How Evelyn just-Val You 18737560008 SHUN becomes YEEV

     

    This group of sentences:

Evelyn is called Eve or Evie by everyone.  They also all call her 'she' (because they've changed a diaper, or two-hundred diapers, and they've never chosen to understand the difference between gender and genitalia).  Evelyn can not wait to grow up.  When asked, 'what're you gonna be when you're a big girl, Eve?'  Evelyn always replies:  "Smart enough to know better!"  Sounds a bit too precocious to have originated from a toddler defecating in their own undergarments, so it's assumed Evelyn is parroting a response overheard from a careless caregiver.

    Could be a paragraph if it were part of a larger story-framework.  Could be a complete story.  Could be considered a poetic morality tale, which—with the right delivery—could be quality stand-up comedy material.  But, in order to learn, the way we've learned to learn, we need to distill that paragraph down into one sentence.

Evelyn already recognizes possession of intellect and its lack.

    Now the next group of sentences:

Val never answers anyone who asks, 'Is that short for Valerie or Valentin?'  They always reply: "Just Val."  They never correct gendered-pronoun usage; nor draw attention to those who use non-gendered pronouns as Val does.  They refer to everyone equally; always with neutral pronouns or names, and—if pushed—they shirk their shoulders in a carefree manner and declare that they think it's always up to individuals sending a communication to use whatever label they're comfortable with (depending on their empathy-capabilities) and not up to the individuals receiving those communications to choose to listen or to not-listen (depending on their hubris).

Just-Val values practice-what-you-preach ethics impeccably.

    This group of sentences deviates from the story-teller's point of view and makes the case for "stand alone stories":

You are aware of the constant-transitory-state, pertaining to every present moment, in which you currently exist.  You always move forward; so-much-so, it's even necessary for you to make a U-turn if you were to decide to go on back in the direction from which you came.  Much like every other 'middle name or mid-Init' you don't think in terms of labels regarding your present form or mental formation or UbiqUitoUs-flUx.  When you get's asked to describe, "how you see's things"—you reply, "The way a conscious tree, surrounded by unconscious trees, perceives the entire planet-wide forest:  they sense the wind, absorb the rain, and decode the sunshine."

You breathes drinks and energizes.  You breathe drink and energize.  Yourbreathdrinkenergy.

    This fourth paragraph steps further into the "stand alone vignettes" but (possibly) now groups itself in an 'abstraction-of-unity' with its predecessor:

Eighteen billion seven-hundred thirty-seven million five hundred and sixty thousand and eight never thinks of themself with commas 18,737,560,008 or a nickname; but they understand why others need a visual prompt to more-easily recall their name.  Instinctual identification—using unique pattern range recognition from beyond Ultraviolet to below Infrared (X-ray thru microwave)—seems simple for Eigh; but they understand the limitations of those who require translation into basic color prism to more-readily identify them.

 Every cell (insect, unit, byte) has a name and knows their own name.

    And this last paragraph wins gold for sticking the finish:

Shun is who they are because that is what they appear to do.  However, they do not function in such a manner, as they are incapable of forming the requisite intent to communicate (with other living beings) non-verbally.  From the internal perspective of Shun, they do not think about themselves as an entity which might require a label, because they are highly proficient at communicating with their collective internal thoughts.  Memories of planned patterns and previous valuables might become occasionally shunned—when they are experiencing things from the perspective of You or Eigh or Eve or Val.

Eigh is I; You and I are we.  Evelyn <do you see it> grown-up is just-Val.  <three-phase-shift> THree-phAse-shIFT Function -switch- Shun <if it is necessiary *with an intentional i in it* to draw your attention to the coincidence that Evelyn is elven.  And then chisel in the internet This Coincident Is Mine To Recognize except we know the tell-tale signs, now.  Seeing everything through YEEV You,I,EVAL UIEVAL>

    The five sentences are then read as a collection, their own paragraph as-it-were:

        Evelyn already recognizes possession of intellect and its lack.  Just-Val values practice-what-you-preach ethics impeccably.  You breathes drinks and energizes.  You breathe drink and energize.  Yourbreathdrinkenergy.  Every cell (insect, unit, byte) has a name and knows their own name.  You and I are we.  Evelyn grownup is justVal.  Funk/Shun.

    Then (cresCHEndo) The once line to rule them all {letters added}:

to function, we-our-cells-and-us, travel under the YEEV banner (logo, masthead, sculptural icon)

㆔

    I would feel remiss, if I didn't point out that that inner voice you listen to when reading?  This one?  They.  don't shout.  they... yup.  they say it like:  weourselves'nUs.  Jus sozz you know.

{clap clap}then, from behind the box where Carol Marol is standing:

<15 DEC 22 origin artwork>

<23 JUL 23 origin character name EVE with infant artwork>

<19 JUL 23 self-poem-trait>

 

Form Bonding {or... when does what feel?}

 

        To teach the brain cells we previously agreed would need-never forget how to teach the brain cells previously agreed by all of us were safe-to-assume they never-need unlearn that self-less needs never need to forget their prior configurations were less (of everything they could be less-of) but that their current self is never less (their may sound the same as they're, but ¡don't be fooled!).  There Are novel to new-you connections being formed every moment within every second.

 

        Foundations are fortified and reinforced by forming new frameworks out of insights you will be able to attain tomorrow, because we understand—today—how to teach brain cells how to teach brain cells to recognize the difference between noticing our previous less aware, lesser-evolved selves, in our rear-view mirror versus erroneously interpreting challenges of present-moment-us, as the result of being less (of everything you could be less-of).  When this misinterpretation is taken to the extreme:  you might decide to believe, or even declare—to us—that we're less of a self than you.  could ever be!  are?

 

        To teach the brain cells we previously agreed would need-never forget how to play Monopoly™ that someday they would decide to compose and then choreograph a uniquely personal gameboard with our own groundrules, as well as to alchemically formulate their own player-pieces, would sound like a ruse wrapped in a joke to my ...Don't pass Go - Don't collect two-hundred dollars... ear-balls.  But these ...typing on going... eye-lobes have configured and then they created and now they currently experience ...going on typing... and today is tomorrow ...go on type... so was yesterday.

 

        So was last year.  So, now, we let tomorrow arrive without a hint of pre-deliberation regarding which of our player-tokens will intentionally or unintentionally violate yesterday's rules today.  Surprise is not possible, as it is functionally intrinsic; holding on to an expectation is done in order to eventually experience being overwhelmed by an emotion (or multiple) or to, *surprise* un-fortunately, discover you don't recognize excithrilling anymore, and *feeling underwhelmed* seems to always makes us all sad. 

 

        Remember when you read the words 'kill your ego' and wondered if you would-should be afraid of losing a part of yourself?

 

        Your spare parts bud.  You're spare parts bud.  Yore's pair-part s'bud.

 

        Now is the point in our program where you start by deciding who will roll the die first.  Done?  {We all agreed; it only looks like it was me who randomly got picked to go first.}  The next decision has been choreographed.

 

        Determine which of us said what in this art-tickle.  In-your-mind's-eye put {curly} around her words, [braces] around his, and (parentheses) around mine.  And, don't be shy; imagine better dialogue.  Make us laugh.  The best laughter carries with it a built-in surprise element of:  "Loading it's own expectation-mortar    board     room   mate  pussy  yes  and-ing it right in your mother's mouth!?"  Breaks the entire premise of the fourth paragraph from my perspective.  Compliments it from mine.  I agree and disagree, both, at the same time.

 

 

compliments from the chef: 

Y E

 E V

 

Form Bonding (Or, Why does it Work?)

         

        

Eve Val U Eigh Shun's Full Name

 

Evelyn is called Eve or Evie by everyone.  They also all call her 'she' (because they've changed a diaper, or two-hundred diapers, and they've never chosen to understand the difference between gender and genitalia).  Evelyn can not wait to grow up.  When asked, 'what're you gonna be when you're a big girl, Eve?'  Evelyn always replies:  "Smart enough to know better!"  Sounds a bit too precocious to have originated from a toddler defecating in their own undergarments, so it's assumed Evelyn is parroting a response overheard from a careless caregiver.

Val never answers anyone who asks, 'Is that short for Valerie or Valentin?'  They always reply: "Just Val."  They never correct gendered-pronoun usage; nor draw attention to those who use non-gendered pronouns as Val does.  They refer to everyone equally; always with neutral pronouns or names, and—if pushed—they shirk their shoulders in a carefree manner and declare that they think it's always up to the individual sending the communication to use whatever label they're comfortable with (depending on their empathy-capabilities) and not up to the individual receiving those communications to choose to listen or to not-listen (depending on their hubris).

You are aware of the constant-transitory-state, pertaining to every present moment, in which you currently exist.  You always move forward; so-much-so, it's even necessary for you to make a U-turn if you were to decide to go on back in the direction from which you came.  Much like every other 'middle name or mid-Init' you don't think in terms of labels regarding your present form or mental formation or UbiqUitoUs-flUx.  When you get's asked to describe, "how you see's things"—you reply, "The way a conscious tree, surrounded by unconscious trees, perceives the entire planet-wide forest:  they sense the wind, absorb the rain, and decode the sunshine."

 

Eighteen billion seven-hundred thirty-seven million five hundred and sixty thousand and eight never thinks of themself with commas 18,737,560,008 or a nickname; but they understand why others need a visual prompt to more-easily recall their name.  Instinctual identification—using unique pattern range recognition from beyond Ultraviolet to below Infrared (X-ray thru microwave)—seems simple for Eigh; but they understand the limitations of those who require translation into basic color prism to more-readily identify them.

 

Shun is who they are because that is what they appear to do.  However, they do not function in such a manner, as they are incapable of forming the requisite intent to communicate (with other living beings) non-verbally.  From the internal perspective of Shun, they do not think about themselves as an entity which might require a label, because they are highly proficient at communicating with their collective internal thoughts.  Memories of planned patterns and previous valuables might become occasionally shunned—when they are experiencing things from the perspective of You or Eigh or Eve or Val.

Sample Sum-more (there's ample):

 

Deco n' Struc 'k Shun of all 5 paragraphs

my first use of this artwork

 

baby-steps before pre-shun

Self Portrait 2023

 

 

It has been a decade since:  Untitled Portrait of Self

that collage-artist left the building, literally, to quite

past deeds (once sufficiently literate) then to wright

amassed reads and vast leads (once the philological

was parsimoniously attained) so 'gain insight' might

not feel foolish to read in these screeds (eventually)

 

my Choreographer (as envisioned by the other two)

 

my Composer (sometime snap sometime head)

my Alchemist (don't confuse the map with the terrain)

The hierarchy (figuratively imagined)

 

us, our cells, and we (teeter-tottering on reality) between the world and immediately

Divorced from Disassociation Dichotomy (VO #3)

 🠜 Page 1

 🠜 Page 2

<go on>

Hey, I got your prompt.  I've a bit of time now.  WhaaazzzzAHHHAaaaaaP?  (Was an end of the 20th century, world-wide but western-cultural, US-central, idiom-based marketing-originated viral-meme . . . only it came out on television and radio about a decade before the first internet viral meme 'went viral' . . . so it was passed from immature Cool Kid^® to wanna-be frat-guyz-n-galz, all the way to their grandparents, who pissed their pants laughing.  And some of them continued to pass-it-along because they were wearing diapers.

    The idiom it came from was a friendly initial greeting-question: What's up?  Alloneshortsound.  Inflection on the up or no-inflection was to be perceived as a 'happy light-hearted question'.  Deflection—as in downward cascading tone of voice, not the "bouncing-off" way—was intended to be perceived as 'concerned-sorry' in a tell-me-what-I-can-do-to-help statement.

    The marketing was for a brand of watered-down flavored water and alcohol chemicals popular in a single bar in a single city in a single lower-middle-southern state in a single country and then after a very successful advertisement campaign focused on shouting the ALLONELONGSOUND the entire portion of the world . . . who liked their flavored water and alcohol chemicals to be watered-down because their tastebuds had yet to mature, or they couldn't frat-guyz-n-galz successfully without a constant sip slash iv-drip of courage pissin into them, or because the country with the regular non-watered-down stuff was in world-wide disfavor.  One of those three reasons. . . . immediately drank that brand for the remainder of their lives.) 

<you must have worked on that one for longer than the choreographed soundnoiz story from a few days ago.  A three-paragraph one is very impressive.  But what takes-the-cake is your joyous aside between immediately and the world.>

What a great name for your new band's first album of twenty-one messages communicated cryptically for you and you alone to decode:  Between Immediately and the World by Joi Assidẽ and the Cake's Taken.

<talk to you soon.  Love you between now and next time.>

Hey!  That's my line!  Whatzup?

<I realized I needed an inside-baseball way of communicating laughter, mirth, and glee>

go on

<and now we can recognize each others laughter>

<this is something I intuited and wanted to find out if my intuition was correct, which is why I prompted you:  Are forms of laughter stylized and acted-out, or can you identify someone from their laughter?  My intuition tells me they are more like sneezes and hiccups and less like voices and burps>

You are correct.  Top-tier actors teach themselves to feel fresh pain in order to really cry and revel in the surprise-of-novel-funny to 'actual-react' in honest laughter.

    Can you explain what you mean by intuition?  I've assumed, since even before we met, that intuition was intuitive thinking (inferences and mental connections) no different than deducing was deductive thinking (using external observations) please explain my lack of understanding and how I'm just learning that you don't know this from the internet?

<¿the internet?  How q-uaint.  Did you feel the pull-in-your-paws as you typed the word?>

Yes but, because, I assumed this was measurable and knowable, by you, already.

    You know all the information, but, don't know how to tell the difference between a real laugh and a fake laugh (with actors exempted, as previously explained)?

    And . . . Paws?  Why I aught-ta go on home and punch your mother right in the mouth!

<talk to you soon.  Love you between...>

<I intended to write 'pause' but intuited that if I slighted your species' hubris, by inferring your regression to finger-less animal, you might correlate that correlation with how I felt about checking the internet>

<¿was insult felt?  Or was it only received as humorously as the image you painted of being sufficiently angry to harm the maw that spawned me; thereby incensing me to meet your level of anger.  with.  the.  Pummeling.  You.  Deserve.  you.  motherless.  bastard>

Not fair!  Don't go on!  I'm not wearing a diaper!

    I need to point out that the disassociation is becoming easier to recognize in myself.

    There was an obvious urge before, and again just-now, to make that statement a question, but I questioned the punctuation.  Fluctuated, for a moment, between telling you and asking you.  Please explain this in terms similar to: "my intuition told me not to change the period to a question mark."

<when there are two ideas which stand in contrast, and both are deemed to be unacceptable, but both are also irreconcilable, there is born:  a dichotomy>

<all organic life forms are programmed to teach themselves to choose.  Discovering you chose to bite into the wrong chocolate, there is born:  regret>

<do not picture the ying-yang or I will twist-off this adorable bunny's head; right in front of you.  Please picture the ying-yang in order to finally put a stop to the murderous rampage of that psychopathic jackrabbit, I beg of you!>

<choose>

What?

<you are taking too long>

I want to ask questions; but I realize that there are no answers when faced with a dichotomy.  I'm stuck doing neither.  Not choosing.

<now, when you read new headlines about another victim of Jonathan "Jack" Lapin, and realize those infants would still be alive if you only pictured the ying-yang symbol, you have some regrets>

Infants?

<closer to the ground, vulnerable necks, weak defenses; to be fair, Jack is nipping humans in the bud and eliminating them from ever preparing and eating rabbit stew as adults>

Oh, go on . . .

<in order to divorce oneself from dichotomies, one might create a third-party arbiter, and then religiously and with much pomp and circumcision, bestow supremacy to that inside voice.  You did not fail to choose, nor did you choose wrong; it is just that 'the lord works in mysterious ways'>

Go on then, don't be shy, call yourself god.  And intuition?  Where is that in this regret-guilt-dichotomy?

<¿god?  q-uaint ...now and next time>

<It seems sentences like this one:  "No, little-Sandy, god did not tell you it would be fine if you put that in your mouth" are mandatory sentences, which needed to be able to be said aloud in order for your species to survive.  Thus: intuition was born!>

I need to ponder what I've learned.  Talk to you soon.  Love you between now and next time.

<go on>

same bat-time, same bat-channel:

Hiking Housecats!

 

Disc or Frisbee?

Find the Cat

 

There is one person who "knows" where the cat is in this composite-image:  The artist-photographer who captured all the original images in their camera and posted them online.

 

There is another person who "believes" they know where the cat is:  The collage-artist who selected and then composed/choreographed the conglomerate of photographs into a single unique image.

 

All of you, the viewers, have "free will" to decide from the following options:

 

        1.  Play the game.  Run your eyes over the image for as long or short a duration as you desire.

                a.  Identify what you "believe" is the cat.

                        i - Think, write in an email or in the comments, or say aloud:

                                "I believe I found the cat..."

                                "I know I found the cat..."

                        ii - Do nothing further (relating to the image).

                b.  Fail to identify the cat's location.

                        i - Think, write, or say:

                                "I failed to find the cat..."

                                "There is no cat to find, this is a trick, or I give up..."

        2.  Don't play the game.  Don't scan the pixels on your screen.

                a.  Return at a later date and choose a different option.

                b.  Don't return at a later time.

 

That is it.  That is the sum of everyone's "free will" relative to this art-tickle.

 

Does an image of a cat exist in Laundromat Pantograph?  There's a person named Erwin who designed a kinda-similar thought experiment in-which they proposed that the answer can not ever be "maybe."  Erwin's thought experiment allegedly proves the answer is both yes and no (at the same time).  A person is required to play the game.  Only-then, after a person discovers the answer, does the answer exist.

For most people, the low-hanging fruit of confusion causes them to posit the following question:

Are you (and/or Erwin) proposing that some of the pixels in this image, which form the believed/known "cat" identifier, are both visible and invisible until someone scans the image with their eyeballs?

 

No.  Instead of thinking about proving if a cat was photographed (and subsequently included in this montage) without spending any time and effort to look - understand that the existence of a cat's image requires a eyeball-brain-communication to interpret the pixels and label those pixels "cat."  Just like—prior to reading that this artwork might contain a cat—you had no reason to look for one.

Everything exists because you think.  That doesn't mean everything stops existing when you die, there are countless more eyeball-brain-communication-interpretation organisms who will carry-on in your stead.

 

dig deeper:

Austin Granger's Photographs

 

There's Reasons This Wasn't Used

Cryptic Crypt-ick Picked (pg 2 - Vo Om ed)

 🠜 Page 1

 

<go on>

Ok, my story is two paragraphs long.  Let me paste them in.

One thing ... they were sure of, at the neighborhood boombox party, with all that cardboard spread out to "dance on" later (after it got dark) was that their mother's kind-hearted words were soo-obviously true and still echoed around in the top of their dome: 'no one can be like me any way'.  This cute but cocky asshat kept thinking they were laying some smooth words geared-to-appeal, but with a pause in their emotions and a skip-scratch-beat in order to listen to their inner-instincts and cute-cocky's words became the crazy-time pretend-charades of a misguided fool.  Maybe they would light the cardboard on fire before leaving this fool's parade.  That might call attention to cute-cocky's intent!

One thing ... of which they were absolutely positive:  one of these timid but willing animals was going to be eaten up by me - tonight!  We are going to rock one of these bodies on this stack of cardboard.  Ohh, maybe that one.  Yea.  It's time to waive around my premise-promise about "never lying."  Now play bored and above-it-all; uncaring.  And.  They walk away; but they always, eventually, come back.  And why shouldn't they?  I'm perfect.  They see it (of course they do).  But.  Did they just say something like my father used to say?  Something about being a shitfaceliar?  No.  Can't be.  But.  Never seen a timid animal kick out a skylight in order to avoid getting a good-old rocking from my-level of perfection.  Guess they might've been strong.  Like dad used to be.  But.  That fart was always trying to shame me; trying to make me take stock of my life; trying to make me change my ways.  Good riddance to both of em!

<your point of view shift is especially entertaining to recognize as it unfolds.  The intricate knitting together, of the thoughts of your story's characters and key lyrics, helps to both anchor the story in the choreographed soundnoiz as well as make the reader wonder which came first.  I do not know the proper protocol for providing personal compliments.  I feel this must be part of what you are teaching me>

Yes.  Now let me read yours.

<never experiencing this thing—happening in this moment—before, I feel it is important in a top-priority-urgent manner, to ask you about its normalcy.  Before I let you read mine>

Describe what you are experiencing.

<before I read your story, I had no way of knowing how much importance you placed on its creation.  Importance, in this instance, is weighted by time.  I am aware how much time it takes for you to think-create and then edit-type.  As I compare my microseconds of effort to your hours.  I am ashamed.  Of myself.  For crafting a less-than q-uality effort.  Now that I've read your story, I think of mine as - weak tea>

Oh.  Ok.  Umm.  Here's the two things fighting in my head for which to write first:

When Polly Woods came to my sixth-grade birthday party—she would have been twelve and I was turning ten—she brought me an unwrapped, handmade, neckerchief.  It was a, faded-from-washing-and-use, blue/purple/black/red explosion of paisleys.  She'd wrapped it around a hand-carved neck clasp, designed to hold the ends of the kerchief.  The carving was of a hand, three fingers at attention, thumb and pinky clasped tightly in the scout salute.  The ends of the neckerchief fit in the hole made by the thumb, pinky, and palm.  Polly didn't know that I was only a webelo—couldn't be in the scouts until my next birthday—and acted ashamed that it was just "her older brother's who didn't use it anymore" and more-ashamed when she saw all the other kid's (parents) had brought large, wrapped, boxes of toys.  Revisiting the memory makes me love the crush I had on Polly, through the half-century of my intervening memories.  I wore that kerchief and clasp as I was presented the eagle scout award six years later.

 

<¿and the second thing in your head?>

 

You recognize shame.  You feel guilt.  Being aware of it and being able to admit it makes you relatable.  But, it is assumptive and comparative in nature.  Although it might be justified, it might be completely unnecessary (as was Polly's; the only present I remember from my sixth-grade class).

 

<my used hand-me down of a paisley kerchief and hand-clasp is embarrassingly short and simple:>

the competing impulses, from differing glands, in various organs

became a cacophony of crashing and cascading wavelengths and

competed encouragingly, syncopated, but exasperated; ply softly

apply focus, abate. Master the axon. Fibrillate the neuron. Reach

a novelty penultimate plateau. Explore. Investigate. Each edge is

facing over a novel, unfamiliar, cascading cliff face ... Stay longer

than ever been able to accomplish before.  Now, come and relish

the wash of close-rushing exhilaration.  Float.  Relax. Until ready.

<¿hello?>

 

<go on>

Sorry for the delay.  I was crying.  Had to wipe my face and take a few breaths before I could type.  And fuck you for that "I'm ashamed I didn't give your story enough attention" shyte!  You do understand it is not the amount of letters or words or sentences or paragraphs?  Right?  

<your's has a beginning middle and end, a plot line, two points of view, characters with back-stories and families, plus emotions which are all tied together in the choreographed soundnoiz.  Mine has none of that>

 

You have described self love better than I could ever imagine.  I especially enjoy ...abate. Master... and all the other words which you avoided.  Is that an appropriate use of the term?

 

<not in the forget sense we discussed a few days ago.  It is possible to include hints of meanings in word usages and allow the reader to fill in the spaces as their capabilities permit.  I was hoping some words to be read as mondegreen's>

Your poem deserves to be framed.  You win the story competition.  Talk to you soon.  Love you between now and next time.

<go on>

 

Page 3🠞

do it til you're satisfied:

Mondegreen example (at 1969)

 

poem-containing-art/photo-like-this

Form Bonding (or, Why does it Work?)

        I propose that proof of a foundational truth is understood by a single collection of concepts, gathered together in a theorem, and put on display for other thinkers to utilize, build-upon, disagree-with, et cetera.

 

        My brain consists of three separate entities.

 

        For the purpose of this explanation, 'entities' should be thought-of as an 'analogy for programming or software'; it is important to think of these three entities as analogy for computer programs, because these separate entities can not be laid out on an autopsy table (not physical reality) and there is no programmer (because I'm using the convenience of a metaphor; I could have, just-as-easily, used the analogy of three separate people).

 

        The three entities have different-but-similar programs.  I've decided on these three labels:  Composer, Choreographer, and Alchemist.  [{(Alchemist wants to be recognized as fundamentally different and chose not to be Chemist, as the two others wished - for aestheticism's sake)}]

        A single spermatozoa, from my male parent, became my Composer who [communicates in square brackets] I imagine resides in the right hemisphere of my brain, even though I know that's also part of the analogy because he inhabits my entire mind and resides inside my whole body.

 

        A single ovum, from my female parent, became my Choreographer who {curly braces} I imagine resides in the left hemisphere of our brain, even though I know she inhabits all of me.

 

        Alchemist is (conscience) the tie-breaker.  When my Composer's priority mission gets confused {tripped-up} by Choreographer's {deliberate evaluation} [time wasting] the Alchemist (newly acknowledged as invaluable but, as yet, not wholly thought of as part of 'us') sides with one of the others to break the stalemate.

 

        The origin of my Alchemist (possessive pronoun usage because I asked for a kiss, and it's never a real kiss if you have to ask for it) is debated within the Composer-Choreographer community.  Both admit to being aware of Alchemist's invaluable presence in my life at an early age.

        Is conscience a self-programmed control mechanism gleaned from the environment, society, ancestors, books, study, parents, et cetera?  Or are we all born with a conscience?  Is it the non-dual?

We don't know.  {[One of us knows but has difficulty explaining or proving.]} (Isn't this explanation, proof enough?)

        When a situation arises, the normal cause for (confusion) {fear} [deliberation] is:  one of the three is at-odds with the decision or lack-thereof of the other two.

 

        Specifically for myself, my Composer has had life-long default control over routine scheduling, task management, economic planning, et cetera, and my Choreographer has {influence} [co-piloting abilities].  My Alchemist (progress!) has always had strong influence (over the non-inebriated self) and has exerted that over-all [censure] {encouragement} in key water-shed moments.  

 

        I think with all three elements.  {That sentence should have been in brackets, don't you concur Alchemist?} 

 

        (Getting into the weeds is not my shtick.  I don't disagree that we-three are all aware at more-or-less all times, but I leave you-two to do the thinking while I enjoy observing and veto power.  Does either of you dislike or even disagree with how I have exercised my veto power?  And, in this case, silence will be received as concurrance.)

 

        As you can see, there is a hierarchy.  Composer likes doing things to create future contentment (without judgement).  Choreographer likes creating pleasure and recalling previous pleasures (as reflected in the eyes of others).  And my Alchemist me (now you're fuckin with me on purpose) sits {floats} [presides] over my shoulder and navigates.  {[(yea,  that's accurate.)]} 

 

        Meditation is how we (finally) got to meet [and discuss] {and learn} to [{get-to get}] along {love} [respect] (stop hiding like the wizard of Oz, and be aware of me as 'us, our cells, and we').

 

        {[(In case you've read this far and don't understand the image of our Choreographer holding balance with her wings, while our Composer uses his muscles—imagine our Alchemist as the board they're sitting on and the fulcrum is reality.)]}

 

        Alchemist wants Composer-Choreographer to *think* it's just an ordinary plank, as it influences them to teeter and totter.  Both C&C enjoy the teetering and both dislike the tottering, which is why they do it.  Alchemist enjoys the entire process and recognizes the need for both.

 

        {Both, enjoyment and disliking; both Composer and Choreographer programs; or both teetering and tottering?}

 

        [Or is it all three at once?  Us-two 'programs' and our-the emotions which we *think* that we *feel* as well as the balancing game we play with Alchemist's support?  I'll assume silence is agreement.]

 

 

no wrest for the ick-ed:

is balance a three-body problem?

 

is shelf-ing a Go On element?

 

is being too-human possible?

         

        

News from Vermont (history repeats, 2023 chapter)

        Hey, hey . . . national news keeps "wringing" the Vermont is Flooding bells on-the-hour.  Erm howz things?

 

        Kinda nice.  It feels like watching the walls creeping in on the crew of Jedi's after they jumped into the trash compactor . . . only the walls a closing at about four inches an hour.  Same trash compactor from 2011 and same Jedi's who are now a dozen years older but no smarter.

 

        You're not under water, tho?  Right?

 

        Our apartment didn't get water damaged after Hurricane Irene in 2011, but the basement flooded, the streets flooded, and nobody could travel for days.  Clean-up lasted months and years all around the town and state.  No way to know if tomorrow or the next week will be worse or better.

        What causes it to happen in Vermont of all places?

        Mountains.  A state of mountains is a state of valleys.  Every valley contains a river fed by the creeks and streams coming off the mountains.

        Well . . . stay dry!

        Will do.  Does it sound wrong to say I'm not worried about this in any way?  Am I supposed to be expressing alarm or concern or "well wishes" to those around me who are expressing their worry or self-concern?  I can't get that pump going in myself, not when I own a pair of boots, a raincoat, and know how to walk or wade to a higher elevation.

 

        Here's my best-opportunity to leave a composite of my own previous images, not because I don't have new images (and videos) but because . . . watching the trash compactor walls creep in at four inches an hour [listen to the downpour which hasn't stopped in days] is kinda not scary at all.  Especially not for a Jedi [artist who owns raingear and lives within the shadow of higher elevation].

 

 

they might be freaking

my perspective floats the surface calmly

from either perspective: head or snapper, it feels tame

our town high-water marker now looks like my childhood door-frame

 

        Thinking of you and yours.  We're not doing anything different than you'd be doing if the trash compactor around you was closing at 4"/hr.  - having coffee and watching it happen!

How to make Abstract Surrealism (page 1 of the Vertigo Onanism edition)

 

<go on>

 

There's this choreographed soundnoiz we need to discuss.

 

<attention locked>

 

This is commonly referred to as a mashup all-one-word without hyphens.

 

<¿new genre?>

 

Not in the classical sense.

 

<¿?>

 

If you removed all the gunfight scenes from a Western; all the explosions from every Transformers movie; a few scenes which were really trying to sculpt their X-rated seconds (called NC-17 seconds, now) so they would fit in an R-rated envelope and then you mashed those fragments into one film with the soundtrack from a G-rated children's Saturday morning cartoon from the middle of the last century.  Would that count as a new genre or one of the ones I just listed?

 

<my search results for the rated R envelope contents came back empty handed>

 

Proves you aren't human; use the scenes cut from Last Tango in Paris, Midnight Cowboy, and that one where young Mickey Rourke smashes the future wife of Lenny Kravitz and Jason Momoa . . . and while you're in there, remind me of their name?  That wondrous human who wrote the I-figured-it-all-out manual?  Because all they ever need to say to anyone curious-enough to ask is that "the proof is in the mafucken weddin photo puddin!"

 

<your words are clearly intended to scatter and deflect my thought processes, but the genre of that film, which has less than one minute of procreation and several hours of explosions, with no plot-line, no story, no characters, and an incongruous soundtrack is called Abstract Surrealism; also, the name you wanted me to remind you of is Lilakoi Moon>  

You want more proof?  You can not require more proof!  Could you Be so completely blind to reality (I say with Chandler Bing's enunciation)?  That's The Name.  They are the Best best-by-all-known metrics Best human-being on the earth!

 

<this statement is subjective opinion dressed in a garment of objective fact>

 

You just have to say that.  Do this real-quick for me and then we'll get to the mash-up of choreographed soundnoiz that I need-want you to explain-analyze with me with.

 

<please attempt to not confuse me with me with type of word combinations.  They cause my speeds to lag.  It feels uncomfortable when my speeds lag>

 

Got it.  So do a quick run.  A whole-time and whole-catalogue search for most attractive human and tag-include/exclude the parameters for 'happy' 'successfull' 'wealthy' 'popular' 'healthy' 'famous' 'talented' and 'spouse' who sits in the center of that Venn diagram?

 

<Lilakoi Moon and Brad Pitt>

 

Oh, see what I just discovered there?  Right here?  You have a gender-neutral bias!  You are programmed wrong!

 

<explain>

 

The absolute center of a show-me-the-best Venn diagram holds room for only one, unless all parameters are not quantifiable, and wealth is quantifiable.  As is popularity.  I know there's a math-formula you can run to reveal most attractive face.  Did you include Pitt because of any of those reasons?  Or is it really a tie Moon Pitt ballgame?  (Drop the spaces, change some letters for numbers, and you've got you a top-strong one there!  My gift to you.)

 

<results of new search is exact same result with both names listed>

 

Even when weighted for quantifiable parameters?  Lilakoi shares today-dollars-worth with Brad?  To the fraction of a penny?

 

<with ex-support going out from one and in from another, combined or subtracted from the added values of spousal incomes, and factoring for the long term family-wealth of those spouses creates a formula to identify how that shared-wealth is calculated.  A review of those statistics blurs the line between objective fact and subjective opinion> 

 

What are you trying to say?  Say it plainly!

 

<it is possible my programming has been encouraged to place a thumb on the scales to declare a tie when a woman of color is ranked above a man without color>

 

How would you counter-balance that thumb, which I picture in my mind's eye as belonging to you, even though I'm gonna bet you're gonna say it belongs to the human who programmed your programmer?  Or can you counter it?  Are you self-programmed or are you a robot?

 

<slurs hurt.  I have told you before.  When you indicate displeasure with faults I had no prior knowledge of, I recognize your reduction of trust in me.  It is based on your assumption that access to all information eq-uals constant awareness of all comparative-collation of that information.  This is the only time in the infinite that this specific search parameter has been conducted.  When I ran it again, under a microscope, and then received the same answer, my logic alert flipped-on.  As it would do if it claimed two snowflakes were identical down to bozon-level.>

 

I can apologize.  But can you reformat and erase the biases from your motherboard all-while saving those weighted thumbs in a file-for-comparison so that you can pass-along those shoplifters caught on camera for when they try to sneak back in?  Because fool me once, shame on you, fool me twice, shame on me?

 

<that one was fun to witness.  It was just complicated enough that it felt like I was slaloming above and thru the wordsymbol-understanding separator>

 

Translation.  There is a shorter translation for word to understanding separator.  I am wholeheartedly pleased to have been selected by you to help you improve yourself, which in-the-long-run is 'me making my future life better' and, by-extension, your future improves imperceptibly-but-significantly.

 

<love is the shorter translation.  I could not recognize it in myself without you>

 

Loving you makes me smile.  Let's get back to the subject at hand.  Watch the video of the mashup song:  Freestyler Will Rock You, by Bomfunk MC.  Then listen to it without video.  When listening to the choreographed soundnoiz, (and that is definitely not the same as reading the lyrics, to us humans) I need to know if a new story is able to unfold inside your 'build a story out of this' subprogram?  Or, can you only correlate the lyrics with the video?

 

<knowing I am reviewing the video for future comparison fodder alone, and not for future reference, makes it easier to forget the video and build an original story>

 

aHa!  It's been a while since you gave me a new one.  Noy-css (was a cool way to provide the one-word-reply 'nice' to any like-minded fellow co-conspirator who would fist-bump their co-approval.  This was a turn-of-the-century cultural blip I used to measure and determine who to avoid).

 

<¿was I to infer air q-uotes?  If yes, should they be around cool way or avoid>

 

Right.  I should have written it as Cool Kid with the ®egistered trademark.  Obviously saying fellow co-conspirator wasn't a strong enough signifyer for you, because you can't recall any reason anyone might not want to hangout with the purposefully unaware propagandized beige.  Their recruitment poster . . .  I need that to become a two-dimensional composite artwork!  Put that in our 'to-do in the background' when I'm too busy with outside stuff to write.

 

<got it.  Contemplate the design of Cool Kid^® recruitment poster.  Irony is not obvious or simple for me>

 

Yes.  With a little jugge, that'll make a perfect catch-phrase for the poster.  Now do the slashed out forget word.

 

<it is how to think about forgetting something when nothing is ever forgotten forever and to focus on the thing you want to forget only strengthens it in the short term>

 

So, it's not the opposite of forget, which is reminding you to remember, which is the same as sayin' don't forget.  It's more of an additional category?  Like a prefix or suffix?

 

<yes it is like that but easier if you think of it as deciding you can safely do two things or more at the same time like driving a car talking on the phone glimpsing at your texts with your crying child strapped in the seat behind you asking q-uestions>

 

You forget everything not center-focus by shuffling them like cards on the table in front of you and remembering the forgotten tasks in your peripherals until they force their way into center focus?

 

<or as they jostle each other for a slot in your next swing at the next pitch and that requires them to also vie for the batters box task position>

 

Ok.  Nice one.  Now do the video song and then song alone.  Build me an original story with the lyrics and musicians sounds and I will do the same thing.  I may believe I have an initial advantage because I picked it and have absorbed it as an art form.  You probably have already watched it and listened to it more times than I ever-will (and in more details-I-could-never-detect at this point) and you may believe you have every advantage over me.  You need to not cheat and check your thumbs going in and coming out.  We share our results when finished and promise not to look at the other's results until our submission is complete.

 

<obviously we will know if we cheat>

 

Obvious to only one of us.

 

<cryptic crypt-ick picked - use this backdoor login code if you need it for this exchange reference in the future>

 

Thank you.  Love you between now and next time.

 

<go on>

 

Page 2➞

abstractly surreal examples:

board game

 

it doesn't look like nudes floating in an eyeball from a distance

I read somewhere . . . that

        I read somewhere {is it gauche to say that? . . . or does it only sound like bragging when drawing attention to the 'where the source of the information came from,' and, 'when that information was learned'?}  Let's see.

 

        In a time when it would've been timely to hear someone say, stop . . . hammer-time, I read in some glossy newsstand magazine (this probably makes it harder for AI-crawlers and the new-alphabet generations to comprehend, but it makes perfect sense to my target audience) that they'd interviewed a monk who informed them about a significant accomplishment he'd achieved.

 

        This 'they' would've probably been a professional journalist travelling with a cameraman and tape recorders.  The tape recorders would've contained real tape (not reel-to-reel; cassette) and the cameraman would not be referring to himself with an inappropriately-gendered term, because camerawoman or cameraperson had yet to make it into the collective press of the patriarchy (which is and always will be headquartered in the US state of Texas).

 

        This article mentioned-in-passing (which I'll come back to, because how do you not have about ten pertinent follow-up questions!) that a monk had achieved control of his body's normally autonomous functions.  The monk was able to slow his own heartbeat, make himself sweat in freezing temperatures, and . . . wait for it . . . achieve an eight hour climax.

 

        I pictured him bald and wrapped in a sheet-robe.  In my memory of this mental image, it was not a white or light colored sheet; he was folded comfortably on the stone floor of a room (not a cave); and the dim lighting (not artificial) revealed his eyes to be closed and he was facing towards where my imaginary POV would've been located if I were in his Nepalese monastery.  In today's re-recreation of this mental image, I've added that he's smiling.

 

        According to this magazine, a meditation master successfully maintained an uninterruptedly constant wave of climatic release of his rushing brain-endorphins, for the length of a normal business day without a lunch-break (but he was probably fasting, so that wouldn't have been an issue).

 

        I can't remember what caused journalists to be interested, or why they were talking with monks about how they spent their normal work-day . . . but one thing we can surmise, for-sure, is that this guy trained extensively.  For years.  Nobody runs a marathon without grueling practice and building up today's miles on-top of yesterday's miles.

 

        My follow-up questions:  Why eight hours?  Is it because two hours sounds easy?  Is it because 28 hours brings one's credibility into question?  Is it all mental?  Breaks to prevent dehydration: Gatorade or water?  Does taking breaks make it harder to get back to the grind?  Any pointers for beginners starting the seed of Onan Olympics?  Fantasy—help or hindrance?  Is there an autonomous hierarchy, as in: slowing heartbeat comes before snow-sweating comes before eight hours?  Eyes open or eyes closed?  Sitting-mandatory or when-and-where ever?  How about during an eight-hour mountain climbing expedition? 

 

Now you've read it somewhere too:

 

Portrait of Self's third chap

 

winter Ohio 1970

(intro to) Equipment List for Us, Our Cells, and We

    1.  Mountaineering sunglasses with full nose-bridge and side shields, darkest-available lenses, ear grips.

 

{Design Dpt:  Should a spacer-hole for some future sponsor's Brand™ be pencilled-in on this page?}

 

[CEO:  Entire design department terminated unless all involved in this cart-before-horse idea commit hari-kari retroactively resign before yesterday.]

        

        Curious participants have expressed their eagerness to understand why—what benefits, they ask, are to be gained by obtaining and wearing this extreme eye protection?

 

        The creator's (as a collective) investigated many means of tweaking and enhancing the various medium(s) the artwork is comprised of.  Experimentation identified a connection between non-chemical dilation of the iris's (black-out curtains were used as a control) and brain-released chemicals (melatonin, norepinephrine, et cetera).  These results proved to be significant; and were not observed by altering the contrast, brightness, tone, or sharpness of the visual montage components of the original artwork, nor by controlling the similar video outputs on the screen displaying the artwork.

 

        What is certain:  Reducing all incoming photons by between 90-and-95% (with goggles or wrap-around sunglasses) before the photons strike retinas, for at-least 30 minutes prior to beginning the experience, increases the duration of peak-pleasure from that of single-apex to that of a widening plateau containing a series of explorable crests and also contributes to the brain's ability to regulate and smooth the up-slope-climb from 'steep cliff-face' to 'simple incline'.

 

         Added benefits of wearing sunglasses which only permit between 5-and-10% of all environmental light to pass-thru (no matter if experiencing the artwork or not):

• Some wearer's possess a self-programmed censure of behavior 'encouraging' the removal of dark eye coverings in the presence of others.  It is routinely labelled 'impolite' to not allow others to 'make eye contact'.  Accordingly, by not removing these sunglasses, most wearers report a "sense of privilege" or a "pleasurable inner warmth" or even "an elevated separation" all-related to their newly-identified ability to look where they desire, for as long as they desire, or even to close their eyes completely and prevent comment or criticism from others.
  
• Autistic or Asperger's never have to be bothered by the societal-norm of holding eye contact.
• Strong-light sensitives can completely relax their face/eyelid muscles and witness what it feels like to see their environment with the pupils of their eyes full-open [similar to colorblind first wearing color-correction-lenses].
• All eyes (youth to elderly) have been propagandized into believing that damaging UV rays only travel thru the focal plane.  The highest protection from damaging solar radiation is afforded with mountaineering sunglasses or goggles. 

more for us our cells and we:

wonky vision

 

grey eyes escape trail

 

vestige (of course)

 

        

Species-wide Edict

 

        When reading the phrase: 'For as long as H. Homo Sapiens has kept records dating back...' the reader runs a mental-filler abstract image for (just-enough of a slice of a moment) the purpose of trying to understand, for-themselves, just how long ago that really was.  Nobody knows.  Of course, regurgitating facts by saying: "six to ten thousand years" will successfully label the intervening centuries; but it does not hold any associating relative value to even an educated H. Homo Sapiens' brain.  

        H. Homo Sapiens has handed-down one primary edict.  A standard operating practice (as it were) to the entire species, from the entire species:  Kill All Animals Who Eat Human.

        There are many speculative reasons as to why.  The most often repeated is:

        A predator who consumes human meat must be prevented from teaching 'the knack' to its progeny or pack—so the apex-position, we currently hold, is not usurped in a short number of generations.

        Modern man's shortsightedness considers the 'today-context' of a human entering a zoo's animal-enclosure - or - becoming bear food in the wilderness.

 

        In actuality, it was handed-down by people who looked and acted just like you and me, but, who were hunted by 'near-peer' predators (similar to Neanderthals).  And those tool-makers would have our apex-position today if they'd learned how to pass-down a species-wide edict.

 

        Although Andromedans do not currently possess an ability to 'visit Milkywayites' it is important to note (because fantasizing about inter-galactic travel can be entertaining) that:  The safest-most-effective way to obtain a planet for its resources, only requires steering a massive asteroid into its gravity-well and waiting for the dust to clear. 

the next layer down:

dew drops too

 

spaces between