've attained.  No one strives to be unhappy.  No one who is absolutely happy is constantly stressed.  Constantly striving, without being aware what constitutes a sufficient amount to be comfortable(⁴), will always result in an ever-escalating amount of stress.  That "treadmill loop" is the saddest way to kill yourself. 

        Respectfully,

        Veach

(⁴)  This "sufficiency" can-and-should-be adjusted as your life circumstances expand and contract.  It's important to be aware of your comfort in a studio apartment, but essential to know when a two-bedroom becomes the new "sufficient amount."  And, most of all, it is crucial to remain alert to when returning to the studio will reduce stress (and make you more comfortable).

(³)  Your second twenty years will begin once you are adulting full-time, independent of the calendar, living conditions, or family relationships.  Some "old people" learn (decades too late) that they are still not able to refine themselves on their own terms; while some "teenagers" discover they have been refining themselves on their own terms for years. 

(²)  "For its own sake" is a red-flag phrase.  It is equivalent to "for no reason."  You should do everything (which takes some significant amount of time and effort to accomplish) for clearly identifiable-to-you and clearly important-to-you reasons.  Getting more money for money's sake is hording.  Gaining knowledge for knowledge's sake is time wasting.  The only exception is being happy for happiness's sake.   

(¹)  Never "play with" making goals.  Your subconscious remembers every time you fail-to-achieve and it uses guilt and shame to try to encourage you to succeed; even if you thought you were only half-heartily joking when you said, "I'm, finally, going to write that novel this year!"—your subconscious heard you planning a goal and now it (you) will make you feel bad when you don't do it. 

(⁰)  Another adult human who also loves pets.  This advice is my first, because it is the most important.  People who don't like pets should only become friends with others of their ilk. 

for other Andrea's:

talking about others 'behind their back'

 Military Police story (99% true)

a month of songs that make you think

Shelf Elfing

         Most personality traits, self-values, and character flaws, exist on a spectrum.  Picture a teeter-totter between two extremes—embracing one extreme, automatically-requires rejecting its opposite.
 
        Imagine that at one end of this teeter-totter is an elf who thinks of itself as the only playable character in the game, and it believes-with-every-thought that everything's a game.  This elf assumes every other elf thinks of themselves in exactly the same manner ("no matter what those other foolish elves may claim to profess").  This extremely ego-maniacal elf is absolutely un-apologetically self-absorbed (and, as such, is incapable of imagining thinking in any other way).
 
        The elf at this end of the teeter-totter spectrum has an animalistic blind spot (also referred-to as a predatory blind-spot) which prevents them from conceptualizing a non-competitive existence.  It's inconceivable, to the egoist, that any elf would give away a benefit unless doing-so provides some benefit to themself.  In this elf's mind, giving away something they-themself value would be the equivalent of intentionally losing.  The egoist-elf considers everything a competition; anyone not winning is losing.  
 
        Opposite the egoist-elf (also referred-to as a taking elf) is a benevolent giving-elf.  Fully aware it is but one single individual in an entire generation of other individuals, this elf has no difficulty realizing that there were an uncountable number of generations before it, and that there will be an unknowable quantity of generations to follow it.  With that awareness, this elf helps others and is as altruistic and conscientious as possible; always providing kind elf-words of encouragement or praise.
 
        The giving-elf (also referred-to as a self-effacing elf) understands the rationality of this logic:
  • Everything (including a shelf elf) has a shelf life.
  • Ubiquitous expiry dates means there are no winners.
  • No winners equals (is equivalent to) no losers.
  • Winners and losers are the result of competition.
        Conclusion:  Elf existence can not be an actual competition.
 
        The giving elf realizes that anything which hurts more than it helps is obviously detrimental and should be avoided when possible.   Which leads them to conclude that all instances of negativity must only be temporary aberrations in an overall positive absolute.

        Determining sElf Location:   

        Vicarious embarrassment (also referred-to as empathic embarrassment) occurs when one sElf feels embarrassed for some other sElf.  The sElf "being felt embarrassed-for" doesn't need to be aware of their predicament (or why another sElf might perceive that they are in a predicament) nor feel any embarrassment themselves.    
 
        This way of conceptualizing insures not (confusing yoursElf by) utilizing "wishful thinking" (and then questioning your sElf-reasoning) which feels like rationalizing-away the inability to be objective about your sElf.  Because—just like it's impossible to feel fake sexual attraction—it's not possible to feel fake vicarious embarrassment.
 
        At the risk of redundancy, I will re-phrase the last paragraph:  While it is possible to falsely perform the outward appearances of sexual attraction or embarrassment (vicarious or not) the sElf who chooses to pretend fake emotions still knows what, if any, emotions they feel.  One may deny any and all emotions, but—normally—they are always somewhere on a spectrum:
 
        The sexual attraction spectrum:  feminine - to both - to neither - to both - to masculine.
        The embarrass—proud spectrum:  pride - to both - to neither - to both - to embarrassment.
 
        If one were feeling the opposite of embarrassment for an sElf, one would feel pride for them.

Placement on the teeter-totter depends on answering the following:

        For which—the giving-elf or the egoist-elf—do you feel any vicarious embarrassment for?
 
        How strongly?
 
        For which—the giving-elf or the egoist-elf—do you feel any vicarious pride for?
 
        If cognizant that you never feel vicarious embarrassment nor vicarious pride you may have a reduced ability to empathize, the pathological dis-function of none, or you may be emotionally immature.  
 
        Your answers have placed you somewhere between the giving-elf and the egoist-elf on the emotional spectrum.  Movement on the spectrum depends on all your present moments (from-now-on) and (in every subsequent moment) where you desire to move:  Toward where you feel pride-for . . . or toward where you feel embarrassed-for. 

        Use this advice in any way you desire.

        My elf is thinking of yours, respectfully, at this moment in time (no matter who or where you are).


 
 
more help-elf:
 
 

Ringmaster-in-training (Before the Circus)

    When the ringmaster began to teach itself to learn to pay attention it was too small to move very far or at all.  And never quickly.  At that time, the ringmaster witnessed sounds of happy cheerfulness, calm relaxation, and a variation of positive tones or even some irritating wavelength vibrations.  It witnessed a range of focused, kind, expressions.  Smiles big and small; soft touches; a range of environmental and garment changes, which were sweaty or shivery; and the ringmaster heard too many to remember unknowable noises.  Once in a while, it heard a shockingly loud sound which would cause it to wake up.

    The ringmaster soon realized, all of these sounds, touches, tastes, and sights were caused by the big people.  Some sounds happened because the big people had to make that noise in order to help the ringmaster move, eat, clean, and not be sweaty or shivery.  It decided that it liked many of the sounds and smells and tastes provided by big people.  It felt especially content, at times, when a big person not-only erased some discomfort but provided an unexpected feeling of pleasure.

    However, some of the big people's sounds or smells or temperatures were exceedingly uncomfortable and the ringmaster realized it needed to some-how inform the big people they were not doing their job correctly.

    Consequently, the ringmaster taught itself to make a sound of its own.  When a discomfort did not go away (or actually got worse and increased) the ringmaster could contort the muscles surrounding its feeding orifice and force its breathing mechanism to create a unique notification noise.

    While practicing their notification noise, the ringmaster discovered it was possible to muffle or not hear the loudness of the noise they were making, at least not at its full volume, if they fully stretched open their feeding orifice.  Wide. 

    Their notification noise had successfully resulted in big people reducing their discomforts for as long as the ringmaster could recall.  And.  Over time.  The ringmaster came to identify a small number of big people were better at increasing their comfort-pleasure and reducing their discomfort-pain than others.  It differentiated the big people mostly by their smells and sounds.

    That changed in the recent last before.  When it was easy to see because the space was blurry-bright.  That was when the ringleader recognized an odd disconnect.  A few of the big people, who had previously been better at their job than others, seemed—for no discernible reason—to choose not to reduce discomfort when it notified them with the notification noise.  Instead, one of the big people arrived and intentionally increased its discomfort-pain.  The ringleader did not understand.  This lack of understanding was new.  Uncomfortably new.

    Now-now it was difficult to see because the space was dimly lit.  The ringmaster considered maybe it had previously done something out of sequence.  I am a captive who can not move on my own and when I am uncomfortable I use the notification noise.  Like this (and the ringmaster forced its breathing mechanism to expel its breath as its eating orifice opened to squeeze down on its hearing mechanisms).  And, now, big people should arrive and make me comfortable.  Not this time.  Again, I'll do it again.  Still nothing.  I can normally hear the big person make its arrival noises.  I hear no arrival noises.  This is illogical.

    The illogical happened with more and more regularity.  Some dimly lit times and brightly lit times would be back to normal.  Other times it would be illogical.  They could no longer expect the big person's arrival was a guarantee that "things were going to soon get better."  Instead, the ringleader was put in a position to feel a constant level of uncertain about the arrival of the big person.  This uncertainty carried with it a constant awareness which became a vague disconcerted feeling in the background of the ringleader's awareness.

    Should I do something to not encourage the big person to arrive?  I will test that theory.  If I do not make the notification noise, even if I am very uncomfortable (and I am uncomfortable right now) maybe they will arrive and it will be normal.  No matter how uncomfortable I currently feel, is it possible that I could be making "things be worse" when I use my notification noise? 

    Accordingly, the ringmaster began to pay close attention to any detail which might help it to pre-identify what every big person intended before they arrived in the place where the ringleader was imprisoned.  Was there a different sound, smell, or subtle sequence of visual images which accompanied or preceded the big person's arrival?  Something which might indicate if their arrival was going to reduce discomfort or increase discomfort?

    Becoming hyper-alert for the possible increase in discomfort-pain, resulted in the blooming of fear to begin to exist and never leave.  Never leave ever again.  Normal times were never again.  Forgotten.  The illogical times were now happening too often to not expect them to be expected as the new constant.  Use or not use of the notification noise was not connected to receiving pleasure or receiving pain.  Nonetheless, the ringmaster decided to no longer use the notification noise except in an absolute pain emergency of the ultimate measure.

    One of the times it considered an emergency was when it continued to over force and extra-exert its breathing mechanism so that its sensory organs could eventually become more and more fuzzy and many of its discomforts could drift away and become a distantly-diminished forgotten thing and it could cause itself to go to sleep, even if it had been fully rested.   

    Now, it would only exert its breathing mechanism to that extent when it was already lying down.  Because it had one-previous-time been fully issuing its notification noise while standing holding the bars and, after it got fuzzy, the ringmaster fell and banged painfully-hard against the edge of the cage.

    When any big person actually arrived and provided comfort-pleasure, now a fantastic feeling of relief rushed in to wash away the ever-present discomfort as well as the accompanying fear (that the discomfort was never going to go away ever again).  That fear never actually disappeared, however.  Even when the pleasure was sublime.  "The pleasure is always only temporary." (Was what the ringmaster understood the fear communicated as it waited patiently for the pleasure to be replaced with discomfort).  

    Because of that fear, the ringleader was now always cautious when their hypocrite of a warden arrived.  No longer did the ringleader express any eagerness or any pleased demeanor when the warden came to their cage.  This confused the warden.

    The warden thought the ringleader was defective.  The warden took it to a health official.

    "...cries day and night...always fussy...don't know what could be wrong..."

    "...significantly underweight for twelve months...what are you feeding?..."

    "...bottle of formula...three times a day...breakfast, lunch, dinner...why?.."

    "...just hungry...should've fed cereal at 2 months...and any food by now..."

        My Self began to be aware it was (uncomfortably) forming when I was constantly hungry, shitting only liquid, growing a world-record diaper rash (inflamed by cotton diapers trapped under rubber pants) and left, untouched, in a cold, drafty, attic crib (in Maine) between my second month and twelve-months of age.  Thanks to a doctor's office scheduling my "annual checkup" this torture only lasted for about 300 days. 


 want some more torture based on real events?:
 
 

Three Monks Addendum

 
          First and most importantly, read the Allegory of the Three Monks to understand this five panel cartoon strip.
 
          This is a test.  You are the only person who will ever grade your test results.  It is always pass-fail.  If you have not already read The Three Monks (by scrolling down six essays to the 27 Oct 22 article) and you decide, at this point, to continue to read the below five panel comic strip: you have chosen to fail the first Go On test.  That is only OK if you think it is acceptable because you are the only person who will ever judge your self.  

         There is a specific comfort/discomfort abstract concept emotional impulse (which is felt as a feeling behind your eyebrows) that carries the label self-satisfaction.  You feel it only if you did choose to stop, read the parable, and now have decided to pass the first Go On test.  Allow me to repeat myself, at the risk of being crude, there must be fifty ways to leave ... (slip out the back, Jack; make a new plan Stan...).

  
 
keep pulling threads:
 
 
 
 


 

first snow '22

 

 

Class Discussion—Related to Lecture #1

          I want to express my welcome, to all students physically present, as well as those currently online and able to interact with the class on this rainy Vermont day, and to those auditing the class in my future, slash their present, who're unable to interact with the group.  I thank you for your attention.
 
          For this discussion, I'll be acting in a "master-of-ceremonies" role.  My name is spelled: Veach Glines.  For those of you unable to see the board, my name is spelled Vee as-in Victor; EACH as in beach (spelled like the ocean-shore not the beech tree); Gee as-in Golf, followed by LINES, like the phrase: 'I prefer coloring outside the lines'.

{intermittent squeak of dry erase marker}
 
          When speaking about myself in third-person—something I find jarring to experience, so I rarely do it unless trying for cringe—I prefer he/him.  I'm comfortable with the honorific, professor, albeit un-capitalized.  Because capitalization is lost when speaking, please feel free to use any word you're comfortable with:  sir, ma'am, asshat . . .

 {audible chuckles}
 
          Let's begin!  For those present or logged-in:  if you communicate via text, your preferred name will automatically appear before your typed-words.  Languages other than English are translated by the AI and appear in English adjacent the <translated> notation.  Communicating by voice is sourced as affiliated with your preferred name and also translated automatically by AI.  If you're auditing and want to talk or text, please pre-identify with an acceptable gnome-de-plume (and, yes, I pronounced it Gnome—reasons may be explained later).
 
          The topic for today's discussion was the title of my first lectureArtists Are Terribly People.  Anyone like to start us out?
 {sound of collective shuffle-rustling}

          Please, go ahead; in the wonderfully colorful sweater . . .
 
          Hi, hello.  I believe, little-p-professor, that this order, of these four words is the only order they could be placed, if the desired outcome was to encourage the most confusion.
 
          I think that all possible placement-locations of the adverb Terribly, within the three-word sentence "Artists Are People," causes readers to ponder the use of that adverb.  However, in this placement: Artists Are Terribly People, readers are faced with the additional consideration of wondering if the t-shirt designer accidentally printed the letter Y instead of the letter E.  The word Terrible is an adjective.  And adjective-immediately-before-a-noun is grammatically correct.
 
{as the relatively youthful, slight Midwestern-nasal, flat-but-charming voice expounded,
their words became visible on the text-screen
| Name: "Dre" |
| Preferences: they/them/student |
  below a multicolored maple leaf with a plum-purple background
above a canary-yellow, capital letter, C}
 
          Well, Dre.  Thank you for this well-thought-out and concise interpretation.  I see you've indicated 'student' as preferred honorific.  Are you willing to explain?  I try to ask pertinent questions as they arise. 
 
          Umm, well, I, um, thought about what title a gender-less person.  Not gender-neutral.  Who's only been a student for . . . for their-whole-life, might . . . consider . . . complimentary.  To be . . . damn.  Sorry.  I should have thought about it more.  
 
          Dre, I'm not trying to embarrass or make light of a very-real conundrum.  It's just a coincidence that you were "first at bat" and, accordingly, first to admit an unability to address the honorific-issue.  I normally mention this during the introduction, but I forgot, so here goes!
 
          Any instructor striving for objectivity—who takes the job of teaching seriously—should not need to explain the self-imposed requirement to treat every person with equal respect, and especially each of their students.  I see from some of your faces that a detailed explanation may be helpful.
 
          While referring to everyone by their preferred name may be simple, now that technology automatically puts it in our direct line-of-sight, the consequence of live-grading makes encouraging and discouraging students, without my words affecting their grade, very challenging.
 
          The AI allows the optional use—and, more importantly, the non-use—of honorifics without allocating grade-weight.  When I call someone by their preferred honorific, while I am saying, "keep up the good work," I'm also setting the stage for when I do not use some future person's honorific.  Because when I avoid using a preferred honorific, that is how I informally suggest disapproval without the AI interpreting my bio-metrics and changing their grade.   
 
        Please consider my need to have a desired honorific for everyone as something as important or valuable to me, as hearing others use your preferred gender-less pronouns are to you.  Until then, I would like your permission, Dre, to utilize the non-word 'eglaf ' as an honorific?  Only after you update your profile, though, so we don't confuse the AI.
 
        Thank you, Dre, you've excelled.  
 
{the canary-yellow C became a florescent-green A 
whispers rose and faded}
 
         Ahh . . . I've received a text from someone who is auditing.  Please bear with while I read; because obviously auto-posting to class screens from unregistered auditors would be an ill advised practice.
 
{slight-whispers}

          I will read it, in a rather abridged form because of online-speak and slang.  It is from an anonymous source.
 
          It says, "The equivalent of a military rank or title of honor should suffice.  The term crew-chief is a position of specific authority which delega . . . (think they meant 'designates') a position respected by all of the crew members as well as every senior officer who heavily relies on the person with that title. They are normally only called by the single honorific:  Chief."

{murmurs and rustling}

          I appreciate the auditor's suggestion, however, if Dre had written 'chief' as their preferred honorific, we'd be exactly where we are.  I will decline to use certain words perceived as a legitimate title of honor by someone but possibly disparaging to another.  And, chief is one such word.  Similarly, I would only call someone Doctor if they were a PhD or MD.

          Moving on.  Dre's observation that Artist's Are Terribly People causes a mental hick-up with Artist's Are Terrible People.  They also pointed out that the three other placements of the adverb may not provide sufficient context to completely understand those sentences, but also that those sentences would not be cause for too much more mental deliberation. 

          Someone else?  Ah, OK.  The person standing . . .
 
          The concreteness of the words printed on the front of a shirt is not unimportant.  If it were overheard or read in a text-conversation it would be less open for evaluation or consideration.  Statements proclaimed on shirts are intended to be received like a brand by an audience.  Maybe funny.  Or ironic.  An aphorism.  Sometimes proclaimed in protest.  But always intentionally crafted.  Always created.  Just like artwork is created.  Artists Are Terribly People emblazoned on a shirt?  That's a statement made by an artist!  Begging to be evaluated.

{as the raspy voice shot-out its clipped sentences
their words became visible on the text-screen
| Name: "E F NoΓ«l" |
| Preferences: they/them/newt |
  below an image of a orange salamander on a rock
above a canary-yellow, capital letter, C which transformed into an 2+}

          Ahh.  Very good.   I wondered why you stood instead of raising your hand like the others.  Clearly, Nude, you've already read the manual.  I have nothing to add except an explanation about the grading system.  Everyone begins at the median.  Maximum is 9+.  Minimum is 9-.  Participation results in change.

          Sir? S-Sir? I'm c-confused by this gra-grading system . . . I-I've never exp erienced re-real-time class-ss-room p-par ticipation scoring . . . W-why a r range of . . .a . . . ff . . . s-something like . . . thir thirty levels?

{as the speaker navigated sentences like a old truck
veering around potholes (and hitting some),
their words became visible on the text-screen
| Name: "Susan or Sue" |
| Preferences: she/her/blank |
  below an image of the speaker in cap and gown
above a canary-yellow, capital letter, C}

         Anyone wish to answer Susan or Sue's question?  .   .   .  Someone besides the four online auditors who have been permanently blocked.  Five, ahh, six are now blocked.  I thank Susan or Sue for asking.  Some auditors are trolls who eventually identify themselves.  It was bound to happen . . .

{adjacent Susan or Sue's thumbnail image,
 the canary-yellow, capital letter, C}
became a  C+}

          A-anh ohh?!

{as her sighs and non-verbal utterances of disapproval continued 
 the canary-yellow, capital letter, C returned}
 
          Wh-wh-aA Da fff . . .
 
{the canary-yellow, capital letter, C became a hard-orange D}
 
          Someone should answer her question, if for no other reason than to save her . . . from herself.
 
          The!  Grading system is fake!  Or . . . maybe, fabricated is better.  Maybe crafted by little-p-professor, so that our attention is entertained.  Hard to look away from a train-wreck . . . and,
 
{as the roller-coaster lower-register voice almost sang-out
with a noticeable degree of over-acting emphasis
their words became visible on the text-screen
| Name: "Randelf" |
| Preferences: she/her/nude |
  below an image of a very recognizable rainbow
above a canary-yellow, capital letter, C as it snapped into a
very warning-orange D}
 
          and . . . it definitely encourages participation!  Little-p-professor said he was performing the role of master-of-ceremonies, didn't he?  Well.  Look at your emotions.  Right now!  Are you hoping I drop to an F?  Schadenfreude much?
 
 {the very warning-orange D gradually switched to bold electric B}
 
          Are you to shallow to care?  Who's able to realize that they are . . . WE are . . . All circus performers and while we desire to become so aware of our Self that we can . . . do Both things at once . . . Sit in the audience . . . and . . . watch . . . our own performance!  Simultaneously?  Well that's what I'm here for, anyway!  
 
{which became a  C+}
 
          Nude!  Well said.  If only you answered Susan or Sue's question, though.  She is confused about the "so many levels"?  Oh, and Randelf?  Keep reading.  More reading less grandstanding.   
 
          Yes, please.  With your hand up over there.
 
          Professor little-p.  The most logical reason for thirty-one grade levels is because the computer program probably allows only two digits.  Rooting the median in the center of the five-letter ABCDF normative system, allows for the addition of eight plus's and eight minus's.

{as the median-monotone voice marched
solemnly along without exertion 
their words became visible on the text-screen
| Name: "Francis 'Freak' Storm" |
| Preferences: zhe/hzr/zero |
 appended-to a white-on-black slashed-numeral zero image 
above a canary-yellow, capital letter, C changed into a
cool-electric B+}
 
          This level of deep-dive into my writings, Freak, while personally appreciated, is not specifically related to the class.  However, I applaud your use of the term 'normative system', your logic, as well as your accuracy.

          We have our first AI confusion of the day, nice!   An unregistered auditor posed a statement, which was translated by the AI, but either they are present in the room or they have the same identifying profile as someone in the room.  We'll see if the AI blinks itself.  Until then, I'll read it.
 
          <translate> Being a terrible person is drastically different than being terrible at person-ing (which is what the shirt seems to convey).   Being socially clumsy, possessing less-than-optimal charisma, as well as other traits commonly believed to be possessed by those who self-identify as introverted, are the characteristics of so many people who are creative that they are stereotypical-to-the-point-of-cliche.  This shirt draws attention to those stereotypes.
 
          I see it's still working on its hick-up, so, would any of y . . .

{as the professor's words
dwindled away, the text-screen changed
| Name: "Ted" |
| Preferences: he/him/sir |
 appended-to an image of a cowboy on a horse 
above a canary-yellow, capital letter, C as it changed
into florescent-green A}
 
          Um.  Well!  It is possible . . .  Is it possible, Ted, that you are in this room, or can hear me?
 
          <translate> Yes.  I am the person in the wheelchair at the back.  My voice program is similar to others with muscular dystrophy, only my French-English translator is old of date.  And, I did not want to shout to call attention.   So I logged in as a auditor even though I am registered.  Apologies.

          Ted, your interpretation is as correct as it's possible to be.  That said, I (and the AI) would like to discover a way to recognize the equivalent of your hand being raised.  I can not see you from down here.  Does your chair have a light?

{In the top back of the room a spotlight lit the back of the wall,
rustle of clothing, whispers, creaking chairs}

          Excellent.  I will now be able to call on you, sir.  Thank you.
 

{a dozen more people contributed to the class discussion,
which touched on some of the elements from
the first lecture (thoughts, memories, beliefs, et cetera)
however nothing further was said by any of the study group:
            

go on, keep it up:


 

semblance of balance

 
  
    I don't know the name of the piece, or the artist, if that's what you mean.  If you meant to say, why'd I pay to stare at it - I think it's because it encourages me to try to understand visual tension.  
 
    What artsy-fartsy site have you been reading?
 
    The kind that you're lifetime blocked from commenting on.
 
    Ok, k, how'd you say it?  No.  Really.  Sincerity, now.  If you can explain that collection of pixels to MY brain, and I'm willing to giveit a try, why not?   Don't scowl.  I know I'm an asshat.  So, why not prove I'm an incurable one?
 
    Because explaining what happens in my brain when I interpret Portuguese into English requires the person I'm explaining the translation process to, to be capable of thinking in - in, analogies.  Which you're about to prove with a question.
 
    I didn't know you could speak a foreign language!  You speak Portuguese?  Ohh.  Z'a joke.  Now wha'd I say? 
 
    The background contains a smudge of clouds, tree branches in varied states of fall, and a shadowed window frame above a rain-stained sill.  Close-up.  Jewelers block behaving as pedestal for an onyx sculpture, all balanced upon a white near-sphere.  The gravity is being. . .
                                            . . .Being shown!  These real pixels show, in an abstract concept selfie way, what the abstract concept of 'gravity' looks like to my Portuguese-to-English translation subprogram.
 
    And the me you're talking to right now, understands it so well, that it thinks,"It's so obvious, of course it's gravity!"  That vibration causes tension behind my eyes because I think, "nobody understands gravity," and then I see this picture depicting gravitational results and I think to myself, "Cept this artist who hates, probably hates, the phrase artsy-fartsy."
 
 
 
graduate to the next level:
 
 

Can pareidolia be taught?

 
            vaguely misplaced tin
            brush painted red, twenty-three
            hike hike hikin me

            some believe it in
            pairs of chromosomes, they see
            like like likin thee

            tip my head and grin
            pareidolia blessed, two lucky he
            cowgirlin th' three







tappin into a similar sap:

 

Mandatory Cat Pick - Cecil Halloween 2022

 


 
 
 
 
 
        When I Say
        'I hear you'
 I mean that  
   I hear every 
   paddle swish
       of blood as
         it sloshes 
       all syrupy, 
as well as   
   the lickslap
 eyelids make     
   when closed.
  Good thing I 
like dry food


Happy Anniversary Autumnal Harvest Halloween Night and Day of the Dead 2022
 
stick with funnybone theme:
 


The Three Monks

 
 

        Three monks walking a path.

        The first is overly cognizant of their every action.  They attempt to never crush or injure any tiny animal or insect underfoot.  Their path commonly pauses and weaves as they place each foot into any available space between caterpillars.

        The last also hesitates, hops, and lands.  Their attempt, however, is to aim every one of their steps so as to kill as many caterpillars as circumstance might place upon their path.

        The middle rarely looks down.  They walk as straight a path as efficiently practical, only altering stride to avoid mud puddles or navigate obstacles.

        This middle monk realizes, at times, that cleaning caterpillar guts from between their toes could be avoided if they were more like the first monk.  But they only choose to do so when there are almost none visible.  When caterpillars crowd the path, the middle monk re-prioritizes efficiency and rationalizes their actions—as they return their gaze to the horizon—that the few squished by happenstance are outnumbered by the mass who survive to become butterflies.
 
        Contemplate this allegory.
 
        If the actual practice of a contemplation exercise is something unfamiliar, follow these steps:
 
        In a place without distractions, close your eyes and imagine the events depicted.
 
        As you picture each monk, consider what might be their motivations if you interpreted the story in a way that was as close-to-literal as imaginable (and the three were actual Jainists).
 
        Decide which monk you most identify with and why you are less comfortable with pretending to be inside the head of the other two.  
 
        Now consider what abstract concept the story might be encouraging you to understand.  Consider other parables containing three characters (Three Blind Mice; The Three Little Pigs; The Three Bears; The Three Billy Goats Gruff; et cetera).  

        Once the above steps are complete, stop contemplating and read the Three Monks Addendum which provides an answer to the fourth step.
 
        Resume contemplating with the first task in mind to re-evaluate step three.   Allow your mind to wander.  Allow your concentration to play.

        If your mind reminds you of urges your body would like to be satisfied (future self thoughts) return your contemplation to the monk you least identify with and consider their opinion of the monk you might aspire to become in a perfect world. 
 
        If your mind recollects memories your body once experienced (past self thoughts) switch your contemplation to the event outside your ears between each heartbeat.  
 
 
more:
 
 
 

Go On Project artwork-poem: "E  F"

 

About expecting the space in SELF (inside of E and F)

awhile full of intent, empty doubt maintaining a place

without self - Imaginary elf

 

Compose an: E   F juncture by planning an L and never

executing the letter mentally

 

Now be in the plan/remember gap, within the juncture

experience the event of reality




More E F NoΓ«l concepts within the Go On Project: